Ketchup to Moon rock: What’s the point of a World Expo?

The huge events, which draw millions of visitors to a chosen city every five years or so, hark back to London’s 1851 Great Exhibition held inside the Crystal Palace. (AFP)
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Updated 13 April 2025
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Ketchup to Moon rock: What’s the point of a World Expo?

  • The huge events, which draw millions of visitors to a chosen city every five years or so, hark back to London’s 1851 Great Exhibition held inside the Crystal Palace

OSAKA: Expo 2025 kicked off Sunday in the Japanese city of Osaka but in the age of online information and mass tourism, what is the purpose of a World’s Fair?
The huge events, which draw millions of visitors to a chosen city every five years or so, hark back to London’s 1851 Great Exhibition held inside the Crystal Palace.
As 160 countries and regions show off their technological and cultural achievements at the six-month Osaka Expo, AFP looks at what it’s all about:
Expanding on national expositions in Paris at the dawn of the Industrial Revolution, Imperial Britain built an immense glass Crystal Palace to host 14,000 exhibitors from 40 countries.
That marked the start of the Expo phenomenon that over the decades introduced the world to ketchup, the telephone and X-ray machines among myriad other technologies.
The Paris edition of 1889 featured the Eiffel Tower — intended as a temporary attraction — and Pablo Picasso’s anti-war painting “Guernica” was first shown at one in 1937.
Historically, World’s Fairs did not just exhibit new technologies but also included racist displays of actual people from the colonies of the time.

While World Expos still showcase future technologies, some argue that the advent of the Internet, mass media and cheaper foreign travel have made them redundant.
Middle school teacher Yusuke Nagasawa said attending was a “valuable learning experience, to be able to actually experience the realism and warmth of the people, which cannot be conveyed through a screen.”
“I’ve seen the excitement, and people from various countries have approached me for chats,” added Nagasawa, who plans to bring about 140 pupils to the Expo next month.
Among the dizzying number of displays this year are a meteorite from Mars, a beating “heart” grown from stem cells, and the world’s largest wooden architectural structure.
Since 1928, the Paris-based International Exhibitions Bureau has run the Expos. More than 180 countries are members and the host city is chosen by a vote of its general assembly.
This is Osaka’s second World Expo after the 1970 edition — featuring a Moon rock — that was attended by 64 million people, a record until Shanghai in 2010.
The United States once held frequent World’s Fairs, as they are known there, leaving behind landmarks such as the Space Needle in Seattle and New York City’s Unisphere.
But the world’s largest economy last hosted one in 1984, with some experts saying their popularity has been overtaken by the Olympic Games and attractions such as Disneyland.

Buildings often take center stage at World Expos and this year is no exception, with each country dressed to impress.
The Chinese pavilion’s design evokes a calligraphy scroll, while the Portuguese one created by Japanese architect Kengo Kuma features ropes that “evoke the movement of the ocean.”
“Expos have always acted, and continue to act, as places of architectural experimentation,” said Isaac Lopez Cesar from Spain’s University of A Coruna.
They offer a forum “where new architectural forms, new materials, new designs and structural typologies, and, in general, new technological advances applied to architecture are tested,” he told AFP.
Themes of sustainability run through the Expo, including at the bauble-like Swiss pavilion, which aims to have the smallest ecological footprint.
According to Japanese media, only 12.5 percent of the wooden “Grand Ring” — a vast structure that encircles most of the national pavilions — will be reused.


’One Battle After Another’ and ‘Hamnet’ take top honors at Golden Globes

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’One Battle After Another’ and ‘Hamnet’ take top honors at Golden Globes

  • While the Globes have a tradition of spreading the wealth around, Anderson became just the second filmmaker to ever sweep best film, best director and best screenplay
Paul Thomas Anderson’s ragtag revolutionary saga “One Battle After Another” took top honors at Sunday’s 83rd Golden Globes in the comedy category, while Chloe Zhao’s Shakespeare drama “Hamnet” upset “Sinners” to win best film, drama.
“One Battle After Another” won best film, comedy, supporting female actor for Teyana Taylor and best director and best screenplay for Anderson. The director became just the second filmmaker to sweep director, screenplay and film at the Globes. Only Oliver Stone, for “Born on the Fourth of July,” managed the same feat.
Though “Hamnet” won the top award, “Sinners” won for best score and the prize for cinematic and box-office achievement. The win for box office and cinematic achievement, over franchise films like “Avatar: Fire and Ash,” was notable for “Sinners,” a movie that some reports labeled a qualified success on its release.
But “Sinners” ultimately grossed $278 million domestically and $368 million worldwide, making it highest grossing original film in 15 years.
“I just want to thank the audience for showing up,” said Coogler. “It’s means the world.”
Coming off years of scandal and subsequent rehabilitation, the Globes and host Nikki Glaser put on a star-studded ceremony that saw wins for the streaming sensation “KPop Demon Hunters” (best animated film, song), a meta triumph for Seth Rogen’s “The Studio” and an inaugural award for podcasting that went to Amy Poehler’s “Good Hang.”
Many of the Oscar favorites won. Timothee Chalamet won his first Golden Globe, for “Marty Supreme,” after four previous nominations. The 30-year-old is poised to win his first Oscar. Fellow nominees like Leonardo DiCaprio and George Clooney stood to applaud his win.
“My dad instilled in me a spirit of gratitude growing up: Always be grateful for what you have,” said Chalamet. “It’s allowed me to leave this ceremony in the past empty handed, my head held high, grateful just to be here. I’d be lying if I didn’t say those moments didn’t make this moment that much sweeter.”
Glaser comes out swinging
The Globes, held at the Beverly Hilton in Beverly Hills, California, got underway with a pointedly political opening from host Nikki Glaser and an early award for the night’s favorite, “One Battle After Another.” Emceeing the show for the second straight year, Glaser kicked off the show with self-aware satire.
“Yes, the Golden Globes, without a doubt the most important thing happening in the world right now,” she said.
In a winning, rapid-fire opening monologue that landed some punch lines on the usual subjects — the age of Leonardo DiCaprio’s dates, Kevin Hart’s height — Glaser also dove right into some of her most topical material.
For the on-the-block Warner Bros., Glaser started the bidding at $5. Referencing the Epstein files, she suggested best editing should go to the Justice Dept. The “most editing,” however, she suggested deserved to go to Bari Weiss’ new CBS News — a dig at the Paramount Skydance-owned network airing the Globes.
Globes mix glitz and gloom
Political tension and industrywide uncertainty were the prevailing moods heading into Sunday’s awards. Hollywood is coming off a disappointing box-office year and now anxiously awaits the fate of one of its most storied studios, Warner Bros. Following the fatal shooting of Megan Good in Minneapolis by a US Immigration and Customs Enforcement officer, several attendees wore pins reading “Be Good” and “ICE Out.”
The Globes, formerly presented by the Hollywood Foreign Press Association, have no overlap or direct correlation with the Academy Awards. After being sold in 2023 to Todd Boehly’s Eldridge Industries and Dick Clark Productions, a part of Penske Media, the Globes are voted on by around 400 people. The Oscars are voted on by more than 10,500 professionals.
But in the fluctuating undulations of awards season, a good speech at the Globes can boost an Oscar campaign.
Jessie Buckley, the Oscar frontrunner, won best female actor in a drama, for her performance in “Hamnet.” In recent years, the Irish actor has had one of the fastest-ascending careers in film and theater. “I love what I do and I love being part of this industry,” she said.
Rose Byrne won best female actor in a comedy or musical for her performance in the not especially funny A24 indie “If I Had Legs I’d Kick You.”
Best actor in a drama went to Wagner Moura, the Brazilian star of “The Secret Agent.” The period political thriller also won best international film.
I think if trauma can be passed along generations, values can do,” Moura said. “So this to the ones who are sticking with their values in difficult moments.”
Other winners Sunday included the supporting actor frontrunner, Stellan Skarsgård who won for the Norwegian family drama “Sentimental Value.” It was the first major Hollywood movie award for the 74-year-old, a respected veteran actor who drew a standing ovation.
“I was not prepared for this because I, of course, thought I was too old,” said Skarsgård.
‘The Studio’ and ‘Adolesence’ win
In the television awards, “The Pitt” took best drama series, while Noah Wyle won, too, brushing past his former “ER”-star Clooney on the way to the stage. Netflix’s “Adolescence” won four awards: best limited series, and acting awards for Erin Doherty, Stephen Graham and 16-year-old Owen Cooper.
Other winners included Rhea Seehorn for “Pluribus” and Jean Smart for “Hacks.”
But the most comically poignant award of the night went to “The Studio,” the best comedy series winner. Seth Rogen’s Hollywood satirememorably included an episode devoted to drama around a night at the Globes. (Sample line: “I remember when the red carpet of the Golden Globes actually stood for something.”) Rogen also won best male actor in a comedy.
“This is so weird,” Rogen said, chuckling. “We just pretended to do this. And now it’s happening.”