Paul Weller, Primal Scream and Annie Mac back Kneecap amid political backlash over pro-Palestine message

Kneecap is an Irish rap group. (AFP)
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Updated 01 May 2025
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Paul Weller, Primal Scream and Annie Mac back Kneecap amid political backlash over pro-Palestine message

DUBAI: English singer Paul Weller, Scottish rock band Primal Scream and Irish host and DJ Annie Mac voiced their support this week for Irish rap group Kneecap, who recently came under fire for displaying a “Free Palestine” message during their performance at the Coachella festival in the US. 

The artists joined over 40 others in signing an open letter organized by Kneecap’s record label, Heavenly Recordings, which condemns what it describes as a deliberate attempt to suppress the group’s voice and remove them from public platforms. 

The backlash against Kneecap intensified after videos from past performances resurfaced — one from a November 2023 concert in London that appeared to show a member expressing support for Hamas and Hezbollah, and another in which a group member is seen shouting: “The only good Tory is a dead Tory. Kill your local MP.”

British politician Kemi Badenoch, who has served as Leader of the Opposition and Leader of the Conservative Party since November 2024, has since called for legal action to be taken against the group. 

Meanwhile, Glastonbury Festival is facing calls to withdraw Kneecap from its upcoming lineup, and several scheduled performances, including one at the Eden Project in Cornwall, have been cancelled.

In an open letter, Kneecap’s label, Heavenly Recordings, claimed the group was facing a deliberate and coordinated effort to silence them and remove their presence from the music scene.

The letter reads: “As artists, we feel the need to register our opposition to any political repression of artistic freedom.”

“In a democracy, no political figures or political parties should have the right to dictate who does and does not play at music festivals or gigs that will be enjoyed by thousands of people.”

“Kneecap are not the story. Gaza is the story. Genocide is the story,” it says. “And the silence, acquiescence and support of those crimes against humanity by the elected British Government is the real story.” 

“Solidarity with all artists with the moral courage to speak out against Israeli war crimes, and the ongoing persecution and slaughter of the Palestinian people,” the letter added.


Animated Saudi film screens at Red Sea International Film Festival 

Updated 10 December 2025
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Animated Saudi film screens at Red Sea International Film Festival 

RIYADH: It is life imitating art — and art imitating life: a story about work burnout created work burnout, but for Saudi filmmaker Rwad Khalid, every sleepless night paid off. 

Arab News spoke with Khalid, who joked about the literal and metaphorical Mary Poppins-like bag she always carries. In real life, she hauls cameras and “other things” everywhere.

Her dedication to her craft has paid off — Khalid's seven-minute fantasy-drama-comedy animation, “Business Bag,” will be screened at the Red Sea International Film Festival in her home country.

A 2025 graduate of Princess Nourah bint Abdulrahman University in Riyadh with a degree in film and animation, she is passionate about crafting Saudi-centric stories that explore universal social themes through animation.

The film is produced by fellow classmates Linah Alqudari, Manar Alzahrani, and Dana Al-Omran, as part of their graduation project. Each brought their own distinct animation style, and the four of them worked together to weave a cohesive final look. Khalid and Alqudari wrote the script.

Her team unexpectedly became experts in the legal world when they tried to secure the copyright to vintage Japanese music from a deceased singer to use in their film. Determined not to take money from their families, they pooled their own savings and university allowances to fund the project.

“Business Bag” follows a young man overworked and over-caffeinated, drowning in office work pressure and routine — until, on a short walk outside the office, his bag suddenly flies away in the dead of night. As he chases it across Riyadh, he rediscovers the city’s beauty and learns to rebalance his life.

Work-related burnout is universal, the team determined, which is why the film barely uses dialogue. Instead, it leans on music and street sounds of bustling Riyadh.

The entire animation process was swift. 

“Other animators would tell me, like, ‘No way — it’s crazy. You did this in only two months? That’s impossible,’” Khalid said. “But it was possible, after all.”

Khalid said many people have asked why the main character is a man, given that the film was created by a team of women. 

“I knew I wanted Riyadh to be a main character. I also knew I wanted it to take place at night. Logically, I wouldn’t place a woman in that space in Riyadh at night,” she said. 

 “Let the boy suffer,” she added with a laugh.