Book Review: ‘A Shining’ by Jon Fosse

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Updated 28 May 2025
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Book Review: ‘A Shining’ by Jon Fosse

Jon Fosse, the 2023 Nobel laureate, delivers a masterclass in existential minimalism with “A Shining,” a novella that glimmers with metaphysical unease.

Translated from Norwegian by Damion Searls, this brief but resonant work lingers like a half-remembered dream, inviting readers to grapple with its haunting ambiguity.   

An unnamed man drives into a remote forest, seeking isolation. When his car stalls, he abandons it, lured deeper into the trees by an enigmatic light. What begins as a quest for solitude spirals into a disorienting confrontation with the unknown.

Strange encounters — a flickering figure, disembodied voices, a persistent glow — blur the boundaries of reality. Is the “shining” a divine sign, a mental rupture, or something beyond comprehension? Fosse offers no easy answers.

Fosse’s sparse, rhythmic prose mirrors the protagonist’s fractured psyche. Sentences loop and stutter, mimicking the repetitive chatter of a mind unraveling (“I walked, I walked, I walked”).

Yet, within this austerity lies startling beauty: Descriptions of moss, shadows and cold air ground the surreal in the realm of the sensory.   

The novella probes humanity’s existential contradictions, particularly the tension between our desire for solitude and our terror of abandonment.

It lays bare the futility of seeking meaning in a universe indifferent to human struggles, while questioning how much we can trust our perceptions.

Are the protagonist’s encounters real, or projections of a mind teetering on the brink of collapse? Fosse leaves readers suspended in that uncertainty.  

Fosse refuses to cater to conventional narrative appetites. There are no villains or heroic arcs, only a man wrestling with the void within.

Fans of Franz Kafka’s existential labyrinths or Samuel Beckett’s bleak humor will find kinship here. 

“A Shining” is not for readers craving action or closure. It is a quiet storm of a book, best absorbed in one sitting under dim light.

Perfect for lovers of philosophical fiction, poetry devotees, and anyone who has ever stared into darkness and wondered what stared back.


What We Are Reading Today: Three Roads Back by Robert D. Richardson

Updated 06 March 2026
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What We Are Reading Today: Three Roads Back by Robert D. Richardson

In “Three Roads Back,” Robert Richardson, the author of magisterial biographies of Ralph Waldo Emerson, Henry David Thoreau, and William James, tells the connected stories of how these foundational American writers and thinkers dealt with personal tragedies early in their careers. 
For Emerson, it was the death of his young wife and, 11 years later, his five-year-old son; for Thoreau, it was the death of his brother; and for James, it was the death of his beloved cousin Minnie Temple. 

Filled with rich biographical detail and unforgettable passages from the journals and letters of Emerson, Thoreau, and James, these vivid and moving stories of loss and hard-fought resilience show how the writers’ responses to these deaths helped spur them on to their greatest work, influencing the birth and course of American literature and philosophy.
As Richardson shows, all three emerged from their grief with a new way of seeing, one shaped by a belief in what Emerson called “the deep remedial force that underlies all facts.”