Royal Albert Hall apologizes after couple refused entry over Palestine lapel pin

The head of London’s Royal Albert Hall has apologized to a couple who were denied entry to a concert because of the husband’s Palestinian lapel pin. (AFP/File Photo)
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Updated 08 August 2025
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Royal Albert Hall apologizes after couple refused entry over Palestine lapel pin

  • Roger Cauthery, 81: ‘We felt extremely upset, not to say humiliated, by their behaviour towards us’
  • Cost of refunded tickets will be donated to charity Medical Aid for Palestinians

LONDON: The head of London’s Royal Albert Hall has apologized to a couple who were denied entry to a concert because of the husband’s Palestinian lapel pin, The Guardian reported on Friday.

Roger Cauthery, 81, and his wife Angele then stood in the foyer for 15 minutes before a supervisor — who overruled the earlier decision — arrived.

Cauthery said: “We felt extremely upset, not to say humiliated, by their behaviour towards us. I’m a middle-class ex-public school boy brought up to believe that Brits are decent and law abiding and that one can live one’s life freely.

“I was merely showing solidarity with the Palestinian people and expressing my support for what I believe, and the UN believes, is a legitimate state.

“My wife and I feel strongly that Palestine should be recognised as a state and indeed it seems that our government is finally about to do so.

“I have lived in London all my adult life and am very proud of the diversity of my city. It is tragic that this small pin badge should be seen as a threat to the Royal Albert Hall which surely should be one of the symbols of our democracy.

“The result of this incident was that we were too distressed to enjoy the concert and left at the interval.”

James Ainscough, CEO of the RAH, apologized to the couple after being contacted by The Guardian. The decision to prevent their entry “isn’t in line with our policy and was a mistake,” he said.

“As well as writing to apologise for an experience that was understandably upsetting and humiliating, we have offered a full refund and an invitation to return to the hall as our guests, so we can give the couple the warm welcome that was sadly lacking on Friday,” he added. “We have also spoken to our contractor to ensure that a similar situation doesn’t arise again.”

The cost of the refunded tickets will be donated by Cauthery to the charity Medical Aid for Palestinians.

Ainscough hailed the move as “laudable,” while Cauthery said he is “very grateful” for the RAH’s response to the incident.

In his letter to the couple, Ainscough said: “Music has an enduring power to bring people together, and we want the hall to offer a warm welcome to all who come to enjoy our concerts. It is very sad to think that your experience with us on Friday was the very opposite of that.

“I do hope you will consider returning to the hall in the near future so we have an opportunity to give you the warm welcome you should expect.”


Animated Saudi film screens at Red Sea International Film Festival 

Updated 10 December 2025
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Animated Saudi film screens at Red Sea International Film Festival 

RIYADH: It is life imitating art — and art imitating life: a story about work burnout created work burnout, but for Saudi filmmaker Rwad Khalid, every sleepless night paid off. 

Arab News spoke with Khalid, who joked about the literal and metaphorical Mary Poppins-like bag she always carries. In real life, she hauls cameras and “other things” everywhere.

Her dedication to her craft has paid off — Khalid's seven-minute fantasy-drama-comedy animation, “Business Bag,” will be screened at the Red Sea International Film Festival in her home country.

A 2025 graduate of Princess Nourah bint Abdulrahman University in Riyadh with a degree in film and animation, she is passionate about crafting Saudi-centric stories that explore universal social themes through animation.

The film is produced by fellow classmates Linah Alqudari, Manar Alzahrani, and Dana Al-Omran, as part of their graduation project. Each brought their own distinct animation style, and the four of them worked together to weave a cohesive final look. Khalid and Alqudari wrote the script.

Her team unexpectedly became experts in the legal world when they tried to secure the copyright to vintage Japanese music from a deceased singer to use in their film. Determined not to take money from their families, they pooled their own savings and university allowances to fund the project.

“Business Bag” follows a young man overworked and over-caffeinated, drowning in office work pressure and routine — until, on a short walk outside the office, his bag suddenly flies away in the dead of night. As he chases it across Riyadh, he rediscovers the city’s beauty and learns to rebalance his life.

Work-related burnout is universal, the team determined, which is why the film barely uses dialogue. Instead, it leans on music and street sounds of bustling Riyadh.

The entire animation process was swift. 

“Other animators would tell me, like, ‘No way — it’s crazy. You did this in only two months? That’s impossible,’” Khalid said. “But it was possible, after all.”

Khalid said many people have asked why the main character is a man, given that the film was created by a team of women. 

“I knew I wanted Riyadh to be a main character. I also knew I wanted it to take place at night. Logically, I wouldn’t place a woman in that space in Riyadh at night,” she said. 

 “Let the boy suffer,” she added with a laugh.