Exploring food, faith and culture at Museum of Islamic Art’s ‘A Seat at the Table’ exhibition

The Museum of Islamic Art’s new exhibition, “A Seat at the Table: Food and Feasting in the Islamic World,” developed in collaboration with the Los Angeles County Museum of Art, explores how food connects people across cultures and faiths. (Supplied)
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Updated 18 August 2025
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Exploring food, faith and culture at Museum of Islamic Art’s ‘A Seat at the Table’ exhibition

  • Over 100 items showcase food, feasting in Islamic world
  • Utensils, manuscripts, ceramics and textiles are on display

DUBAI: The Museum of Islamic Art’s new exhibition, “A Seat at the Table: Food and Feasting in the Islamic World,” developed in collaboration with the Los Angeles County Museum of Art, explores how food connects people across cultures and faiths.

Organized into five thematic sections, the Doha exhibition examines different aspects of culinary traditions in Islamic culture, from preparation and presentation to their role in rituals, celebrations and daily life.

On display are over 100 items from the Museum of Islamic Art’s collection, along with select loans from other Qatar Museums institutions and the Qatar National Library. These include lavish serving vessels, cooking tools, manuscripts, ceramics and textiles.

“The original idea for the exhibition came from LACMA, which Qatar Museums has an official partnership with,” Tara Desjardins, senior curator of decorative arts and design at Lusail Museum, said recently.

“Their senior curator of Islamic art, Linda Komaroff, was already preparing an exhibition called ‘Dining with the Sultan’ (2023) that she wanted MIA to collaborate on and/or host as a potential venue.”

“However, when we began discussions in 2020, it became apparent that we needed to have a different storyline to hers, one that spoke to our local audience and promoted our rich collections here in Qatar,” she added.

Desjardins explained that food offers a unique lens through which to understand shared traditions across the Islamic world.

“Food is a universal topic that has the power to cross boundaries and unite cultures and communities,” she said.

“Despite this breadth and diversity, fundamental practices and beliefs rooted in religious traditions connect all Muslims, irrespective of location or culture.”

The exhibition includes videos of chefs preparing dishes. “The contemporary chefs intend to bring a real-life aspect to the exhibition and to highlight the importance of chefs,” Desjardins said.

While researching, she was struck by common threads. “What was perhaps more surprising is how similar culinary traditions are, and how easily ingredients, dishes, and gastronomy have travelled through time and space,” she said.
 


Writers boycott Adelaide Festival after Randa Abdel-Fattah is dropped

Updated 16 sec ago
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Writers boycott Adelaide Festival after Randa Abdel-Fattah is dropped

DUBAI: A wave of writers have withdrawn from the Adelaide Festival’s Writers’ Week, prompting organizers to take down a section of the event’s website as the backlash continues over the removal of Palestinian Australian author Randa Abdel-Fattah from the 2026 program.

The festival confirmed on Friday that it had temporarily removed the online schedule listing authors, journalists, academics and commentators after participants began pulling out in protest of the board’s decision, which cited “cultural sensitivity” concerns following the Bondi terror attack.

In a statement posted online, the festival said the listings had been unpublished while changes were made to reflect the growing number of withdrawals.

By Friday afternoon, 47 speakers had already exited the program, with more believed to be coordinating their departures with fellow writers.

High-profile figures stepping away include Helen Garner, Chloe Hooper, Sarah Krasnostein, Miles Franklin Prize winner Michelle de Kretser, Drusilla Modjeska, Melissa Lucashenko and Stella Prize-winning poet Evelyn Araluen.

Best-selling novelist Trent Dalton also withdrew from the event. He had been scheduled to deliver a paid keynote at Adelaide Town Hall, one of the few Writers’ Week sessions requiring a ticket.