Trump freezes US-funded media outlets including Voice of America

A crew from Voice of America make a live report as they stand in the a causeway leading to US President-elect Donald Trump’s estate in Mar-a-Lago in West Palm Beach on December 13, 2024. (AFP)
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Updated 16 March 2025
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Trump freezes US-funded media outlets including Voice of America

  • VOA director Michael Abramowitz said he was among 1,300 staffers placed on leave Saturday

WASHINGTON: President Donald Trump’s administration on Saturday put journalists at Voice of America and other US-funded broadcasters on leave, abruptly freezing decades-old outlets long seen as critical to countering Russian and Chinese information offensives.
Hundreds of staffers at VOA, Radio Free Asia, Radio Free Europe and other outlets received a weekend email saying they will be barred from their offices and should surrender press passes and office-issued equipment.
Trump, who has already eviscerated the US global aid agency and the Education Department, on Friday issued an executive order listing the US Agency for Global Media as among “elements of the federal bureaucracy that the president has determined are unnecessary.”
Kari Lake, a firebrand Trump supporter put in charge of the media agency after she lost a US Senate bid, said in an email to the outlets that federal grant money “no longer effectuates agency priorities.”
The White House said the cuts would ensure “taxpayers are no longer on the hook for radical propaganda,” marking a dramatic tone shift toward the networks established to extend US influence overseas.
White House press official Harrison Fields wrote “goodbye” on X in 20 languages, a jab at the outlets’ multilingual coverage.
VOA director Michael Abramowitz said he was among 1,300 staffers placed on leave Saturday.
“VOA needs thoughtful reform, and we have made progress in that regard. But today’s action will leave Voice of America unable to carry out its vital mission,” he said on Facebook, noting that its coverage — in 48 languages — reaches 360 million people each week.
The head of Radio Free Europe/Radio Liberty, which started broadcasting into the Soviet bloc during the Cold War, called the cancelation of funding “a massive gift to America’s enemies.”
“The Iranian ayatollahs, Chinese communist leaders, and autocrats in Moscow and Minsk would celebrate the demise of RFE/RL after 75 years,” its president, Stephen Capus, said in a statement.

US-funded media have reoriented themselves since the end of the Cold War, dropping much of the programming geared toward newly democratic Central and Eastern European countries and focusing on Russia and China.
Chinese state-funded media have expanded their reach sharply over the past decade, including by offering free services to outlets in the developing world that would otherwise pay for Western news agencies.
Radio Free Asia, established in 1996, sees its mission as providing uncensored reporting into countries without free media including China, Myanmar, North Korea and Vietnam.
The outlets have an editorial firewall, with a stated guarantee of independence despite government funding.
The policy has angered some around Trump, who has long railed against media and suggested that government-funded outlets should promote his policies.
The move to end US-funded media is likely to meet challenges, much like Trump’s other sweeping cuts. Congress, not the president, has the constitutional power of the purse and Radio Free Asia in particular has enjoyed bipartisan support in the past.

Advocacy group Reporters Without Borders condemned the decision, saying it “threatens press freedom worldwide and negates 80 years of American history in supporting the free flow of information.”
Gregory Meeks, the top Democrat on the House Foreign Affairs Committee, and senior Democratic congresswoman Lois Frankel said in a joint statement that Trump’s move would “cause lasting damage to US efforts to counter propaganda around the world.”
One VOA employee, who requested anonymity, described Saturday’s message as another “perfect example of the chaos and unprepared nature of the process,” with VOA staffers presuming that scheduled programming is off but not told so directly.
A Radio Free Asia employee said: “It’s not just about losing your income. We have staff and contractors who fear for their safety. We have reporters who work under the radar in authoritarian countries in Asia. We have staff in the US who fear deportation if their work visa is no longer valid.”
“Wiping us out with the strike of a pen is just terrible.”
 


Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

Updated 17 January 2026
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Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

  • The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive

PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.