Shiny and deadly, unexploded munitions a threat to Gaza children

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Civilians watch as Hamas ammunition experts collect unexploded ordnance found amid the rubble of destroyed buildings in the back of a pick in the eastern district of Khezaa in Khan Yunis in the southern Gaza Strip on November 24, 2023. (AFP)
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An unexploded shell lies on a sand dune as a young boy sits near a makeshift camp for displaced Palestinians in the area of Tel al-Sultan in Rafah in the southern Gaza Strip on May 30, 2024. (AFP)
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Updated 03 April 2025
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Shiny and deadly, unexploded munitions a threat to Gaza children

  • “We’re losing two people a day to UXO (unexploded ordnance) at the moment,” says former UK military deminer
  • UN Mine Action Service says it could take 14 years to make the coastal territory safe from unexploded bombs

 

JERUSALEM: War has left Gaza littered with unexploded bombs that will take years to clear, with children drawn to metal casings maimed or even killed when they try to pick them up, a demining expert said.
Nicholas Orr, a former UK military deminer, told AFP after a mission to the war-battered Palestinian territory that “we’re losing two people a day to UXO (unexploded ordnance) at the moment.”
According to Orr, most of the casualties are children out of school desperate for something to do, searching through the rubble of bombed-out buildings sometimes for lack of better playthings.
“They’re bored, they’re running around, they find something curious, they play with it, and that’s the end,” he said.
Among the victims was 15-year-old Ahmed Azzam, who lost his leg to an explosive left in the rubble as he returned to his home in the southern city of Rafah after months of displacement.
“We were inspecting the remains of our home and there was a suspicious object in the rubble,” Azzam told AFP.
“I didn’t know it was explosive, but suddenly it detonated,” he said, causing “severe wounds to both my legs, which led to the amputation of one of them.”
He was one of hundreds of thousands of Palestinians returning home during a truce that brought short-lived calm to Gaza after more than 15 months of war, before Israel resumed its bombardment and military operations last month.
For Azzam and other children, the return was marred by the dangers of leftover explosives.

Children are most vulnerable
Demining expert Orr, who was in Gaza for charity Handicap International, said that while no one is safe from the threat posed by unexploded munitions, children are especially vulnerable.
Some ordnance is like “gold to look at, so they’re quite attractive to kids,” he said.
“You pick that up and that detonates. That’s you and your family gone, and the rest of your building.”
Another common scenario involved people back from displacement, said Orr, giving an example of “a father of a family who’s moved back to his home to reclaim his life, and finds that there’s UXO in his garden.”
“So he tries to help himself and help his family by moving the UXO, and there’s an accident.”
With fighting ongoing and humanitarian access limited, little data is available, but in January the UN Mine Action Service said that “between five and 10 percent” of weapons fired into Gaza failed to detonate.
It could take 14 years to make the coastal territory safe from unexploded bombs, the UN agency said.
Alexandra Saieh, head of advocacy for Save The Children, said unexploded ordnance is a common sight in the Gaza Strip, where her charity operates.
“When our teams go on field they see UXOs all the time. Gaza is littered with them,” she said.

Catastrophic situation
For children who lose limbs from blasts, “the situation is catastrophic,” said Saieh, because “child amputees require specialized long-term care... that’s just not available in Gaza.”
In early March, just before the ceasefire collapsed, Israel blocked all aid from entering Gaza. That included prosthetics that could have helped avoid long-term mobility loss, Saieh said.
Unexploded ordnance comes in various forms, Orr said. In Gaza’s north, where ground battles raged for months, there are things like “mortars, grenades, and a lot of bullets.”
In Rafah, where air strikes were more intense than ground combat, “it’s artillery projectiles, it’s airdrop projectiles,” which can often weigh dozens of kilograms, he added.
Orr said he was unable to obtain permission to conduct bomb disposal in Gaza, as Israeli aerial surveillance could have mistaken him for a militant attempting to repurpose unexploded ordnance into weapons.
He also said that while awareness-raising could help Gazans manage the threat, the message doesn’t always travel fast enough.
“People see each other moving it and think, ‘Oh, they’ve done it, I can get away with it,’” Orr said, warning that it was difficult for a layperson to know which bombs might still explode, insisting it was not worth the risk.
“You’re just playing against the odds, it’s a numbers game.”


The art of war: fears for masterpieces on loan to Louvre Abu Dhabi

Updated 13 March 2026
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The art of war: fears for masterpieces on loan to Louvre Abu Dhabi

  • UAE paid more than €1 billion to borrow priceless works, but experts in France want them back

PARIS: The Middle East war has raised fears for the safety of priceless masterpieces on loan from France to the Louvre Abu Dhabi, the museum’s only foreign branch.
The Abu Dhabi museum, which opened in 2017, has so far escaped damage from nearly 1,800 Iranian drone and missile strikes launched since the conflict erupted on Feb. 28.
However, concerns are mounting in France. “The works must be removed,” said Didier Selles, who helped broker the original agreement between France and the UAE.
French journal La Tribune de l’Art echoed that alarm. “The Louvre’s works in Abu Dhabi must be secured!” it said.
France’s culture ministry said French authorities were “in close and regular contact with the authorities of the UAE to ensure the protection of the works loaned by France.”
Under the agreement with the UAE, France agreed to provide expertise, lend works of art and organize exhibitions, in return for €1 billion, including €400 million for licensing the use of the Louvre name. The deal was extended in 2021 to 2047 for an additional €165 million.
Works on loan include paintings by Rembrandt and Chardin, Classical statues of Isis, Roman sarcophagi and Islamic masterpieces: such as the Pyxis of Al-Mughira.

A Louvre Abu Dhabi source said the museum was designed to protect collections from both security threats and natural disasters.