Massive Attack, Brian Eno launch syndicate to defend artists criticizing Gaza war

Massive Attack. (AFP)
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Updated 18 July 2025
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Massive Attack, Brian Eno launch syndicate to defend artists criticizing Gaza war

  • Artists accuse pro-Israel groups of censorship, harassment
  • UK Lawyers for Israel wants to cancel careers, artists argue

DUBAI: British band Massive Attack, British singer and songwriter Brian Eno, Irish post-punk band Fontaines DC and hip-hop trio Kneecap have launched a syndicate to defend artists criticizing Israel’s alleged genocidal war on Gaza.

The group says these artists have been targeted by “aggressive, vexatious campaigns” orchestrated by pro-Israel groups.

In a statement shared on Instagram on Thursday, the musicians expressed concern for emerging artists who they believe are at risk of being “threatened into silence or career cancellation” by groups such as UK Lawyers for Israel.

“We’re aware of the scale of aggressive, vexatious campaigns operated by UKLFI and of multiple individual incidences of intimidation within the music industry itself, designed solely to censor and silence artists from speaking their hearts and minds,” the statement said.

“Having withstood these campaigns of attempted censorship, we won’t stand by and allow other artists — particularly those at earlier stages of their careers or in other positions of professional vulnerability — to be threatened into silence or career cancellation.”

The syndicate was announced amid mounting tensions involving the UKLFI.

The group filed a police report against Bob Vylan after the band chanted “death to the IDF (Israel Defense Forces)” during their Glastonbury set, an incident now under police investigation.

The UKLFI also filed a complaint with the BBC for broadcasting the performance, and several of the band’s upcoming shows have since been cancelled.

Mo Chara of Kneecap was also referred to authorities by the UKLFI and later charged with a terrorism offence, accused of displaying a Hezbollah flag during a live performance.

Following the report, Kneecap had several concerts cancelled.


Book Review: ‘Padma’s All American’ Cookbook

Updated 19 December 2025
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Book Review: ‘Padma’s All American’ Cookbook

  • For her, the true story of American food proves that immigration is not an outside influence but the foundation of the country’s culinary identity

Closing out 2025 is “Padma’s All American: Tales, Travels, and Recipes from Taste the Nation and Beyond: A Cookbook,” a reminder that in these polarizing times within a seemingly un-united US, breaking bread really might be our only human connection left. Each page serves as a heaping — and healing — helping of hope.

“The book you have before you is a personal one, a record of my last seven years of eating, traveling and exploring. Much of this time was spent in cities and towns all over America, eating my way through our country as I filmed the shows ‘Top Chef’ and ‘Taste the Nation’,” the introduction states.

“Top Chef,” the Emmy, James Beard and Critics Choice Award-winning series, which began in 2006, is what really got Padma Lakshmi on the food map.

“Taste the Nation,” of course, is “a show for immigrants to tell their own stories, as they saw fit, and its success owes everything to the people who invited us into their communities, their homes, and their lives,” she writes.

Working with producer David Shadrack Smith, she began developing a television series that explored American immigration through cuisine, revealing how deeply immigrant food traditions shaped what people considered American today.

She was the consistent face and voice of reason — curious and encouraging to those she encountered.

Lakshmi notes that Americans now buy more salsa and sriracha than ketchup, and dishes like pad Thai, sushi, bubble tea, burritos and bagels are as American as apple pie — which, ironically, contains no ingredients indigenous to North America. Even the apples in the apple pie came from immigrants.

For her, the true story of American food proves that immigration is not an outside influence but the foundation of the country’s culinary identity.

“If I think about what’s really American … it’s the Appalachian ramp salt that I now sprinkle on top of my Indian plum chaat,” she writes.

In this book Lakshmi tells the tale of how her mother arrived in the US as an immigrant from India in 1972 to seek “a better life.”

Her mother, a nurse in New York, worked for two years before Lakshmi was brought to the US from India. At 4 years old, Lakshmi journeyed alone on the 19-hour flight.

America became home.

Now, with visibility as a model and with a noticeable scar on her arm (following a horrific car accident), she is using her platform for good once again.

Lakshmi is merging her immigrant advocacy with her long career in food media.

The photo of her on the cover, joined by a large American flag, is loud, proud and intentional.

The book contains pages dedicated to ingredients and their uses, actual recipes and, most deliciously, the stories of how those cooks came to be.