Bands pull out of UK festival following Palestinian flag controversy

The Mary Wallopers hold a Palestinian flag as they protest onstage during Day 1 of Victorious Festival on August 22, 2025 in Southsea, England. (Getty Images)
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Updated 24 August 2025
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Bands pull out of UK festival following Palestinian flag controversy

  • Incident sparks wave of boycotts from other performers

LONDON: Several bands withdrew from a British festival on Saturday following claims that Irish folk group The Mary Wallopers had their set cut short for displaying a Palestinian flag.

The incident sparked a wave of boycotts from other performers in solidarity, it was reported on Sunday.

The Last Dinner Party, Cliffords, and The Academic announced that they would no longer perform at the annual Victorious Festival in Portsmouth, citing concerns over political censorship.

Rock band The Last Dinner Party described the incident as “outrageous” and said they could not condone silencing artists.

“As Gazans are deliberately plunged into catastrophic famine after two years of escalating violence, it is urgent and obvious that artists use their platform to draw attention to the cause,” the band said in a statement shared on Instagram.

They urged fans to support Palestinian medical charities and apologized to those hoping to see them perform.

The Mary Wallopers claimed the festival released a “misleading statement” by suggesting their set was cut due to a discriminatory chant, rather than the band’s call to “Free Palestine.”

They released video footage showing a crew member removing the flag from the stage before the sound was cut.

“The same crew member is later heard saying ‘You aren’t playing until the flag is removed’,” the band added.

The Academic said they could not “in good conscience” perform at a festival that silenced free speech, while Cliffords said they “refuse to play if we are to be censored for showing our support to the people of Palestine.”

Festival organizers initially said The Mary Wallopers’ microphones were turned off after displaying the flag, citing a long-standing policy against flags for safety and event management reasons.

They said: “We spoke to the artist before the performance regarding the festival’s long-standing policy of not allowing flags of any kind at the event, but (we said) that we respect their right to express their views during the show.”

They acknowledged, however, that the policy was not communicated sensitively and apologized for the way the situation was handled.

They added: “The Mary Wallopers are a fantastic band, and we were very much looking forward to their performance on Friday.

“We are in the business of putting on great shows, not cutting them off, and this is the last thing we wanted — for the band, their fans and ourselves.”

Organizers also pledged to make a “substantial donation” to humanitarian relief efforts for Palestinians.

The festival’s closing day on Sunday was set to feature Kings of Leon, with Bloc Party, Gabrielle, and The Reytons among the other acts scheduled to perform.


Alia Bhatt, Sigourney Weaver talk love for authenticity, strong women

Updated 55 min 19 sec ago
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Alia Bhatt, Sigourney Weaver talk love for authenticity, strong women

JEDDAH: On the seventh day of the ongoing Red Sea International Film Festival, two actresses — set apart by geography and time — spoke of their love for telling authentic stories and depicting strong women.

Bollywood superstar Alia Bhatt and Hollywood great Sigourney Weaver, on their respective In Conversation panels, reflected on their varied careers and the choices that led them to enduring success.

From a teenager stepping onto her first film set to a respected actress in her early thirties, Bhatt’s journey is a testament to the power of curiosity and instinct.

Bollywood superstar Alia Bhatt. (Getty Images)

“When I started out, I was ... maybe 17, 18,” she said. “I was way more enthusiastic and full of beans, trying really hard because I was just starting out.”

Her approach has evolved, but the core remains unchanged. “I’m still enthusiastic, still full of beans, but the approach is more silent. It comes with a little more sense of intent,” she said.

“I approach my work truly through pure instinct. The way I choose a part is like, ‘Oh, I've done this. Now I want to do this.’”

This approach, she said, led her to take creative risks — from “Highway” to “Udta Punjab” to Gangubai Kathiawadi” — always seeking variety.

Turning producer with Eternal Sunshine Productions was a natural progression of that curiosity. “I have a real strong passion for stories, so I like to get into it.

“And I like to think, ‘Okay, this has this potential, or this has that potential,’ and either I’m in it or I’m not, but I like to assess the initial stages of a story which is just a synopsis or first draft on paper.”

 Hollywood heavyweight Sigourney Weaver. (Getty Images) 

Weaver said she never set out to become an action hero. Initially shy and unsure, she was drawn not to specific roles but compelling stories.

When “Alien” came along, she approached the script with an open mind, unaware she was about to redefine female characters in science fiction.

“We were just trying to make a good, small movie,” she recalled. “The writers had cleverly crafted a script with a mixed-gender crew of “dirty space truckers,” deliberately subverting expectations by making the young woman the survivor and hero.

Weaver did not see it as a feminist statement at the time, but as a natural storytelling choice. Her character, Ellen Ripley, represented the idea that women could be self-reliant.

“She reminds us all that we can rely on ourselves and we don’t need a man to fly in and save us,” said Weaver.