Ramadan through the lens of art

Saudi photographer Sultan Al-Qahtani captures crescent moons, street scenes and family gatherings as central elements. (Supplied)
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Updated 25 March 2025
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Ramadan through the lens of art

  • Holy month inspires creative process
  • Themes of faith and introspection reflected in artwork

RIYADH: The holy month of Ramadan offers profound creative inspiration with its themes of faith, renewal and introspection, three Saudi artists have told Arab News.

Norah Al-Ruwaili, Manar Al-Otaibi and Sultan Al-Qahtani discussed how Ramadan shapes their artistic expression.

For Al-Ruwaili, the holy month allows her to engage with her work more deeply. “Ramadan naturally slows everything down, creating space for reflection and intentionality,” she said.




 An artwork featuring floral patterns and Arabic calligraphy. (Supplied/@noras.scribbles)

“That shift influences my art. I become more mindful of the themes I explore and the emotions I want to convey.”

Al-Otaibi echoed this sentiment, describing how Ramadan transforms her approach to creativity.

“Ramadan deeply influences my artistic process by bringing a sense of stillness, introspection and spirituality,” she said.

Usually warmth is presented in the sunny days. In Ramadan, nights lights are vibrant and reflect warmth.

Sultan Al-Qahtani

For Al-Qahtani, a photographer, Ramadan shifts his focus to nighttime settings and the beauty of lights in the holy month. “Usually warmth is presented in the sunny days. In Ramadan, nights lights are vibrant and reflect warmth,” he said.

Al-Ruwaili finds herself “drawn to themes of stillness, spirituality and inner transformation.

“Patterns, calligraphy and elements inspired by prayer mats or architecture often appear in my work, like in my Mihrab paintings.




A vibrant mihrab-inspired artwork adorned with red floral elements. (Supplied/@noras.scribbles)

“I also love incorporating symbolism, whether through floral elements that represent spiritual blossoming or color choices that evoke serenity and depth,” she said.

Al-Otaibi uses “vibrant colors and intricate patterns” to express the emotions of the holy month.

For Al-Qahtani, Ramadan photography records the community spirit; he captures crescent moons, street scenes and family gatherings as central elements.

Al-Ruwaili said that spirituality and creativity are inseparable during Ramadan: “Creativity and spirituality aren’t separate for me, they intertwine. My artistic process becomes quieter and more intentional during Ramadan, almost like a form of meditation.”

But balancing creative work with fasting and responsibilities is a challenge, Al-Otaibi said. “It can be challenging, especially with work and other responsibilities. However, I often feel refreshed and inspired after iftar, which helps me reconnect with my creative flow,” she added.

Al-Qahtani experiences creative moments spontaneously, often between prayers and meals: “Creative moments are not planned but sometimes it can be harnessed late at night between prayers and meals.”

Representing the true spirit of Ramadan in visual art is not always easy. For Al-Ruwaili, moving beyond traditional imagery like lanterns and crescents to capture the feeling of Ramadan is her biggest challenge.

“Ramadan is deeply personal and spiritual, so visually representing its essence without being overly literal can be challenging,” she said.

“I try to move beyond traditional symbols like lanterns or crescents and focus more on the feeling of Ramadan: The sense of peace, renewal and contemplation.”

Al-Otaibi also struggles to visually depict the intangible elements of the holy month. “One challenge is translating the atmosphere of Ramadan into visual art, through key elements like the moon, fanous lights and family gatherings.

For Al-Qahtani, the challenge lies in capturing aesthetic nighttime lighting without overexposing the image: “Since most of the pictures I take are in the night, (I need) proper lighting — aesthetically pleasing lights, not just lots of lights.”

Al-Ruwaili’s Mihrab digital paintings hold a deep personal meaning: “My Mihrab digital paintings are probably the clearest example. They were inspired by the patterns found in prayer mats, which hold so much significance in daily spiritual practice.

“To me, they represent a sacred space; a personal retreat where stillness and connection meet,” she said.

Al-Otaibi created a painting of a family gathering during suhoor, which “represents togetherness, tradition and the quiet beauty of Ramadan nights.”

Al-Qahtani’s photography showcases Ramadan’s lights and the communal spirit.

Through painting, photography and digital art, the three artists capture the essence of the holy month, reflecting a period that is both personal and universally meaningful.

 


14 sculptures go on display at public spaces in Riyadh

Updated 11 December 2025
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14 sculptures go on display at public spaces in Riyadh

  • The works were chosen by Riyadh Art from its international Tuwaiq Sculpture symposium to reflect its ‘vision of weaving beauty and intellect into the city’s fabric’
  • Initiative aligns with efforts to make art a key part of city’s identity that improves quality of life and promotes the cultural economy, says Royal Commission for Riyadh City’s Khalid Al-Hazani

RIYADH: Fourteen sculptures selected from the annual international Tuwaiq Sculpture symposium, a Riyadh Art program, went on display on Wednesday at three prominent public spaces across the Saudi capital: ROSHN Front, the SEDRA residential community, and Sports Boulevard.

The project is part of Riyad Art’s efforts to showcase artworks in public spaces, and the addition of more works in other places is expected later.

Khalid Al-Hazani, the executive vice president of the lifestyle sector at the Royal Commission for Riyadh City, said: “This step reflects (Riyadh Art’s) vision of weaving beauty and intellect into the city’s fabric, and creating vibrant and culturally rich public spaces, allowing art to become an integral part of people’s daily lives.”

It is also in line with Riyadh Art’s broader strategy for transforming the city into an open-air art gallery, he added, thereby “turning art into a central element of the city’s identity and a key contributor to improving quality of life and promoting the cultural economy.” 

The Riyadh Art Program installed on Wednesday 14 sculptures selected from the Tuwaiq International Sculpture Symposium at prominent locations in Riyadh, including the ROSHN Front, SEDRA Residential Community, and Sports Boulevard. (Supplied)

The three chosen locations were considered perfect places to host the artworks because of their vibrancy, strong community connections and accessibility, Al-Hazani noted.

“This provides residents and visitors with the opportunity to engage with the sculptures in their everyday lives,” he said.

Seven of the sculptures have been installed at ROSHN Front, considered a key urban hub. The artworks on display there form a thought-provoking artistic landscape that encourages interaction, organizers said, and explores a number of themes including the values of urban transformation, community spirit, and creative curiosity.

Three sculptures are on display at the SEDRA residential community. Chosen to complement its serene character and nature-integrated urban planning, they blend in with their surroundings to reflect the values of environmental harmony, contemplation and renewal, organizers explained.

The remaining four sculptures are at Sports Boulevard, known for its open, green spaces. These works reflect several concepts, in particular ideas of nature, balance and public health.

All of the sculptures are part of Riyadh Art’s permanent collection, which includes works created by local and international artists during the Tuwaiq Sculpture symposium.