Red Sea Fund opens applications for production grants

The Red Sea Fund is accepting submissions for production support as part of its second cycle for 2025. (X/@RedSeaFilm)
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Updated 08 April 2025
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Red Sea Fund opens applications for production grants

  • Foundation provides financial grants that enable promising cinematic voices to complete their projects and share their narratives with the world
  • Second cycle of the fund supports projects ready to move into production, offering grants for feature-length films

RIYADH: The Red Sea Fund, a program of the Red Sea Film Foundation, is now accepting submissions for production support as part of its second cycle for 2025.

The foundation provides financial grants that enable promising cinematic voices to complete their projects and share their narratives with the world, the Saudi Press Agency reported on Tuesday.

The second cycle of the fund supports projects ready to move into production, offering grants for feature-length films (60 minutes or more), whether fiction or animation, from directors in Saudi Arabia, the Arab region, Africa and Asia.

The grants will also support TV series (25–59 minutes per episode) from the same eligible regions, and short films (under 60 minutes), including fiction, documentary, or animation, exclusively from Saudi directors.

Filmmakers from Saudi Arabia, the Arab world, Africa and Asia can apply through the website redseafilmfest.com before the April 21 deadline.

Established in 2021, the fund has supported more than 280 film projects. Several former recipients have gone on to earn global recognition and accolades.


Art Cairo part of a ‘long-term cultural project,’ founder says

Updated 25 January 2026
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Art Cairo part of a ‘long-term cultural project,’ founder says

CAIRO: As Art Cairo 2026 draws to a close, its founder Mohammed Younis is keen to set the fair apart from its regional counterparts — and also asserts that the annual event is part of a “long-term cultural project.”

The fair, which took place at the Grand Egyptian Museum and wrapped up on Jan. 26, boasted a distinctly Arab flavor, in terms of galleries, artists and the themes of the artworks on show.

Younis says that is all part of a conscious curatorial effort.

“Art Cairo stands apart from other art fairs in the region as the only platform dedicated exclusively and intentionally to Arab art … While many regional fairs present a broad, globalized perspective, Art Cairo emerges from a different vision — one rooted in presenting Arab art from within,” Younis told Arab News.

Across the fair, depictions of golden age icons such as 1950s superstar Mohamed Mohamed Fawzy by painter Adel El-Siwi jostled for attention alongside ancient iconography and pop culture references from the Arab world.

Abu Dhabi’s Salwa Zeidan Gallery, for example, exhibited work by up-and-coming Egyptian artist Passant Kirdy.

“My work focuses on Egyptian heritage in general, including pharaonic and Islamic art. These influences are always present in what I create. This symbol you’re looking at is a pharaonic scarab …  I’m very attached to this symbol,” she told Arab News.

The Arab focus of the curation is part of an effort to bill Art Cairo as a “long-term cultural project,” Younis noted.

“Ultimately, Art Cairo is not simply an art fair; it is a long-term cultural project. It exists to support Arab artists, contribute to building a sustainable art market, and articulate an authentic Arab narrative within the regional and international art landscape.”