Pakistan’s leading fashion designer Amir Adnan expresses interest in expanding to Arab world

A collage image of designer Amir Adnan (Left) with daughter, Parishae Adnan and his mens collection. (amiradnanofficial/Instagram)
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Updated 23 May 2025
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Pakistan’s leading fashion designer Amir Adnan expresses interest in expanding to Arab world

  • The Pakistani designer is widely credited with defining his country’s formalwear for over three decades
  • He admires the richness of Arab culture, their keen eye for detail and deep reverence for tradition

KARACHI: Pakistan’s leading fashion designer, Amir Adnan, says he is eager to open stores and manufacturing facilities in the Arab world, praising Saudi Arabia’s evolving openness and deep cultural sophistication.

In an interview with Arab News this week, he hailed the Arab world’s appreciation for tradition and detail and expressed a desire to re-enter the Middle East market with a more immersive presence.

Adnan shared his observations about the Middle East at a time when Saudi Arabia is undergoing a cultural transformation under Crown Prince Mohammed bin Salman’s Vision 2030.

The initiative has opened the Kingdom to global music acts, fashion events, cinema and high-profile platforms like Riyadh Season and the Red Sea International Film Festival, as part of efforts to position it as a regional hub for arts and tourism.

“The Arab world is brilliant, and I’m so happy that it is opening up,” the Pakistani designer, who has previously operated stores in Dubai, said. “Given the opportunity, I would love to go and open up stores over there and have a whole setup over there. We would love to have an office.”

Born in Lahore to a bureaucrat father and a mother from Dhaka’s royal Nawab family, Adnan launched his eponymous brand in 1990 and is credited with modernizing the traditional sherwani. His designs have shaped Pakistani formalwear for more than three decades.

Reflecting on his experience of doing business in the United Arab Emirates, he said Arabs had a distinct appreciation for craftsmanship.

“They appreciated every stitch, every cut, every patch, every fabric, every color combination... they’re very keen observers.”




Renowned Pakistani fashion designer Amir Adnan gives a tour of his studio during an interview with Arab News in Karachi on May 21, 2025. (AN Photo)

He also appreciated the historical and intellectual legacy of the Arab world.

“They introduced medicine. They had the first hospital. They gave us algebra, calculus [and] astronomy. So, where did that come from? It’s their sophistication.”

The Pakistani designer, who studied at Karachi’s Institute of Business Administration, said that despite globalization, Arabs remain deeply rooted in their culture.

“If they had given away their culture and, you know, become totally somebody else, I would not feel so good about them. But I love the Arab people because they hold on and they respect their culture.”

Adnan said the fusion of Pakistani craftsmanship with Arab tastes could lead to meaningful collaborations, ranging from fashion to social development.

“They love our fabrics. They love our stitches. They love our handicraft. All we need to do is just convert our garments to blend into their culture,” he said. “I would go there and mix my ability to suit their requirements.”




Renowned Pakistani fashion designer Amir Adnan speaks with Arab News at his studio in Karachi on May 21, 2025. (AN Photo)

Beyond commerce, he also envisions joint creative workshops and cultural exchanges.

“We would like to work with their artisans, learn their skills and teach them ours,” he said.

The Pakistani designer believes that fashion should be seen beyond economics.

“Besides just the work and the economics of it, it is also liberation of mind,” he said. “In fact, we’ll be able to incorporate a lot of their craft and their skills into our mainstream work.”

Looking ahead, Adnan said he hopes to establish a full-fledged base in the Kingdom.

“Hopefully, one day, we’d be able to do that — set up an office over there and a whole workshop over there and even start manufacturing there… and take care of all the Arab world.”


Riyadh exhibition to trace the origins of Saudi modern art

Updated 07 January 2026
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Riyadh exhibition to trace the origins of Saudi modern art

  • Features painting, sculpture and archival documents
  • Open from Jan. 27-April 11 at Saudi national museum

DUBAI: A new exhibition in Riyadh is focusing on the origins of Saudi Arabia’s modern art scene, examining how a generation of artists helped shape the Kingdom’s visual culture during a period of rapid change.

The “Bedayat: Beginnings of Saudi Art Movement” show reportedly traces the emergence of creative practices in Saudi Arabia from the 1960s to the 1980s, an era that laid the groundwork for today’s art ecosystem.

On view from Jan. 27 until April 11 at the National Museum of Saudi Arabia, it includes works and archival material that document the early years of modern and abstract art in the Kingdom, according to the organizers.

It will examine how artists responded to shifting social, cultural and economic realities, often working with limited infrastructure but a strong sense of purpose and experimentation.

The exhibition is the result of extensive research led by the Visual Arts Commission, which included dozens of site visits and interviews with artists and figures active during the period.

These firsthand accounts have helped to reconstruct a time when formal exhibition spaces were scarce, art education was still developing, and artists relied heavily on personal initiative to build communities and platforms for their work.

Curated by Qaswra Hafez, “Bedayat” will feature painting, sculpture, works on paper and archival documents, many of which will be shown publicly for the first time.

The works will reveal how Saudi artists engaged with international modernist movements while grounding their practice in local heritage, developing visual languages that spoke to both global influences and lived experience.

The exhibition will have three sections, beginning with the foundations of the modern art movement, and followed by a broader look at the artistic concerns of the time.

It will conclude with a focus on four key figures: Mohammed Al-Saleem, Safeya Binzagr, Mounirah Mosly and Abdulhalim Radwi.

A publication, documentary film and public program of talks and workshops will accompany the exhibition, offering further insight into a pivotal chapter of Saudi art history and the artists who helped define it.