Nora Fatehi, Amina Muaddi attend Louis Vuitton’s star-studded Paris Fashion Week show

Fatehi attended the show in a taupe double-breasted suit featuring a structured blazer with wide lapels, metallic buttons and flap pockets. (Getty Images)
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Updated 25 June 2025
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Nora Fatehi, Amina Muaddi attend Louis Vuitton’s star-studded Paris Fashion Week show

PARIS/DUBAI: Paris Fashion Week kicked off with a bang — a Louis Vuitton show unveiling the French brand’s Menswear Spring/Summer 2026 collection.

The front row was packed with A-list stars, including Beyonce, Jay-Z, Steve Harvey, Bradley Cooper, J-Hope, Karol G, PinkPantheress, Future, Pusha T, Jackson Wang, Bambam, Mason Thames, Miles Caton, D’Pharaoh Woon-A-Tai, Malcolm Washington, Jalen Ramsey, and A$AP Nast.

Part-Arab guests also made an appearance, including Moroccan Canadian singer, actress and model Nora Fatehi, as well as Romanian Jordanian designer Amina Muaddi.




Part-Arab guests attended the show, including Moroccan Canadian singer, actress and model Nora Fatehi. (Getty Images)

Fatehi attended the show in a taupe double-breasted suit featuring a structured blazer with wide lapels, metallic buttons and flap pockets. She paired the blazer with loose, pleated wide-leg trousers in a matching fabric. She layered the suit over a white shirt and a white tie.

Meanwhile, Muaddi opted for a structured brown jacket with oversized flap pockets and a contrasting dark collar. Underneath, she wore a black knee-length leather skirt and a white top.

In this collection Pharrell Williams — half showman, half pop impresario — staged a cultural passage from Paris to Mumbai, fusing Indian tradition and modern dandyism into a punchy, sunstruck vision of the Vuitton man in 2026.




Muaddi opted for a structured brown jacket with oversized flap pockets and a contrasting dark collar. (Instagram)

The Pompidou’s iconic colored pipes served as a sci-fi backdrop for a set dreamed up with Studio Mumbai architect Bijoy Jain: a life size “Snakes and Ladders” board, alluding to both the child’s game and the adult risks of fashion’s global game. 

The models walked the runway in Indian-style chunky sandals, striped boxy shorts and blue preppy shirts with sleeves billowing like monsoon sails. Silken cargo pants shimmered in the sun; pin-striped puffers added a louche, almost Bollywood-kitsch edge. 

Cricket jerseys appeared with jeweled collars or, in some cases, a puffy hood covered in rhinestones. Blue pearlescent leather bombers flirted with the bling of Mumbai’s film sets, while pin-striped tailoring riffed on both the British Raj and Parisian boulevardiers.

Of course, with Vuitton, accessories make the man — and this season’s bags, jeweled sandals, and bold, hardware-heavy necklaces delivered Instagram bait. It’s maximalist, yes, but not just for the TikTok crowd. The craftsmanship — from sun-faded fabrics to hand-loomed stripes — rewards anyone who takes a closer look.


Daniel Boulud on creating a French menu with Saudi soul 

Updated 12 December 2025
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Daniel Boulud on creating a French menu with Saudi soul 

  • The acclaimed French chef discusses ‘building on a legacy’ with Riyadh’s Café Boulud  

RIYADH: Daniel Boulud was in a reflective, quietly excited mood when we met at his Riyadh outpost of Café Boulud during the restaurant’s first anniversary at the end of October.  

“We’re building on a legacy that started in my village in France and continued with Café Boulud in New York 28 years ago,” he told Arab News. The touchpoints are classic: tradition, seasonality, and French technique. But our conversation quickly turned to how those ideas breathe in Riyadh. 

“The promise was always to be very French, but also current and global,” Boulud said. In practice then, “there is the DNA of the original Café Boulud,” but local preferences mean the menu is lighter and brighter — more raw preparations, a Mediterranean lift, and more space for produce.  

Seasonal truffles at Cafe Boulud. (Supplied)

For Boulud, recipes aren’t static; techniques and flavors adapt to their new place. So in Riyadh he’s created dishes using “local spices, local ingredients — inspirations from the warm weather.” Those local ingredients, he said, include “dates, dried fruits, certain local dairy — like the cream — and of course cardamom and coffee.”  

Boulud is no stranger to the Saudi palate. In the early Eighties, he was employed as a cook by a Saudi family. That’s when he first fell for Arabian coffee. Now he folds that memory into a pot de crème made with coffee, cardamom, and caramel. It tastes like a postcard from then to now. 

Topian Amberjack at Cafe Boulud. (Supplied)

But Boulud remains flexible about his ingredients’ origins. “I want the tomato to be local, but whether it’s from Syria, Lebanon, Egypt, or France, as long as it’s a good tomato, I’m happy,” he explained. Essentially, integrity outranks origin. Consistency is the key. 

Boulud said that many of his restaurants’ regulars skip the menu altogether. They already know the path they want their meal to take. One that Boulud recommends: a crudo or ceviche to open — “something crisp, fresh, refreshing, light” — then shellfish, if the supply is good, or a fish course (Dover sole, tuna, salmon, striped bass, daurade, or cod). And finally meat, something cooked over a wood fire for depth, or long, slow braises “with the meat falling off the bone.” 

Cafe Boulud Riyadh. (Supplied)

And Boulud said he still loves the ritual of a cheese course, preferably “an incredible selection,” often shared — before dessert. The latter could go one of two ways: chocolate (sometimes with nuts, spice, or that Saudi-accented coffee and cardamom), or fruit-led finales that track the seasons, with the occasional preserve or dried fruit such as dates and figs. 

With the Kingdom’s dining scene booming, it seems likely that an increasing number of young Saudis will now see becoming a chef as a viable career option. For those that do, Boulud’s advice is to stay close to home for inspiration.  

“The first skill is to know where you’re from,” he said. “Do you know your own cuisine?” He recommended mastering family flavors, seeking mentors with “discipline and ethics,” and then travelling to expand both culinary and cultural literacy.  

Boulud also stressed the need for clarity in cooking. (“Fusion is very confusing,” he warned.) Seasoning and techniques can be adapted, ideas can be combined, but there’s one question he wants chefs to be able to answer: “What are the roots of your dish?”