Artificial glaciers boost water supply in northern Pakistan

This photograph taken on March 18, 2025 shows an artificial glacier built by local residents during winters to conserve water for the summers at Pari village in Kharmang district, in Pakistan's mountainous Gilgit-Baltistan region. (AFP)
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Updated 06 April 2025
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Artificial glaciers boost water supply in northern Pakistan

  • Water is piped from streams into villages, and sprayed into air during freezing winter temperatures
  • Gilgit-Baltistan has 13,000 glaciers—more than any other country on Earth outside the polar regions

Hussainabad, Pakistan: At the foot of Pakistan’s impossibly high mountains whitened by frost all year round, farmers grappling with a lack of water have created their own ice towers.

Warmer winters as a result of climate change have reduced the snowfall and subsequent seasonal snowmelt that feeds the valleys of Gilgit-Baltistan, a remote region home to K2, the world’s second-highest peak.

Farmers in the Skardu valley, at an altitude of up to 2,600 meters (8,200 feet) in the shadow of the Karakoram mountain range, searched online for help in how to irrigate their apple and apricot orchards.

“We discovered artificial glaciers on YouTube,” Ghulam Haider Hashmi told AFP.

They watched the videos of Sonam Wangchuk, an environmental activist and engineer in the Indian region of Ladakh, less than 200 kilometers away across a heavily patrolled border, who developed the technique about 10 years ago.

Water is piped from streams into the village, and sprayed into the air during the freezing winter temperatures.

“The water must be propelled so that it freezes in the air when temperatures drop below zero, creating ice towers,” said Zakir Hussain Zakir, a professor at the University of Baltistan.




This aerial photograph taken on March 18, 2025 shows a man (R) looking at an artificial glacier built by local residents during winters to conserve water for the summers at Pari village in Kharmang district, in Pakistan's mountainous Gilgit-Baltistan region. (AFP)

The ice forms in the shape of cones that resemble Buddhist stupas and act as a storage system — steadily melting throughout spring when temperatures rise.

Gilgit-Baltistan has 13,000 glaciers — more than any other country on Earth outside the polar regions.

Their beauty has made the region one of the country’s top tourist destinations — towering peaks loom over the Old Silk Road, still visible from a highway transporting tourists between cherry orchards, glaciers and ice-blue lakes.

Sher Muhammad, a specialist in the Hindu Kush-Himalayan mountain range that stretches from Afghanistan to Myanmar, however said most of the region’s water supply comes from snow melt in spring, with a fraction from annual glacial melt in summers.

“From late October until early April, we were receiving heavy snowfall. But in the past few years, it’s quite dry,” Muhammad, a researcher at the International Center for Integrated Mountain Development (ICIMOD), told AFP.

The first “ice stupas” in Gilgit-Baltistan were created in 2018.

Now, more than 20 villages make them every winter, and “more than 16,000 residents have access to water without having to build reservoirs or tanks,” said Rashid-ud-Din, provincial head of GLOF-2, a UN-Pakistan plan to adapt to the effects of climate change.

Farmer Muhammad Raza told AFP that eight stupas were built in his village of Hussainabad this winter, trapping approximately 20 million liters of water in the ice.

“We no longer have water shortages during planting,” he said, since the open-air reservoirs appeared on the slopes of the valley.

“Before, we had to wait for the glaciers to melt in June to get water, but the stupas saved our fields,” said Ali Kazim, also a farmer in the valley.




This photograph taken on March 19, 2025 shows local residents ploughing a farm at Hussainabad village in Skardu district, in Pakistan's mountainous Gilgit-Baltistan region. (AFP)

Before the stupas, “we planted our crops in May,” said 26-year-old Bashir Ahmed who grows potatoes, wheat and barley in nearby Pari village which has also adopted the method.

And “we only had one growing season, whereas now we can plant two or three times” a year.

Temperatures in Pakistan rose twice as fast between 1981 and 2005 compared to the global average, putting the country on the front line of climate change impacts, including water scarcity.

Its 240 million inhabitants live in a territory that is 80 percent arid or semi-arid and depends on rivers and streams originating in neighboring countries for more than three-quarters of its water.

Glaciers are melting rapidly in Pakistan and across the world, with a few exceptions, including the Karakoram mountain range, increasing the risk of flooding and reducing water supply over the long term.

“Faced with climate change, there are neither rich nor poor, neither urban nor rural; the whole world has become vulnerable,” said 24-year-old Yasir Parvi.

“In our village, with the ice stupas, we decided to take a chance.”


In Peshawar, 76-year-old artist struggles to keep near-extinct Mughal wax art alive

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In Peshawar, 76-year-old artist struggles to keep near-extinct Mughal wax art alive

  • Craft involves intricate process using heated wax, oil, pigments, limestone to create textured, miniature artworks
  • Riaz Ahmad, who has trained his son in wax art, says he hopes to train more people to preserve traditional craft 

PESHAWAR: Riaz Ahmad, 76, stirs wax in a small plastic can with a long chopstick, takes it out on the palm of his left hand and adds natural color before drawing designs on a piece of cloth.

Surrounded by several such pieces of black cloth with unique art, Ahmad strives every passing day to keep the 500-year-old, Mughal-era wax art alive at his home near the Lahori Gate in the northwestern Pakistani city of Peshawar.

Ahmad comes from a well-known family of wax artists who were based in Shillong and Darjeeling in present-day India and had migrated to Peshawar during the 1947 partition of the sub-continent.

His work remains rooted in tradition, faithfully repeating patterns passed down through generations and winning Ahmad several awards both at home and abroad in recognition of his dedication.

“I have been making the same Mughal era designs that my forefathers used to make,” he told Arab News last week.

 

“I went to India in 2004, where I received the UNESCO Seal of Excellence [for Handicrafts] award... On 23 March, 2012, the Government of Pakistan awarded me the Tamgha-i-Imtiaz.”

The near-extinct traditional craft, which is believed to have originated in Central Asia and refined under the Mughal patronage, particularly in Peshawar, involves an intricate process using heated wax, linseed oil, powdered pigments, and limestone to create detailed, textured and often colorful miniature artworks by hand.

Ahmad learnt wax art from his father, Miran Bakhsh, nearly six decades ago.

“My parents used to do this work in Shillong and Darjeeling [in present-day India]. They had a shop there, and after the Partition, they migrated to Peshawar, Pakistan,” he said. “When they came here, they started doing the same work.”

A basic piece of his work costs around Rs3,000 ($10.7). A larger piece made on order can fetch between Rs5,000 and Rs15,000 ($17-$53), but such orders are rare.

“Wax and colors have become expensive. When I sell a piece for Rs3,000, around Rs1,000 goes into expenses, and Rs2,000 is my daily wage,” Ahmad said.

But the 76-year-old worries more about the future of the art form, which he insists cannot be learned quickly and requires “love and dedication.”

“Some people say they want to come, some from Karachi and some from Lahore, but it becomes difficult for me to go there or for them to come here,” he said.

Most wax artists in Peshawar have abandoned the art due to a lack of institutional support, according to Ahmad, who relies primarily on exhibitions to earn a living.

“The reason [for the decline of this art form] is that the government does not pay attention. They are caught in their own conflicts, and the culture is suffering,” Ahmad said.

“Other artists have left this art. Some are selling rice and some are driving rickshaws,” he added. “I have been doing this work inside my house. If there is any event, we go there and sell our art.”

Saad Bin Awais, a spokesperson for the Khyber Pakhtunkhwa Culture and Tourism Authority (KPCTA), said the government has engaged artisans in several projects. He said some of these projects have come to an end while others are ongoing.

“Riaz Ahmad is the only wax artist in Khyber Pakhtunkhwa and the authority is serious about facilitating him,” he said, adding that the KPCTA facilitates Ahmad’s participation in exhibitions across the country to showcase his art.

“We have also been collecting data of artists in Khyber Pakhtunkhwa for an upcoming project to facilitate them in any way possible.”

Ahmad has trained his son, Fayyaz, in wax art who now practices it in Islamabad. The septuagenarian says he wishes to train more people to preserve the dying art form.

“I cannot leave this work,” he said. “I will continue this art even though my hands shake.”