Gaza journalists fear they could be targeted next amid Israeli smear campaign

Israeli media outlet +972 reported the existence of a military “legitimization cell” tasked with portraying Gaza journalists as Hamas militants in an effort to “blunt growing global outrage over Israel’s killing of reporters.” (AFP/File)
Short Url
Updated 01 September 2025
Follow

Gaza journalists fear they could be targeted next amid Israeli smear campaign

  • Media watchdogs warn more reporters in Gaza are at risk of being killed by Israeli ‘war crimes’
  • ‘We live in a state of constant anxiety and real fear that we might be next:’ Gaza journalist

LONDON: Journalists in Gaza say fears are mounting that they could be the next targets of Israeli strikes following a smear campaign that links media workers to Hamas.

Several journalists, primarily from Al Jazeera, have reported threats against them on Israeli media and say some have been identified as targets in military statements, prompting some to request anonymity for their safety.

Media watchdogs, including the Committee to Protect Journalists, warn that this Israeli tactic of labeling journalists as Hamas affiliates is designed to “manufacture consent” and justify deadly attacks on the press.

“By labelling journalists and media workers as Hamas operatives, it aimed to legitimize their murder. This is not only dangerous, it is a war crime unleashed through information warfare,” said Sara Qudah, CPJ’s Middle East and north Africa regional director.

Such accusations, often linked to critical reporting on Israeli military operations, reflect a broader pattern to reportedly justify strikes on the press.

“If Israel can kill its most visible reporters without consequence, it signals that no journalist or their family is safe. This sustained targeting of the press is a grave threat to press freedom. The world must act to stop this massacre.”

CPJ, Reporters Without Borders, and Al Jazeera have all expressed deep concern for journalists in Gaza who face unfounded allegations and are at imminent risk. The warnings come amid a deadly month for the media; nearly a dozen journalists have been killed in August alone, including Al Jazeera correspondent Anas Al-Sharif and Mariam Dagga of Independent Arabia.

Other victims include Moamen Aliwa, Mohammed Qreiqeh, Mohammed Noufal, Ibrahim Zaher, Mohammed Al-Khaldi, Hossam Al-Masri, Mohammad Salama, Moaz Abu Taha and Ahmed Abu Aziz, all killed in Israeli strikes.

Rights groups say the Israeli military justified the killing of Al-Sharif and others by claiming they were Hamas operatives involved in the Oct. 7 attacks — claims widely dismissed by rights bodies and the international community as “fabricated evidence.”

A similar justification was offered in the strike on Nasser Medical Complex on Aug. 25, where Israel alleged militants used a camera to monitor Israeli forces, leading to further journalist and medic deaths in what was confirmed to be a “double tap” strike, a controversial military tactic designed to maximize casualties.

Israeli media outlet +972 reported the existence of a military “legitimization cell” tasked with portraying Gaza journalists as Hamas militants in an effort to “blunt growing global outrage over Israel’s killing of reporters,” a tactic journalists describe as an attempt to silence the only voices left in Gaza.

One Al Jazeera journalist, Ismail Al-Ghoul — who was killed in an Israeli military claimed targeted killing in July 2024, along with his cameraman, Rami Al-Rifi — was named in military documents as a Hamas operative, although documents cited as evidence were shown to contain inconsistencies, including the fact that he allegedly received military ranks when he was just 10 years old.

At least six Al Jazeera journalists have been targeted using this tactic; two — Al-Sharif and Hossam Shabat — have been killed, and another, Ismail Abu Omar, was critically wounded and evacuated from Gaza earlier this year. Three remain under threat, while others report ongoing social media campaigns against them.

“They are not allowing international journalists in and then are defaming local journalists and justifying ongoing assassinations,” said Tamer Almisshal, a senior presenter at Al Jazeera in Doha who has reported from Gaza for years and faced threats himself.

“What we are saying is very clear: They are trying to kill the only voices and eyes left in Gaza, and they are scaring the others not to work. They give the journalist one choice: If you work, you will be targeted.”

Watchdogs including CPJ, Amnesty International and the UN rapporteur on freedom of expression have warned that this pattern of falsely accusing journalists to justify deadly strikes is escalating.

The Israeli military declined to comment, rejecting accusations of war crimes, but several cases are being reviewed at the International Criminal Court, including the strike that killed Al-Sharif and his colleagues.

In November 2024, the International Court of Justice issued arrest warrants for Israeli officials Benjamin Netanyahu and former defense minister Yoav Gallant as well as former Hamas commanders, citing allegations of war crimes and crimes against humanity.

One journalist in Gaza said: “We live in a state of constant anxiety and real fear that we might be next.”

They added that the targeting of journalists is no longer just exceptional but “a dangerous reality that threatens our lives and targets our message.”

“We call on the international community and journalist protection organizations to take urgent action to provide us with protection, hold those responsible for these crimes accountable, and guarantee our right to work freely and safely in accordance with international conventions,” the reporter said.


From injury to influence: Khaled Olyan — the new voice of Arab football

Updated 30 January 2026
Follow

From injury to influence: Khaled Olyan — the new voice of Arab football

  • The Saudi social media star — TikTok’s Arab Creator of the Year — recounts how a setback ended his playing ambitions and pushed him to redirect his passion 
  • Known for memes and commentary that blend football, travel, culture and everyday life, Olyan is FIFA-accredited as a sport informant and covered AFCON 2025 in Morocco

LONDON: A broken dream launched Khaled Olyan’s unexpected rise as a Saudi social media star. Passion and perseverance took him from shattered ambitions to the Africa Cup of Nations 2025 in Morocco, where he surfed the hype while representing Arab culture.

“The journey began with a child who dreamed of becoming a football player to fulfill his own dreams and those of his family and community. After an injury ended that path, I didn’t break, I redirected my passion toward football media,” he said.

In an interview with Arab News, shortly after being crowned TikTok’s Arab Content Creator of the Year, Olyan — who has 13.2 million followers on that platform and 5 million on Instagram — credited his rise to “pure passion and honest content,” and said he had learned over time that “consistency matters more than fast virality.”

He added: “The turning point came when I realized that content can genuinely impact people, not just generate numbers or views. (Then I) stepped outside the traditional sports-content framework and linked football to culture, people, and place. It wasn’t a guaranteed path, but it shaped my identity today as a creator with a clear message and purpose.”

Olyan made history as the first regional creator to be accredited by FIFA as a ‘sport informant,’ a milestone that, he said, has given “local content global credibility and reach.”

Most recently, he was in Morocco to document AFCON, where he highlighted both the host country’s hospitality and the electric atmosphere in the grounds.

“It felt like a responsibility before it was an achievement,” he said. “I felt that my role went beyond coverage to building cultural bridges between people.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by KHALID ALOLAYAN (@olyan15k)

Known for his memes and commentaries blending football, travel, culture and everyday life with feel-good humor, fans hail his “unmatched enthusiasm” and refer to him as “the voice of Saudi football fans.”

“Content today is no longer just entertainment,” he said. “It has become documentation of moments and an influence on collective awareness, especially in sports and culture across the Arab world. That (means there is) a much greater responsibility on everything I create.”

Saudi Arabia’s content-creator ecosystem has evolved dramatically in recent years, driven by a wider national transformation that has reshaped almost all aspects of public life, including sports and entertainment.

“The transformation has been rapid and significant, opening unprecedented opportunities for creators,” Olyan said. As the country moves “quickly toward global leadership in sports,” he added, it has also raised ambitions and created new routes for people to turn dreams into reality.

Across the region, the creator economy is booming, powered by a young audience, government investment and platforms such as TikTok. In 2025, the GCC alone was home to 263,000 social media influencers — a 75-percent increase in just two years according to data from Qoruz, an influencer-marketing intelligence platform.

Globally, fashion and entertainment dominate the influencer industry, but the GCC market has followed a slightly different trajectory. Lifestyle and travel also lead the charts, reflecting both regional affluence and a cultural emphasis on luxury, aesthetics, and experience-led content.

href="https://www.tiktok.com/tag/%D8%AE%D8%A7%D9%84%D8%AF_%D8%A7%D9%84%D8%B9%D9%84%D9%8A%D8%A7%D9%86?refer=embed">#خالد_العليان #المغرب #كاس_امم_افريقيا #هدايا #سحوبات ♬ original sound - KHALID ALOLYAN

While sport is not a major category, the research underscores what makes the GCC ecosystem distinctive: high digital penetration, brand-conscious audiences, and multilingual, multi-ethnic creators, with campaign planning often shaped by strategic decisions about language and identity.

Olyan said he sees many regional influencers following the same path as him — though not necessarily through sport. “I believe we are contributing to clearer roadmaps for anyone aiming for success through creative, values-driven content rooted in strong human principles,” he added. “Opportunities are abundant, but the real challenge lies in consistency and maintaining quality amid pressure and high expectations.”

For Olyan, Arab culture is not an add-on to, but the backbone of, his storytelling. He frames the region’s passion for football alongside questions of Arab identity, delivering it in an entertaining format that can travel beyond the usual language barriers.

“What makes sport special is that it’s a universal language. Many non-Arab audiences already follow my content daily, supported by AI tools. Arabic is my language and a core part of my identity, and I won’t change it. Instead, I’ll rely on smart translation tools and solutions to reach wider audiences.”

Olyan also noted that the region has long been framed through the narratives of people from elsewhere, often in ways that highlight only its darker corners.

“The Arab world is full of inspiring stories and a rich culture that deserves to be told through the eyes of its people, not only from the outside,” he said, adding that he hopes viewers value his videos for “changing their perspective and helped them see the truth more clearly.”

Olyan was crowned TikTok Arab Content Creator of the Year 2026 at a ceremony held in partnership with the 1 Billion Followers Summit in Dubai.

He said the recognition was a result of more than just a run of viral moments, explaining that it came about “through structured, institutional work, team development, and linking content to long-term goals. Sustainability comes from creating moments and building value, not relying on trends or short-lived hype.”

Underscoring the double-edged nature of social media, Olyan argued that attention alone is not the point. “Real impact happens when content is used to educate and inspire people, not just capture their attention.”

He also expressed skepticism about banning under-16s from social media. Regulation matters, he said, but “awareness, smart supervision, and teaching safe usage matter more than complete bans.”

Creators, he added, are not immune to the platforms’ darker side. Psychological pressure, mental exhaustion, and long periods away from family due to frequent travel are part of the job. “I manage it through time organization, temporary breaks, and returning with renewed passion,” he explained.

 

href="https://www.tiktok.com/tag/%D8%AE%D8%A7%D9%84%D8%AF_%D8%A7%D9%84%D8%B9%D9%84%D9%8A%D8%A7%D9%86?refer=embed">#خالد_العليان #كاس_العرب #السعودية #المغرب ♬ original sound - KHALID ALOLYAN

Olyan is also the founder of the O15 Football Academy, a project rooted in his childhood dream and one he sees as part of a broader sporting movement gaining traction in the Kingdom. For him, the academy is not just about competition, but about giving children a supportive environment where sport becomes a formative social practice.

“As a child, I wished such an academy existed for me and my friends,” he said. “Many talents were playing in local neighborhoods without professional guidance or support, causing real potential to be lost due to the absence of proper training environments, follow-up, and opportunities. The environment was often challenging and unmotivating.”

His academy aims to identify talent early, develop it “scientifically,” and prepare players to compete at club and national levels, but Olyan added that even those who do not pursue the sport professionally can also benefit “educationally, culturally, and socially.” 

Football, he said, is “a form of soft power that, by God’s will, can positively impact many aspects of life.”

Whether creating content or helping others pursue their sporting dreams, Olyan said his guiding principle comes from a line by the late Saudi politician and poet Ghazi Al-Qusaibi — a reminder that what you hope for in small measure can arrive, unexpectedly, in abundance: “You wish for a drop of good news, but God wishes to help you with rain.”