Gaza’s young musicians sing and play in the ruins of war

Music instructor Mohammed Abu Mahadi of the Edward Said National Conservatory of Music conducts a lesson at Gaza College in Gaza City. (Reuters)
Short Url
Updated 14 August 2025
Follow

Gaza’s young musicians sing and play in the ruins of war

  • The conservatory was founded in the West Bank and had been a cultural lifeline for Gaza ever since it opened a branch there 13 years ago, until Israel launched its war as a response to the Oct 7 attacks

GAZA CITY: A boy’s lilting song filled the tent in Gaza City, above an instrumental melody and backing singers’ quiet harmonies, soft music that floated into streets these days more attuned to the deadly beat of bombs and bullets.
The young students were taking part in a lesson given on August 4 by teachers from the Edward Said National Conservatory of Music, who have continued classes from displacement camps and shattered buildings even after Israel’s bombardments forced them to abandon the school’s main building in the city.
“When I play I feel like I’m flying away,” said Rifan Al-Qassas, 15, who started learning the oud, an Arab lute, when she was nine. She hopes to one day play abroad.
“Music gives me hope and eases my fear,” she said.
Al-Qassas hopes to one day play abroad, she said during a weekend class at the heavily shelled Gaza College, a school in Gaza City. Israel’s military again pounded parts of the city on August 12, with more than 120 people killed over the past few days, Gazan health authorities say.
The conservatory was founded in the West Bank and had been a cultural lifeline for Gaza ever since it opened a branch there 13 years ago, teaching classical music along with popular genres, until Israel launched its war on the Mediterranean enclave in response to the October 7, 2023 Hamas attacks.
Before the fighting, Israel sometimes granted the best students exit permits to travel outside Gaza to play in the Palestine Youth Orchestra, the conservatory’s touring ensemble. Others performed inside Gaza, giving concerts in both Arabic and Western traditions.
After 22 months of bombardment, some of the students are now dead, said Suhail Khoury, the conservatory’s president, including 14-year-old violinist Lubna Alyaan, killed along with her family early in the war.
The school’s old home lies in ruins, according to a video released in January by a teacher. Walls had collapsed and rooms were littered with debris. A grand piano had disappeared.
Reuters asked the Israeli military about the damage. The military declined to comment without more details, which Reuters could not establish.
During last week’s session, over a dozen students gathered under the tent’s rustling plastic sheets to practice on instruments carefully preserved through the war and to join together in song and music.
“No fig leaf will wither inside us,” the boy sang, a line from a popular lament about Palestinian loss through generations of displacement since the 1948 creation of Israel.
Three female students practiced the song Greensleeves on guitar outside the tent, while another group of boys were tapping out rhythms on Middle Eastern hand drums.
Few instruments have survived the fighting, said Fouad Khader, who coordinates the revived classes for the conservatory. Teachers have bought some from other displaced people for the students to use. But some of these have been smashed during bombardment, he said.
Instructors have experimented with making their own percussion instruments from empty cans and containers to train children, Khader said.

A BROAD SMILE
Early last year, Ahmed Abu Amsha, a guitar and violin teacher with a big beard and a broad smile, was among the first of the conservatory’s scattered teachers and students who began offering classes again, playing guitar in the evenings among the tents of displaced people in the south of Gaza, where much of the 2.1 million population had been forced to move by Israeli evacuation orders and bombing.
Then, after a ceasefire began in January, Abu Amsha, 43, was among the tens of thousands of people who moved back north to Gaza City, much of which has been flattened by Israeli bombing.
For the past six months, he has been living and working in the city’s central district, along with colleagues teaching oud, guitar, hand drums and the ney, a reed flute, to students able to reach them in the tents or shell-pocked buildings of Gaza College. They also go into kindergartens for sessions with small children.
Teachers are also offering music lessons in southern and central Gaza with 12 musicians and three singing tutors instructing nearly 600 students across the enclave in June, the conservatory said.
Abu Amsha said teachers and parents of students were currently “deeply concerned” about being uprooted again after the Israeli cabinet’s August 8 decision to take control of Gaza City. Israel has not said when it will launch the new offensive.

HUNGER AND FATIGUE
Outside the music teachers’ tent, Gaza City lay in a mass of crumbling concrete, nearly all residents crammed into shelters or camps with hardly any food, clean water or medical aid.
The students and teachers say they have to overcome their weakness from food shortages to attend the classes.
Britain, Canada, Australia and several of their European allies said on August 12 that “famine was unfolding before our eyes” in Gaza. Israel disputes malnutrition figures for the Hamas-run enclave.
Sarah Al-Suwairki, 20, said sometimes hunger and tiredness mean she cannot manage the short walk to her two music classes each week, but she loves learning the guitar.
“I love discovering new genres, but more specifically rock. I am very into rock,” she said.
Palestinian health authorities say Israel’s military campaign has killed more than 61,000 people, including more than 1,400 going to aid points to get food.
Israel says Hamas is responsible for the suffering after it started the war, the latest in decades of conflict, with the October 2023 attack from Gaza when its gunmen killed 1,200 people and seized 250 hostages according to Israeli tallies.

MUSIC THERAPY
In a surviving upstairs room at Gaza College, the walls pocked with shrapnel scars, the windows blown out, three girls and a boy sit for a guitar class.
Their teacher Mohammed Abu Mahadi, 32, said he thought music could help heal Gazans psychologically from the pain of bombardments, loss and shortages.
“What I do here is make children happy from music because it is one of the best ways for expressing feelings,” he said.
Elizabeth Coombes, who directs a music therapy program at Britain’s University of South Wales and has done research with Palestinians in the West Bank, also said the project could help young people deal with trauma and stress and strengthen their sense of belonging.
“For children who have been very badly traumatized or living in conflict zones, the properties of music itself can really help and support people,” she said.
Ismail Daoud, 45, who teaches the oud, said the war had stripped people of their creativity and imagination, their lives reduced to securing basics like food and water. Returning to art was an escape and a reminder of a larger humanity.
“The instrument represents the soul of the player, it represents his companion, his entity and his friend,” he said. “Music is a glimmer of hope that all our children and people hold onto in darkness,” he said.


What do the leaked Assad videos tell us about the deposed Syrian regime?

Updated 9 min 56 sec ago
Follow

What do the leaked Assad videos tell us about the deposed Syrian regime?

  • Videos obtained by Al-Arabiya and Al-Hadath channels expose former president Bashar Assad’s inner circle, revealing toxic culture
  • Regional media coverage regard leaks as confirmation of critiques of Assad’s contempt for Syrians, cynicism toward allies

LONDON: The recent leak by Al-Arabiya of a series of videos allegedly showing Bashar Assad in candid, closed-door conversations has reopened longstanding questions about how his former regime functioned — and perhaps why Syria descended into such a devastating conflict.

Assad is shown in the Al-Arabiya leaks, prior to his Dec. 8, 2024, ouster, making contemptuous remarks about Syrians, Syria itself, Eastern Ghouta and even Russian President Vladimir Putin, while speaking privately with his late adviser Luna Al-Shibl.

While the new Syrian government of Ahmad Al-Sharaa has not verified the footage, analysts say the material is consistent with the behavior patterns of Assad’s inner circle: personalized decision-making, narrative obsession and a deep-rooted siege mentality.

Assad is shown in the Al-Arabiya leaks, prior to his Dec. 8, 2024, ouster, making contemptuous remarks about Syrians and Syria itself. (AFP)

“These videos don’t actually tell Syrians anything new — they merely reveal, with complete clarity, what people have known and lived through for decades,” Ibrahim Hamidi, editor-in-chief of Al-Majalla, who is himself from Syria, told Arab News.

“What stands out to me is the indifference and contempt he shows toward everything: his people, his cities, his allies, and the sense that power is an inheritance, not a responsibility.”

In one clip, when Al-Shibl asks him what he feels about the state of Syria, Assad says he does not only feel ashamed but “disgusted,” adding that this is “our country,” conveying revulsion rather than responsibility.

In another segment he says that when Syrians look him in the face he “loves them” yet is also “disgusted by them,” exposing a deeply cynical view of his own population.

He is also shown mocking ordinary Syrians for their spending priorities, saying they spend money on mosques even though they “cannot afford food.”

Several clips are from a tour of Eastern Ghouta and its surroundings, during or after the area’s reconquest in 2018. Assad is heard cursing Ghouta, directed at an area that had endured years of siege and bombardment.

“It showed that Assad is a weak dictator,” said Ghassan Ibrahim, a Syria expert and founder of the Global Arab Network. “He tried to present himself as a strong personality, but all these videos showed how easy it was to be manipulated by his assistant, his media officer.”

In another clip, Assad appears to mock the Russian president’s appearance, despite Moscow having been his main war-time ally.

When Al-Shibl draws his attention to how “puffy” Putin looks, Assad responds that it is “all procedures” or “all surgeries,” suggesting extensive cosmetic work.

The tone in these exchanges is casual and derisive, portraying Assad as privately belittling Putin’s looks while publicly thanking him. (AFP/File)

The tone in these exchanges is casual and derisive, portraying Assad as privately belittling Putin’s looks while publicly thanking him.

“Such remarks reflect Assad’s deep-rooted duplicity,” said Egyptian writer and political expert Hani Nasira. “The same man who publicly deferred to Putin — whose military intervention preserved Assad’s rule and offered him refuge — privately mocked him.

“These comments will likely erode whatever sympathy Putin may still have for the former Syrian leader and underscore Assad’s penchant for betrayal, even toward those who offered him sanctuary.”

Hamidi concurs: “The question now is: How will Putin respond? Especially since Bashar lives in Moscow — and Putin does not easily forgive any insult.”

The videos also capture Assad and Al-Shibl speaking dismissively about Hezbollah and pro-regime commanders.

Regional media coverage framed the Assad leaks as confirmation of long-held critiques of his contempt for Syrians and cynicism toward allies, with tone varying by outlet but broadly harsh.

Pan-Arab platforms like The New Arab and Asharq Al-Awsat foregrounded Assad’s insults toward Ghouta, Syrians and the army, highlighting his disgust at Syria, and mockery of soldiers as emblematic of an entrenched disdain for his own population.

Gulf-based media stressed his ridicule of loyalist figures and allies, using the leaks to underline his perceived disloyalty to those who fought for him and to question his past narratives of steadfastness and resistance.

Several clips are from a tour of Eastern Ghouta and its surroundings, during or after the area’s reconquest in 2018. Assad is heard cursing Ghouta, directed at an area that had endured years of siege and bombardment. (Supplied)

Syrian opposition-aligned and exile media amplified the footage as further evidence of his moral and political bankruptcy rather than a revelation, stressing that the content matched years of lived experience under his rule.

A recurring feature in the leaked clips is Assad’s habit of issuing direct orders to intelligence chiefs, senior officers and advisers, bypassing ministries and formal structures.

The informal tone — part off-the-record briefing, part reprimand — underscores the extent to which the Syrian state under Assad revolved around personal allegiance.

Assad postured publicly as a defender of the Syrian state but has since been unmasked as someone who harbors deep disdain for all around him.

In private, he mocks his loyal fighters, sneers at those who kiss his hand, and speaks of them with derision — as if unable to feel genuine empathy for their sacrifices.

“This is a man who views Syria through the lens of masters and servants, rulers and ruled,” said Nasira.

“To Assad, those who fought for him — in Syria and abroad — are nothing more than an annoyance. Speaking casually and comfortably to Al-Shibl, he reveals a condescending view of the nation, his people, and even his inner circle.”

The leaked videos stripped away the official image and exposed the toxic culture of a ruling circle that never viewed Syrians as citizens with rights but “as subjects expected to endure anything,” Hamidi said.

Assad postured publicly as a defender of the Syrian state but has since been unmasked as someone who harbors deep disdain for all around him. (AFP)

“For years, they endured hardships believing Assad was steady, serious, and above chaos. What hurts them now is seeing a completely different personality: careless, mocking, and seemingly dismissive of people’s suffering.

“This shakes the narrative they built in their minds to justify their loyalty. And when that narrative cracks, everything else becomes harder to defend.”

The footage also shows Assad fixating on media coverage, urging officials to safeguard the regime’s messaging and chastising those who, in his view, allowed “contradictory signals” to emerge.

His language mirrors longstanding regime strategy: project strength, deny missteps and attribute all instability to external interference.

Another pattern evident throughout the clips is Assad’s repeated framing of Syria’s crises as part of a coordinated foreign plot. Whether discussing political dissent, economic collapse or battlefield challenges, the theme of encirclement dominates.

The leaked comments reveal that “for Bashar Assad, there was never a true cause or message — just a regime to preserve, and a throne to protect,” Nasira said.

Despite the performative confidence, the videos reveal moments of frustration, especially when Assad chastises advisers for mismanaging situations or warns of rivalries within the security services.

The timing of the leaks is notable. Regional governments have reopened channels with Damascus, diplomatic rehabilitation is creeping forward, and the question of Syria’s postwar reconstruction looms large.

Assad is also shown mocking ordinary Syrians for their spending priorities. (AFP)

“Released on the anniversary of what pro-regime media called “Liberation Day” — marking the collapse of Assad’s rule — the timing could not have been more symbolic,” said Nasira.

For Syrians, the footage is less revelation than validation — an affirmation of what many lived through: a state defined not by institutions but by coercion, suspicion and the whims of an inner circle.

“Most Syrians no longer care about Bashar himself; they care about Syria’s future. They want to look forward, not backward,” said Hamidi.

For international observers, the videos offer one of the clearest windows yet into the operating logic of a regime that has survived sanctions, war, isolation and internal collapse.