Saudi-shot action thriller ‘Seven Dogs’ drops first-look images

Karim Abdel Aziz and Ahmed Ezz shooting for Seven Dogs’ in Riyadh. (Supplied)
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Updated 18 March 2025
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Saudi-shot action thriller ‘Seven Dogs’ drops first-look images

DUBAI: First images for Adil El Arbi and Bilall Fallah Saudi-shot action thriller “Seven Dogs” have dropped as the production shoots outside the capital of Riyadh.

The $40 million project from the “Bad Boys for Life” directorial duo is being shot at the newly inaugurated Alhisn Big Time Studios in Riyadh, one of the Middle East and North Africa region’s biggest film and television production facilities, with additional filming at Riyadh Boulevard. Riyadh will also serve as a stand-in for multiple international cities, including Mumbai and Shanghai.




Karim Abdel Aziz and Ahmed Ezz on set. (Supplied)

The thriller is based on an original story by Turki Alalshikh, chairman of Saudi Arabia’s General Entertainment Authority.

Egyptian stars Karim Abdel Aziz (“The Blue Elephant,” “Kira & El Gin,” “Abu Ali”) and Ahmed Ezz (“Kira & El Gin,” “The Cell,” “Welad Rizk”) headline the action film.

Ezz plays Interpol officer Khalid Al-Azzazi who apprehends Ghali Abu Dawood (Aziz), a high-ranking member of the clandestine global crime syndicate known as Seven Dogs. A year later, the organization resurfaces, trafficking a dangerous new drug — Pink Lady — across the Middle East.

With time running out, Khalid reluctantly joins forces with Ghali, the only person with intimate knowledge of the syndicate’s operations. Their uneasy alliance propels them on a high-stakes mission across multiple global cities as they strive to dismantle the organization and prevent the drug from flooding Arab streets.

“Seven Dogs” is slated for a late 2025 release.
 


Elie Saab stages show at Paris Fashion Week

Updated 58 min 43 sec ago
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Elie Saab stages show at Paris Fashion Week

DUBAI/ PARIS: Lebanese designer Elie Saab showcased his latest collection at Paris Fashion Week on Saturday, as part of a packed schedule of international luxury labels.

The designer’s Fall/Winter 2026-2027 collection was inspired by New York with billowing ballgowns printed with Central Park-themed florals and more fitted, business chic looks seen on the runway.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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The “Elie Saab woman immerses herself in the 90s New York art scene. Intellectual and seductive, her look embraces downtown power tailoring and uptown florals with a twist,” the fashion house said in its show notes.

The showcase was held on the same day as the likes of Hermes, Vivienne Westwood and Balenciaga, among other labels.

In a Paris Fashion Week that still has Chanel and Louis Vuitton to come, Hermes made a case that luxury at its most persuasive doesn’t shout.

Models emerged from luminous circular openings in the walls, like figures stepping through a full moon, and walked a raised, winding catwalk above vegetation.

It was theatrical, but never gimmicky.

The set did exactly what creative director Nadege Vanhee wanted: it knocked you off balance.

Vanhee, who has led Hermes womenswear since 2014, titled the fall-winter collection “Entre chien et loup” — the French expression for dusk, that uneasy moment when you can’t tell a dog from a wolf.

Her show notes invoked Hecate, the torch-wielding goddess of darkness, though the clothes were less mythological than muscular — precise, body-conscious, built to move.

Leather dominated. Fluid overcoats with enormous Tuscan sheepskin collars.

Zip-front mini dresses in inky blue that opened to reveal contrasting shirts beneath.

An orange ostrich-leather jumpsuit, belted at the waist, that merged biker attitude with Hermes refinement.

Paris Fashion Week is delivering a forceful reminder of why it remains a capital of fashion, with blockbuster celebrity front rows, boundary-pushing design, and collections that are tackling big ideas about power, craft and the female body.

Oprah Winfrey turned heads at both Stella McCartney and Chloé. Sissy Spacek, Julia Garner and Lil Yachty claimed front-row seats at Loewe.