JERUSALEM: Israel on Thursday rejected a report in the New York Times that Prime Minister Benjamin Netanyahu has been threatening to disrupt talks on a nuclear deal between the United States and Iran by striking Iran’s main nuclear enrichment facilities.
Netanyahu’s office issued a statement in response to the article which said simply: “Fake news.”
Citing officials briefed on the situation, the New York Times said that Israeli officials were concerned that US President Donald Trump was so eager to reach a deal with Iran that he would allow Tehran to keep its nuclear enrichment facilities, a red line for Israel.
It said Israel was particularly concerned about the possibility of any interim deal that would allow Iran to maintain its nuclear facilities for months or even years while a final agreement was reached.
The report said US officials were concerned that Israel could decide to strike Iran with little warning, and said US intelligence estimated that Israel could mount an attack on Iran in as little as seven hours.
It added that Israeli officials had warned their US counterparts that Netanyahu could order a strike on Iran even if a successful diplomatic agreement is reached.
The newspaper said that Netanyahu’s minister of strategic affairs Ron Dermer and David Barnea, head of the foreign intelligence agency Mossad, met Trump’s special envoy Steve Witkoff in Rome on Friday.
The two then traveled to Washington for a meeting on Monday with CIA director John Ratcliffe before Dermer met Witkoff again on Tuesday.
One of the main sticking points in the talks between US and Iranian officials has been the US insistence that Iran must give up its nuclear enrichment facilities, a demand that Iran rejects.
On Monday, US Homeland Secretary Kristi Noem said she had had a “very candid conversation” with Netanyahu on the negotiations with Iran.
She said she had told the Israeli prime minister that Trump had asked her to convey “how important it is that we stay united and let this process play out.”
Trump bypassed Israel on his trip to the Middle East this month and has made policy announcements that have shaken Israel’s assumptions about its relations with the US
Netanyahu has dismissed speculation about a falling out with the US administration, while Trump has also brushed off any suggestion of a break.
Israel calls New York Times report on Iran nuclear talks ‘fake news’
https://arab.news/zeptj
Israel calls New York Times report on Iran nuclear talks ‘fake news’
- New York Times reported Netanyahu threatened to disrupt talks on a nuclear deal between the US and Iran by striking Iran’s nuclear facilities
To infinity and beyond: Grendizer’s 50 years of inspiring Arabs
- 50 years after its creation, the Grendizer anime series continues to capture Arab imagination
- Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet
LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.
Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.
But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.
The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.
Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.
Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.
The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.
By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.
Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.
Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.
Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.
