Australia’s Aboriginals ask UNESCO to protect ancient carvings site

Aboriginal site preservation signs stand near the entrance to Deep Gorge on the Burrup Peninsula in the north of Western Australia on June 16, 2008. (AFP file photo)
Short Url
Updated 11 July 2025
Follow

Australia’s Aboriginals ask UNESCO to protect ancient carvings site

  • Murujuga, a remote area in the state of Western Australia, houses around one million petroglyphs
  • These carvings, located on the Burrup peninsula, that could date back 50,000 years

PARIS: A delegation of Australia’s Aboriginal people has traveled to Paris to win UN backing for the protection of a heritage site back home they say is threatened by harmful mining.

The World Heritage Committee at UNESCO, the United Nations’ cultural organization, has been deliberating since the start of the week on what sites to include in the latest edition of the body’s world heritage list.

Among the dozens of sites under consideration is Murujuga, a remote area in the state of Western Australia that according to estimates houses around one million petroglyphs – carvings that could date back 50,000 years.

“It’s possibly the most important rock art site in the world,” said Benjamin Smith, a rock art specialist at the University of Western Australia.

“We should be looking after it.”

The site is located on the Burrup peninsula, home to the Mardudunera people, and under threat from nearby mining developments.

Making the UNESCO’s heritage list often sparks a lucrative tourism drive, and can unlock funding for the preservation of sites.

It does not in itself trigger protection for a site, but can help pressure national governments into taking action.

“It’s absolutely crucial that the Australian government takes it more seriously and regulates industrial pollution in that area more carefully,” Smith said.

Giant mining corporations have been active in the resource-rich Pilbara region for decades.

Australian company Woodside Energy operates the North West Shelf, an industrial complex that includes offshore platforms, undersea pipelines, and hydrocarbon processing facilities.

The project consistently ranks among Australia’s five largest emitters of greenhouse gas, according to figures from the country’s Clean Energy Regulator.

“These carvings are what our ancestors left here for us to learn and keep their knowledge and keep our culture thriving through these sacred sites,” said Mark Clifton, a member of the three-person delegation meeting with UNESCO representatives.

“This is why I am here.”

Environmental and indigenous organizations argue the presence of mining groups has already caused damage with industrial emissions.

They are “creating hundreds of holes in the surface. And that is causing the surfaces with the rock art to break down,” Smith said.

In an emailed statement to AFP, Woodside Energy said it recognizes Murujuga as “one of Australia’s most culturally significant landscapes.”

It added that, according to independent peer-reviewed studies, “responsible operations” could help protect the heritage.

Woodside had taken “proactive steps,” it said, “to ensure we manage our impacts responsibly.”

In May, the Australian government extended the operating license for the liquefied gas plant by 40 years, with conditions.

Australia insists that extending the plant – which each year emits millions of tons of greenhouse gas – does not tarnish a pledge to reach net zero by 2050.

But activists, saying the government is not taking their concerns seriously enough, demand that UNESCO make any decision to put the site on the world heritage list contingent on the government offering adequate protection.

Delegation leader Raelene Cooper said she wanted guarantees.

“There needs to be, at the highest level, safeguards and measures of protection,” she said.

The Australian government has sent a separate delegation to Paris, also comprising members of the region’s Aboriginal population, to push for the site’s recognition.

Australia’s strong presence at the heritage committee meeting “is a meaningful opportunity to support the protection and conservation of some of the world’s most important cultural and natural sites,” Environment Minister Murray Watt said.

Icomos, a non-governmental organization partnering with UNESCO, said it was urgent for the Australian government to oversee “the complete elimination of harmful acidic emissions that currently affect the petroglyphs.”

UNESCO is expected to announce its update to the list by Sunday.


As an uncertain 2026 begins, virtual journeys back to 2016 become a trend

Updated 30 January 2026
Follow

As an uncertain 2026 begins, virtual journeys back to 2016 become a trend

  • Over the past few weeks, millions have been sharing throwback photos to that time on social media, kicking off one of the first viral trends of the year

LONDON: The year is 2016. Somehow it feels carefree, driven by Internet culture. Everyone is wearing over-the-top makeup.
At least, that’s how Maren Nævdal, 27, remembers it — and has seen it on her social feeds in recent days.
For Njeri Allen, also 27, the year was defined by the artists topping the charts that year, from Beyonce to Drake to Rihanna’s last music releases. She also remembers the Snapchat stories and an unforgettable summer with her loved ones. “Everything felt new, different, interesting and fun,” Allen says.
Many people, particularly those in their 20s and 30s, are thinking about 2016 these days. Over the past few weeks, millions have been sharing throwback photos to that time on social media, kicking off one of the first viral trends of the year — the year 2026, that is.
With it have come the memes about how various factors — the sepia hues over Instagram photos, the dog filters on Snapchat and the music — made even 2016’s worst day feel like the best of times.
Part of the look-back trend’s popularity has come from the realization that 2016 was already a decade ago – a time when Nævdal says she felt like people were doing “fun, unserious things” before having to grow up.
But experts point to 2016 as a year when the world was on the edge of the social, political and technological developments that make up our lives today. Those same advances — such as developments under US President Donald Trump and the rise of AI — have increased a yearning for even the recent past, and made it easier to get there.
2016 marked a year of transition
Nostalgia is often driven by a generation coming of age — and its members realizing they miss what childhood and adolescence felt like. That’s certainly true here. But some of those indulging in the online journeys through time say something more is at play as well.
It has to do with the state of the world — then and now.
By the end of 2016, people would be looking ahead to moments like Trump’s first presidential term and repercussions of the United Kingdom leaving the EU after the Brexit referendum. A few years after that, the COVID-19 pandemic would send most of the world into lockdown and upend life for nearly two years.
Janelle Wilson, a professor of sociology at the University of Minnesota-Duluth, says the world was “on the cusp of things, but not fully thrown into the dark days that were to come.”
“The nostalgia being expressed now, for 2016, is due in large part to what has transpired since then,” she says, also referencing the rise of populism and increased polarization. “For there to be nostalgia for 2016 in the present,” she added, “I still think those kinds of transitions are significant.”
For Nævdal, 2016 “was before a lot of the things we’re dealing with now.” She loved seeing “how embarrassing everyone was, not just me,” in the photos people have shared.
“It felt more authentic in some ways,” she says. Today, Nævdal says, “the world is going downhill.”
Nina van Volkinburg, a professor of strategic fashion marketing at University of the Arts, London, says 2016 marked the beginning of “a new world order” and of “fractured trust in institutions and the establishment.” She says it also represented a time of possibility — and, on social media, “the maximalism of it all.”
This was represented in the bohemian fashion popularized in Coachella that year, the “cut crease” makeup Nævdal loved and the dance music Allen remembers.
“People were new to platforms and online trends, so were having fun with their identity,” van Volkinburg says. “There was authenticity around that.”
And 2016 was also the year of the “boss babe” and the popularity of millennial pink, van Volkinburg says, indications of young people coming into adulthood in a year that felt hopeful.
Allen remembers that as the summer she and her friends came of age as high school graduates. She says they all knew then that they would remember 2016 forever.
Ten years on, having moved again to Taiwan, she said “unprecedented things are happening” in the world. “Both of my homes are not safe,” she said of the US and Taiwan, “it’s easier to go back to a time that’s more comfortable and that you felt safe in.”
Feelings of nostalgia are speeding up
In the last few days, Nævdal decided to hide the social media apps on her phone. AI was a big part of that decision. “It freaks me out that you can’t tell what’s real anymore,” she said.
“When I’ve come off of social media, I feel that at least now I know the things I’m seeing are real,” she added, “which is quite terrifying.”
The revival of vinyl record collections, letter writing and a fresh focus on the aesthetics of yesterday point to nostalgia continuing to dominate trends and culture. Wilson says the feeling has increased as technology makes nostalgia more accessible.
“We can so readily access the past or, at least, versions of it,” she said. “We’re to the point where we can say, ‘Remember last week when we were doing XYZ? That was such a good time!’”
Both Nævdal and Allen described themselves as nostalgic people. Nævdal said she enjoys looking back to old photos – especially when they show up as “On This Day” updates on her phone, She sends them to friends and family when their photos come up.
Allen wished that she documented more of her 2016 and younger years overall, to reflect on how much she has evolved and experienced since.
“I didn’t know what life could be,” she said of that time. “I would love to be able to capture my thought process and my feelings, just to know how much I have grown.”