Deal signed to promote traditional arts in Saudi Arabia

The initiative aims to strengthen the handicrafts sector by launching entrepreneurial initiatives, enhancing craft products, and empowering emerging talents. (SPA)
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Updated 06 May 2025
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Deal signed to promote traditional arts in Saudi Arabia

  • Royal Institute of Traditional Arts and Namaa Almunawara sign strategic MoU
  • Aim is to advance the creative economy and preserve national cultural heritage

RIYADH: The Royal Institute of Traditional Arts and Namaa Almunawara signed a strategic memorandum of understanding in Riyadh to foster collaboration in supporting traditional arts.

The aim is to advance the creative economy and preserve national cultural heritage, the Saudi Press Agency reported on Tuesday.

The MoU focuses on key areas: building human capacity through training programs and workshops, offering consulting services, and designing specialized initiatives.

It also aims to strengthen the handicrafts sector by launching entrepreneurial initiatives, enhancing craft products, and empowering emerging talents.

Additionally, it includes organizing local and international events and developing community-focused traditional arts initiatives.

The institute plays a key role in promoting Saudi traditional arts locally and internationally, supporting artisans, and encouraging the teaching and development of these crafts.

The Ministry of Culture has designated 2025 the Year of Handicrafts to celebrate cultural heritage and promote the creation, preservation, and modern relevance of handicrafts. It will host events, exhibitions, educational programs, and competitions throughout the year.


The difference between European and Gulf weddings — from a photographer’s point of view

Updated 21 January 2026
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The difference between European and Gulf weddings — from a photographer’s point of view

DUBAI: From her early career in northeast France to working across the Gulf and Europe, wedding photographer Maddy Christina has observed many contrasts between such events in different parts of the world.

Her early years as a photographer were defined by variety; she worked across fashion, family portraits and weddings simultaneously before recognizing how wedding photography brings multiple genres together in a single day. 

Christina said weddings in the region required a shift in both perspective and technique. (Supplied)

“I actually fell into weddings by accident,” Christina told Arab News. “It blends every discipline at once — fashion for the couple session, sports for the reception, documentary work throughout the day, still life with details and jewelry.”

Christina’s connection to the Middle East began through Parisian clients who invited her to Dubai for a post-wedding session: “I instantly connected with the energy of the city,” she said.

Christina’s connection to the Middle East began through Parisian clients who invited her to Dubai for a post-wedding session. (Supplied)

A few years later, a wedding in Kuwait marked the start of her long-term relationship with the region.

Now working extensively across the Gulf Cooperation Council, Christina said weddings in the region required a shift in both perspective and technique.

For Christina, the most meaningful aspect extends beyond the wedding day itself. (Supplied)

“Working across the GCC has opened my mind in ways I didn’t expect,” she said, adding it felt like “resetting everything I thought I knew about weddings” — particularly compared to her experience in Europe.

She said there were clear distinctions between the two regions. “European weddings tend to be more demonstrative and expressive, while brides in the Gulf often place a deeper emphasis on tradition, family bonds and a sense of ceremony,” she said. “The emotional language is different, yet equally beautiful.”

From a technical standpoint, the contrast is just as pronounced: “In the south of France, I was used to shooting outdoors at sunset with couples already comfortable in front of the camera. Here, I often find myself in much smaller spaces, with no windows, artificial light and couples who may be more reserved.”

Christina is drawn to candid moments. (Supplied)

She added that adapting to these conditions pushed her to explore new ways of shaping light and expanded her creative approach.

While Christina is drawn to candid moments, like “guests laughing together, old friends reconnecting, a fleeting emotion passing across someone’s face,” posed pictures remain central to her work.

For Christina, the most meaningful aspect extends beyond the wedding day itself.

“It’s not the decor that makes a wedding unforgettable for me,” she said. “It’s the connection I build with the bride. That long-term bond is what feels truly magical.”