Review: Charlie Cox’s Daredevil makes brutal and gripping return to form in Disney+ reboot

Anchored by Charlie Cox’s measured performance as Matt Murdock (aka Daredevil), the series makes a strong first impression. (Supplied)
Short Url
Updated 05 March 2025
Follow

Review: Charlie Cox’s Daredevil makes brutal and gripping return to form in Disney+ reboot

  • First 2 episodes of series make a strong first impression
  • Retains signature moody, atmospheric, violent aesthetic

DUBAI: After years of anticipation, reshoots and creative switcheroos, “Daredevil: Born Again” has finally arrived, and its first two episodes waste no time reintroducing audiences to the brutal, morally complex world of Hell’s Kitchen.

Anchored by Charlie Cox’s measured performance as Matt Murdock (aka Daredevil) and Vincent D’Onofrio’s chilling return as Wilson Fisk, the series makes a strong first impression.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Matt Murdock (@daredevil)

Marvel’s grittiest hero is back in top form, thanks largely to “Punisher’s” Dario Scardapane, who took over as showrunner mid-production.

The opening episodes set a relentless and heart-wrenching tone, beginning with a violent confrontation between Daredevil and Bullseye (Wilson Bethel) at Josie’s Bar that quickly escalates into a rooftop clash.

The fight sequences, a hallmark of the original “Daredevil” series from Netflix, remain meticulously crafted — visceral, bloody and free of unnecessary embellishment.




Charlie Cox as Matt Murdock and Nikki M. James as Kirsten McDuffie. (Supplied)

A year later, Murdock, still struggling with the burdens of his dual identity, now operates a new law firm alongside Kirsten McDuffie (Nikki M. James).

He appears to be forging a new romantic connection with psychiatrist Heather Glenn (Margarita Levieva). Yet, despite his efforts to build a more stable life, shadows from his past loom large.

Wilson Fisk, long absent from the scene, reemerges from the shadows with a new and menacing agenda, turning his ambitions toward the political arena.

His aspirations to become mayor of New York City suggest a fresh and dangerous evolution of his character — one that D’Onofrio plays with a practiced and quiet menace that is as captivating as ever.

Cox remains a commanding presence, portraying Murdock with an understated intensity that exudes rage, resilience and exhaustion, all at once.




Charlie Cox and Vincent D’Onfrio in ‘Daredevil: Born Again.’ (Supplied)

His reunion with Fisk — in a masterfully-crafted, tense diner scene — serves as a stark reminder that their ideological battle is far from over.

Visually, the series retains its signature aesthetic — moody, atmospheric, and unflinching in its depiction of violence. The action is raw, the dialogue sharp, and the stakes higher than ever.

All in all “Daredevil: Born Again” does not try to reinvent itself but instead refines what made its predecessor so compelling.


Mini op-ed: We need a ‘potluck’ culture of reading

Updated 10 March 2026
Follow

Mini op-ed: We need a ‘potluck’ culture of reading

DUBAI: The number of times we hear, “My kids don’t read,” “I don’t have the time,” or “Do people even read anymore?” is alarming.

With newspapers declared dead and YouTube summaries or ChatGPT reviews becoming the main course of words, I often wonder: have those asking these questions considered the role they play?

Each of us — school representatives, librarians, parents, educators, children, and even occasional readers — must ask whether we are helping create a culture where reaching for a book feels as natural as reaching for a smartphone.

Even the smallest effort counts. I think of a reading culture as a potluck where everyone brings something small, and together it becomes a wholesome meal. If you do not know where to begin, look around.

Purva Grover is an author, poet, playwright, stage director, TEDx speaker, and creative entrepreneur. (Supplied)

The UAE is rich in public libraries including in Sharjah and Dubai, such as the Mohammed Bin Rashid Library, which is proof that access is not the issue. 

Meanwhile, Saudi Arabia is embedding reading into its national identity under Vision 2030 through digital libraries, major book fairs, and daily school reading.

Not a reader? Events such as the Emirates Airline Festival of Literature or the Sharjah International Book Fair offer easy entry points for conversation, community and curiosity.

They are built on cultural blocks that subtly encourage even non-readers into reading spaces. You could even start a reading club. I run one in Dubai called The Reading Village and have seen its quiet magic.

Culture is built by saying yes. And no to pirated PDFs on WhatsApp, as well as unchecked screen habits.

Tiny habits can help build an environment where reading becomes as much a part of our lives as scrolling on Netflix to decide what to binge-watch next.

Purva Grover is an author, poet, playwright, stage director, TEDx speaker, and creative entrepreneur. She is the founder of The Reading Village, a Dubai-based community.