Sculpting stories: An exhibition of bronze artistry

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A bronze sculpture by Najm Al-Qaysi is displayed at the 7x3 Experiences in Iraqi Sculpture exhibition in Riyadh that ran from Feb. 3 to 12, 2025. (AN Photo)
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A bronze sculpture by Najm Al-Qaysi is displayed at the 7x3 Experiences in Iraqi Sculpture exhibition in Riyadh that ran from Feb. 3 to 12, 2025. (AN Photo)
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A bronze sculpture by Redha Farhan is displayed at the 7x3 Experiences in Iraqi Sculpture exhibition in Riyadh that ran from Feb. 3 to 12, 2025. (AN Photo)
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A bronze sculpture by Najm Al-Qaysi is displayed at the 7x3 Experiences in Iraqi Sculpture exhibition in Riyadh that ran from Feb. 3 to 12, 2025. (AN Photo)
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Updated 12 February 2025
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Sculpting stories: An exhibition of bronze artistry

  • Exhibit showcased Iraqi culture in Riyadh
  • Art should reflect the myriad experiences of life, says sculptor

RIYADH: Three artists have brought an exhibition of bronze sculptures showcasing the history and culture of Iraq to Riyadh.

From Feb. 3 to 12, the Mahd Alfnon Gallery, located in the Al-Mousa Center in Riyadh and owned by the visual artist and sculptor Mahdia Al-Taleb, hosted the exhibition, titled “7x3 Experiences in Iraqi Sculpture.”

It featured the sculptures of three prominent Iraqi artists — Redha Farhan, Haythem Hassan and Najm Al-Qaysi — who each presented seven bronze sculptures. 

The exhibition showcased the innovative and expressive aspects of contemporary Iraqi sculpture, uncovering the cultural narratives that influence their art.

Each artist brought a distinctive perspective to their work, reflecting both personal and shared experiences. 

Redha Farhan, from Baghdad, combines animal forms with human figures in his striking sculptures. 

His sculptures depict ducks, giraffes and camels, intricately woven into narratives that highlight his meticulous attention to detail. 

“My work is deeply rooted in Iraq’s rich history, inspired by ancient artifacts and the stories they tell,” Farhan told Arab News. 

The textured bronze pieces evoke authenticity and emotional depth, inviting viewers to connect with his homeland. 

The second artist, Haythem Hassan, adds another layer of depth to the exhibition with his playful yet meaningful sculptures. 

Graduating with a diploma in sculpture from the Institute of Fine Arts in Baghdad, Hassan’s work includes elements such as flowers, birds and imaginative figures that highlight a blend of imagination and reality. 

“Art should reflect the myriad experiences of life; it’s a dialogue between the work and the viewer,” he said. “Through my sculptures, I aim to provoke emotions and encourage viewers to reflect on their own journeys.” 

This focus on connection and interpretation is key to Hassan’s artistic philosophy, aimed at sparking conversations about the human experience.

Najm Al-Qaysi, known for his creative use of both bronze and stainless steel, displayed lively sculptures that incorporate balloon-like shapes. 

This playful quality, combined with bronze’s heaviness, results in pieces that feel both solid and light.

“I want my work to challenge perceptions of reality,” Al-Qaysi said. “By blending playful colors and forms, I invite viewers to experience a sense of wonder and introspection.” 

He believes that sculpture should evoke strong feelings, encouraging audiences to engage emotionally with each piece.

Al-Taleb, inspired by the connections among artists in the digital age, said: “The idea emerged through social media channels. 

“Since artists around the world have had constant communication through these mediums, it feels as if the world has become a small village.” 

She emphasized the importance of showcasing Iraqi art in creating new links between cultures.

“This exhibition is about connection,” she said. “It honors the strength of our cultural heritage while fostering dialogue about the challenges and triumphs we navigate as artists.” 

Al-Taleb saw the event as a chance to improve the appreciation of sculpture as a prominent art form in Saudi Arabia and beyond.

The exhibition offered a chance for artists to interact with their audience, improving the understanding of their work.

“Art should not exist in a vacuum; it is part of a larger narrative,” Farhan added, emphasizing the exhibition’s goal of community engagement.

Through their creative expressions in bronze, the artists told stories of resilience, creativity and discovery. As the exhibition concluded, it inspired a deeper appreciation of Iraqi sculpture.


Berlinale responds to backlash over Gaza-related comments

Updated 16 February 2026
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Berlinale responds to backlash over Gaza-related comments

The Berlin International Film Festival has issued a statement after what organisers described as a growing “media storm” linked to comments about the war in Gaza and the broader role of politics in cinema.

Festival director Tricia Tuttle released a lengthy note late Saturday following criticism directed at several high-profile guests. The controversy began during the opening day press conference when jury president Wim Wenders was asked about the conflict in Gaza. He responded: “We have to stay out of politics because if we make movies that are dedicatedly political, we enter the field of politics,” a remark that sparked swift backlash online.

Indian author Arundhati Roy later withdrew from the festival, reportedly angered by the remarks.

Other prominent figures, including Michelle Yeoh and Neil Patrick Harris, also faced online criticism after responding cautiously to questions about politics. Harris stated that he was interested in “doing things that were ‘apolitical,’” a comment that further fuelled debate.

In her statement, Tuttle defended the festival and its participants, stressing the importance of artistic freedom. “People have called for free speech at the Berlinale. Free speech is happening at the Berlinale. But increasingly, filmmakers are expected to answer any question put to them. They are criticised if they do not answer. They are criticised if they answer and we do not like what they say. They are criticised if they cannot compress complex thoughts into a brief sound bite when a microphone is placed in front of them when they thought they were speaking about something else,” she said.

She added: “It is hard to see the Berlinale and so many hundreds of filmmakers and people who work on this festival distilled into something we do not always recognise in the online and media discourse… It is a large, complex festival.”

“Artists are free to exercise their right of free speech in whatever way they choose… nor should they be expected to speak on every political issue raised to them unless they want to,” Tuttle said.