Screening of ‘Rewriting Arab News’ documentary held at EU Embassy in Riyadh

The film, presented by the London-based Global Arab Network, sheds light on the 2018 relaunch of Arab News, at a time when the Kingdom itself was transforming. (AN Photo)
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Updated 02 July 2025
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Screening of ‘Rewriting Arab News’ documentary held at EU Embassy in Riyadh

  • Film focuses on relaunch of Saudi Arabia’s first English-language daily and its coverage of the Kingdom’s reforms
  • EU Ambassador: “You are part of Vision 2030 and many of you in this room are an embodiment of this new Saudi Arabia”
  • Faisal J. Abbas: “This documentary tells a small — albeit an exciting — chapter in the history of our newspaper and the country”

RIYADH: A special screening of the documentary “Rewriting Arab News” took place at the EU Embassy in Riyadh on Tuesday as part of the 50th anniversary celebrations of Saudi Arabia’s first English-language newspaper.

The film, presented by the London-based Global Arab Network, sheds light on the 2018 relaunch of Arab News, at a time when the Kingdom itself was transforming.

A ceremony, held in honor of Arab News, was attended by European ambassadors to Saudi Arabia and other notable guests, including Saudi dignitaries, diplomats, policymakers, media industry professionals, and staff of the Arab News Riyadh bureau.

Speaking at the ceremony, Christophe Farnaud, the EU ambassador to Saudi Arabia, said: “It’s a great pleasure to be here with you on … the 50th anniversary of Arab News.”

He added: “You don’t just cover the news; you also analyze them. You decipher what’s going on in the world, in the Kingdom, in the region. And you also allow dialogue and comments. And you are an open space, which I think every country needs.

“And I think it comes at the very right time, right now in the Kingdom. So, when you are also part of Vision 2030 and I must say this new Saudi Arabia and many of you in this room are an embodiment of this new Saudi Arabia.




A ceremony, held in honor of Arab News, was attended by European ambassadors to Saudi Arabia and other notable guests. (AN Photo)

“It is something that we not just support, but also, admire, in a way, my European colleagues, they came tonight in numbers — I think would share what I’ve just said.

“Once again I want to congratulate you and your team at Arab News for your work.”

Also speaking at the ceremony, Arab News’ Editor-in-Chief Faisal Abbas said: “On behalf of the Arab News family, we wish to extend our gratitude to the EU ambassador in the Kingdom for hosting this screening occasion as part of our 50th anniversary celebrations this year.

“This documentary tells a small — albeit an exciting — chapter in the history of our newspaper and the country as it accounts for an exciting and transformative period in our country’s progress.

“Of course, Arab News would have not been where it is today without the hard work, passion and dedication of my predecessor editors in chief, and of course, not without our founders — the Hafez Brothers — who started the newspaper in 1975.”

Part of the documentary is narrated by Prince Turki Al-Faisal, the former Saudi ambassador to the US, who in the film delves into the paper’s origins.




Arab News’ Editor-in-Chief Faisal Abbas. (AN photo)

Arab News was established in Jeddah in 1975 by brothers Hisham and Mohammed Ali Hafiz under the slogan to give Arabs a voice in English while documenting the major transformations taking place across the Middle East.

In April 2018, Arab News changed its 43-year-old logo with a new one as well as its motto to “The Voice of a Changing Region.” The newspaper relaunched with a new design and a new approach to stories that it believed was better suited to the internet age.

In June, an event hosted by the Global Arab Network at the Frontline Club in London paid tribute to Arab News and its founders by screening a preview of the documentary for leading editors, reporters, diplomats, and analysts.

Asked following Tuesday’s screening whether he believed the documentary reflected the changes that had been taking place in the region, EU Ambassador Farnaud said: “I would say even more. I mean, it’s one of the embodiments of these changes.

“The Kingdom is undergoing incredible changes. And so is Arab News. And I particularly appreciated, by the way, the historical dimension when it was created in 1975, that was also a project corresponding to the new role of the Kingdom, in a way.

“And yes, now the Kingdom has entered a new phase, a spectacular phase of transformation. And we see that Arab News, in its own ways, is also going through a huge phase of transformation and a successful one at that.

“I was really impressed.”

Also responding to the film, Saudi philanthropist Ameera Al-Taweel said: “A lot of the transformational story for Arab News reminded me of the transformation that was happening in Saudi Arabia back in 2015, 2016 to get to Vision 2030.




Arab News was established in Jeddah in 1975 by brothers Hisham and Mohammed Ali Hafiz. (AN Photo)

“It was right around that time that Arab News was also transforming. It’s very interesting how it aligned with a youthful leader (Crown Prince Mohammed bin Salman) who was injecting a lot of changes, believing in the younger generation, believing in keeping the legacy, but building on it.

“So a lot of what I saw in Vision 2030 and of course, His Royal Highness Crown Prince Mohammed bin Salman, you see it happening in the private sector or the public sector, even in the journalism sector, and the transformations that have that are happening in it.”

Although she only moved to the region in the spring, Ville Linnala, deputy head of mission at the Embassy of Finland, said the film raised pertinent issues.

“I have been in Riyadh and Saudi Arabia since May 5, so I’m very fairly fresh in the region, but I can really see these issues that were mentioned and raised in the documentary,” she said.

“For example, of course, when it comes to women’s rights and all these kinds of things, and with the Saudi Vision 2030 happening and moving forward.

“It was really, really, really interesting to see. I enjoyed this documentary a lot, so much.”

“Rewriting Arab News” is a short film about the newspaper’s relaunch and digital transformation between 2016 and 2018, presented by Global Arab Network.

 


Saudi who swapped ejection seats for tech reviews — and topped KSA charts 

Updated 19 December 2025
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Saudi who swapped ejection seats for tech reviews — and topped KSA charts 

  • In an exclusive interview with Arab News, the host of ‘2You’ and ‘Up To Date KSA’ talks about digital wellness, AI’s future, and his plans to fill the gap in Arabic tech content 
  • Top Arab content creator in Saudi Arabia’s 2025 top 10 most-viewed YouTube channels describes milestone as ‘shockingly’ positive 

LONDON: Speaking to Faisal Al-Saif, a self-described tech lover, one of the least likely things you expect to hear is advice on disconnecting from technology. 

Yet the idea of a “tech diet” — more commonly known as digital wellbeing — takes on added weight when it comes from someone whose work revolves around gadgets and who relies on social media as their primary platform. 

Beyond this seemingly analytical, Web 1.0-style perspective, Al-Saif draws on more than two decades of experience as a tech expert — or, in today’s terms, a content creator. 

“I’m an early believer that technology is here to connect us more, to make the world even smaller than what it is, and make us just more active, more productive, and have more time for our religion, for our families and for our actual lives,” Al-Saif told Arab News. 

Al-Saif trained as an aircraft engineer at BAE Systems, where he specialized in ejection seats for Royal Saudi Air Force jets, before entering broadcasting in 2004, hosting and producing KSA2’s English-language “2You” and, later, the technology show “Up To Date KSA.” 

In 2009, he pivoted to YouTube — a platform with more limited reach and no monetization at the time — to help fill the gap in Arabic tech content. 

“Back then, if you searched about a device or a system or a piece of information, the main language you would find the result in was English. So, I just started creating a channel and putting some good content in (both) Arabic and in English,” he said. 

This approach required filming videos twice. Initially, videos in English drew more views, while Arabic lagged, but that shifted month by month as Arabic content gained traction. 

“To put it in perspective, back then, it wasn’t a source of income — not a main, not a minor, not a partial.” 

Today, Al-Saif’s channel delivers straightforward reviews that guide viewers on whether to buy or avoid products based on their needs, not brand pressure. 

“I love creating content that gives value to the people. I love simplifying information. I love tech in a crazy way,” he said. “I like to see new tech, test it, be an early adopter of it. Tell people, ‘This is good because of this, and (that) could have been better with those implemented.’ Tell people to buy or not to buy based on their preferences, not based on companies and what they want to push.” 

Creators typically earn through ad revenue, fan funding, product placement, and sponsorships, though Al-Saif distances himself from the “influencer” label. 

“Part of it is that struggle we went through throughout the years, of trying to create valuable business propositions for everybody who works with us, being very fair and honest about what I present, and trying to help companies, just to help companies. Not seeking business.” 

Earlier this month, almost two decades after starting his channel, Al-Saif was named top Arab content creator — and the only regional entry — in Saudi Arabia’s 2025 top 10 most-viewed YouTube channels, a milestone he described as “shocking” in a positive sense. 

“Being on that top 10 list gives me a cool push after 16 years,” he said of his UTD Saudi channel, which has 8.92 million subscribers. 

“(When) I go into a hospital, I find a lot of Saudis that know me. But also, I find some Filipino nurses coming to me (telling me), ‘I watch your videos.’ I like that kind of diversity (which) is only possible on YouTube and educational content.” 

Al-Saif views YouTube as a modern visual library to help informed decisions. While social media shifts toward short-form videos, he believes the platform is resisting this trend. 

“If it’s all short-term content, it’s us supporting that short attention span (which) is being developed with people.”  

He champions long-form reviews, beginning with a brief story, then details, to encourage informed decisions. By contrast, he argued, three-second or ultra-short videos may be excellent at grabbing attention, but are largely useless for serious decisions, “unless (perhaps) it’s a cooking video.” 

In 2012, after seeing an opening, Al-Saif left BAE Systems — “initially only for two years” — to launch Tech Pills Productions, helping companies such as Intel, Microsoft, and HP create content, a move that boosted his career. He later diversified into tech startups, though he shuns the “investor” label. 

“I don’t see myself as an entrepreneur or an investor. I just see myself as a tech lover,” he said. “I try to push myself into diversifying the business and creating other pillars. So, I went into other types of investments, working and developing applications with different partners, and all of that went well. That part made me more comfortable creating content for the joy of it instead for the business side of it.” 

In 2021, Al-Saif backed Karaz (Arabic for “cherries”), an EHR platform using IoT, AI, and real-time data for healthcare, originally a gamified app for diabetic children. “(I’m drawn to a project) if there’s a human touch,” he said. “It’s relating data to human change in a positive way that made me not hesitate and go for it.” 

While AI pitches flood in, past flops have left him with a degree of “marketing resistance.” 

“I find that AI does add value if you have those (proper) steps into getting into AGI (artificial general intelligence) and the later steps that will come. It’s the proper development. But the hype about relating everything to AI, that part, I’m definitely against,” he said. 

AI has dominated headlines for three years, fueling an economic boom, and sparking debate over job losses and ethical risks. Al-Saif acknowledges the technology’s “endless opportunities,” but doubts the hype will last and that AI will ultimately drive the world. “They will find something else; either it’s diverted from AI or from another field in technology to create that marketing sense.” 

Asked what people should be more aware of, he urged greater public education on AI’s dual nature. 

“It’s a knife that you can cook with, or it’s a knife that can stab someone. There’s a seriousness about AI, and sadly, the world does not do enough regarding the sense of awareness,” he said. 

Without greater understanding, unchecked AI could create generations shaped entirely by whatever information they are fed, regardless of truth, he said, adding that the technology already enables bad behavior excused as “AI-generated” and blurs fact and fiction, making regulations essential. 

Saudi Arabia is leading responsibly through its Data and AI Authority, he said. “I think they’re going very well within multiple sides: the regulatory part, the governance side, as well as when it comes to investing heavily with the infrastructure and AI companies.”  

Through the authority, the Kingdom has launched an ambitious plan to position itself at the forefront of AI technology. Al-Saif has contributed directly and indirectly, including advising on public strategies such as the Riyadh Charter on AI Ethics in the Islamic World. 

“It’s a very interesting place to be (at a) very interesting time. I’ve sat with the Crown Prince (Mohammed bin Salman). He talked about AI, his vision, and how AI will create this next wave of businesses and next wave of economy.” 

Asked whether our society is obsessed with technological progress, Al-Saif replies that “we are adopting (technologies) for what we need,” but adds that limits, such as Australia’s recent social media ban for youth, are needed. “But the thing is, they don’t ban stuff in the Kingdom of Saudi Arabia. They try to create a system.” 

At home, he supervises his children’s screen time or watches content together. “YouTube is still, I find, the safest platform (out) there because of its nature of long videos and vlogs. It is much more mature than any other platform when it comes to how to censor, how to control, how to do things.” 

However, he agreed that younger generations, as tech natives, perceive tech interaction differently, specifically when it comes to privacy. 

“Privacy is kind of a stretchy thing. I define privacy different than my kids when they grow up, and that made me think of privacy different. It’s not that we’re letting go of information. It’s the environment that we live in that creates that sense of privacy.” 

Al-Saif believes privacy has already been reshaped — not as a value we hold dear, but as an illusion where true personal boundaries have been eroded. What remains is a mere reflection of our actions online, not tied to our names, but reduced to anonymous data points or numbers in the digital ether. 

For Al-Saif, part of the answer lies in the power of disconnection, an approach that he has strongly advocated. 

“I give myself an hour or two a day maximum (online) to know about certain other stuff. My advice for anybody who wants to live 12 hours of cool life is: Try to experience or to learn something unrelated to tech.” 

Pointing to a beehive he keeps in the office, Al-Saif added: “There are other fields that I like to, let’s say, learn about. It’s a clear state of mind that you reach with it. And I just try to do as normal, natural things as possible; try to work with gadgets and appliances that don’t have batteries.”