Saudi Film Festival returns with roster of regional films and special section for Japan

The film poster for Japanese movie ‘River Returns,’ which will screen at the Saudi Film Festival. (Supplied)
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Updated 16 April 2025
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Saudi Film Festival returns with roster of regional films and special section for Japan

DUBAI: The Saudi Film Festival is set to return for its 11th edition from April 17 to 23, at the King Abdulaziz Center for World Culture (Ithra).

On Wednesday, the film festival announced that “SIWAR” by director Osama Al-Khurayji will be the event’s opening screening as well as the film's world premiere. 

The film, which unfolds between Turkey and Saudi Arabia, was primarily shot in the AlUla region of Saudi Arabia.

The film is inspired by true events and was written by Rashed Al-Munajjim. It tells the story of two newborns, one Saudi and the other Turkish, who were mistakenly switched at birth.

“The story of ‘SIWAR’ has stayed with me since the true incident occurred in 2012, and I’ve wanted to bring it to the screen. Finally, after all these years, I’m proud to present this human story, and I’d like to thank Film AlUla for their support in making this film. I’m also proud that its launch will take place at the Saudi Film Festival, which is very dear to my heart,” said director Al-Khurayji.

This year’s theme, “Cinema of Identity,” will explore how films shape and reflect individual, national, and cultural identities.

Organized by the Cinema Association in partnership with Ithra and supported by the Film Commission, the festival will feature 68 films from Saudi Arabia, the Gulf — including Iraq and Yemen — and beyond.

 

 

The narrative features in competition include “Hobal,” “My Driver and I,” “Thuqoub,” “Fakher Al-Suwaidi,” Anaashed Adam,” “Es-aaf,” “Behind the Mountains” and “Adjourned.”

A highlight this year is the honorary tribute to Ibrahim Al-Hasawi, a veteran Saudi actor with over three decades of experience in theater, television, and cinema. His notable works include the TV series “Tash Ma Tash” and “Bayni Wa Baynak,” as well as films such as Ithra’s “Hajjan,” “Zero Distance,” and the recent “Hobal.” 

 

 

This year’s lineup includes seven Saudi and Gulf feature films, 22 short fiction films, and seven documentaries, alongside 12 parallel screenings of Saudi productions. The festival will also host four panel discussions, four advanced masterclasses and three book-signing sessions for the Saudi Cinema Encyclopedia.

The plaza and library at Ithra will host ‘Meet the Expert’ one-on-one sessions and private screenings, offering filmmakers ample opportunities for personalized mentorship and feedback.

A key component of the festival is its production market, which will showcase 22 booths from various production entities, providing filmmakers with a platform to develop and present their work. And to network.

Additionally, Japanese cinema will be in focus, marking 70 years of Saudi-Japan relations, with eight Japanese films and expert discussions.

Those Japanese films include: 

 

 

‘River Returns’

Hoping to save the village and his family from a flood, a young boy journeys alone to a pool deep in the mountains, following a tradition that is disappearing in post-war Japan.

‘Blue and White’

Ryusuke, who is grieving, makes salt on the day of his wife's funeral, aiming to preserve the local area’s salt making history.

‘Toma #2’

When Toma decides to place his father, who suffers from dementia, in a facility, he discovers an instant camera in his father's room that he had forgotten to develop.  

‘Kaburagi’

Kaburaki, a photographer for a weekly magazine, receives a message from an unknown source tipping him off about an idol he has been chasing.

‘Extremely Short’

Based on a story by Hideo Furukawa, the short film follows a man searching for the shortest thing in Tokyo.

‘The New World’

On a sunny June day, Kaname summons old friends to the wilderness with a purpose, but only one arrives.


The art of war: fears for masterpieces on loan to Louvre Abu Dhabi

Updated 13 March 2026
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The art of war: fears for masterpieces on loan to Louvre Abu Dhabi

  • UAE paid more than €1 billion to borrow priceless works, but experts in France want them back

PARIS: The Middle East war has raised fears for the safety of priceless masterpieces on loan from France to the Louvre Abu Dhabi, the museum’s only foreign branch.
The Abu Dhabi museum, which opened in 2017, has so far escaped damage from nearly 1,800 Iranian drone and missile strikes launched since the conflict erupted on Feb. 28.
However, concerns are mounting in France. “The works must be removed,” said Didier Selles, who helped broker the original agreement between France and the UAE.
French journal La Tribune de l’Art echoed that alarm. “The Louvre’s works in Abu Dhabi must be secured!” it said.
France’s culture ministry said French authorities were “in close and regular contact with the authorities of the UAE to ensure the protection of the works loaned by France.”
Under the agreement with the UAE, France agreed to provide expertise, lend works of art and organize exhibitions, in return for €1 billion, including €400 million for licensing the use of the Louvre name. The deal was extended in 2021 to 2047 for an additional €165 million.
Works on loan include paintings by Rembrandt and Chardin, Classical statues of Isis, Roman sarcophagi and Islamic masterpieces: such as the Pyxis of Al-Mughira.

A Louvre Abu Dhabi source said the museum was designed to protect collections from both security threats and natural disasters.