Mrs Keepa’s latest collection ‘La Boite’ is statement on breaking free

Known for bold silhouettes, sculptural tailoring and avant-garde sensibility, Mrs Keepa thrives on individuality and reinvention. (Supplied)
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Updated 08 February 2025
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Mrs Keepa’s latest collection ‘La Boite’ is statement on breaking free

DUBAI: Mariam Yehia is the ultimate nonconformist. As the founder and creative force behind Dubai-based fashion house Mrs Keepa, her label is not defined by traditional fashion norms. Known for bold silhouettes, sculptural tailoring and avant-garde sensibility, Mrs Keepa thrives on individuality and reinvention. Yehia’s Spring/Summer 2025 collection, La Boite, takes this ethos even further — challenging stereotypes, embracing duality, and redefining fashion as a personal and cultural narrative.

At its core, La Boite, which translates to “The Box,” is a direct commentary on the limitations imposed by rigid categorization. “People are always trying to fit fashion, people and even cultures into predefined boxes,” Yehia said. “This collection is about breaking free from that.” Through structured silhouettes, boxy tailoring and unexpected design transformations, the collection encourages wearers to reinterpret fashion on their own terms. Each look can be styled in multiple ways — chic, casual or bold —offering a fluidity that reflects the modern woman’s ever-changing identity.




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Yehia pulls out a black boxy short dress with multiple long pieces of fabric hanging from the padded shoulders and explains how the dress can be worn depending on the wearer’s mood. A client can wear the dress exactly as is — loose and androgynous — or she can tie the fabric and cinch the waist, or even layer it over a skirt and pair it with sneakers. “One outfit can have many different personas,” said Yehia. The same philosophy translates to her more sporty pieces featuring mesh and kimono sleeves — wear it wrapped around as a mini dress, or leave it open and pair it with leggings. Each ensemble gives you more than just a single look. A series of mini dresses with a scarf-like attachment will sell fast, as will the jumpsuit that can be deconstructed and worn as ultra-wide pants.




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While every garment was impactful, the star pieces were undoubtedly the brocade ones. A dramatic thigh-length jacket, shorts and trousers in luxurious brocade were given the sporty treatment through contrast piping —  highlighting the polarities of us as individuals. Elsewhere, denim garments engineered to perfection catch the eye. An edgy denim jacket retains a cinched look even when unbuttoned, while jeans with the waistband folded over featuring sparkling embellishments add a maximalist touch. Loyal Mrs Keepa clients will also be drawn to a red crepe number with exaggerated shoulders and high low layering of fabric, which can be both modest and sexy.  Potential buyers might also enjoy her experimentation with feminine lace — a rarity for Yehia.




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Mrs Keepa has always thrived on storytelling through fashion, and La Boite is no exception. Beyond its sharp tailoring and experimental silhouettes, the collection holds a deeper meaning: A rejection of stereotypes, particularly those imposed on Middle Eastern people. “We’ve been framed for too long. For years, global fashion dictated that for a designer to be successful, they had to be recognized internationally first. But why? Why can’t we build a strong foundation in our own region first, before expanding outward?” She speaks of the diversity of designs within the region itself and of the uniqueness of each Arab designer, whether it is refined tailoring, cool streetwear, maximalist silhouettes or modest fashion. “Despite this diversity, we are still stereotyped. This collection challenges the rigid perceptions that frame the Middle East as a monolithic culture, often diminishing its significance.”

Yehia delivers a collection that is both metaphorically and literally transformative. Whether through adjustable silhouettes, unexpected layering or garments that can be styled in various ways, each piece invites the wearer to reshape, reinterpret and make it their own. “Fashion isn’t just about clothing — it’s about identity, emotion and the freedom to express yourself beyond predefined labels,” Yehia said. La Boite is an invitation to step outside the box — on your own terms.


Cairo book fair breaks visitor records

Updated 10 min 22 sec ago
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Cairo book fair breaks visitor records

  • Strong Saudi participation underscores KSA’s prominent role in Arab cultural landscape
  • Egyptian writer Naguib Mahfouz, who was awarded the Nobel Prize in Literature in 1988, was selected as the fair’s featured personality

CAIRO: The 57th edition of the Cairo International Book Fair has attracted record public attendance, with the number of visits reaching nearly 6 million, up from a reported 5.5 million previously.

Egypt’s Minister of Culture Ahmed Fouad Hanou said: “This strong turnout reflects the public’s eagerness across all age groups to engage with the exhibition’s diverse cultural and intellectual offerings.”

Hanou said the event included “literary and intellectual activities, meetings with thinkers and creative figures, and thousands of titles spanning various fields of knowledge.”

The Egyptian writer Naguib Mahfouz, who was awarded the Nobel Prize in Literature in 1988, was selected as the fair’s featured personality, coinciding with the 20th anniversary of his death.

The exhibition’s official poster features a famous quote by Mahfouz: “Who stops reading for an hour falls centuries behind.”

A total of 1,457 publishing houses from 83 countries participated in the fair. Mahfouz’s novels occupied a special place, as Egypt’s Diwan Library showcased the author’s complete works, about 54 books.

“The pavilion of the Egyptian National Library and Archives witnessed exceptionally high attendance throughout the fair, showcasing a collection of rare and significant books.

Among the highlights was the book “Mosques of Egypt” in Arabic and English, Dr. Sherif Saleh, head of financial and administrative affairs at the Egyptian National Library and Archives, told Arab News.

The fair ended on Tuesday with a closing ceremony that featured a cultural performance titled “Here is Cairo.”

The event included the announcement of the winners of the fair’s awards, as well as the recipient of the Naguib Mahfouz Award for Arabic Fiction.

Organizers described this year’s edition as having a celebratory and cultural character, bringing together literature, art, and cinema.

Romania was the guest of honor this year, coinciding with the 120th anniversary of Egyptian-Romanian relations.

At the Saudi pavilion, visitors were welcomed with traditional coffee. It showcased diverse aspects of Saudi culture, offering a rich experience of the Kingdom’s heritage and creativity.

There was significant participation from Saudi Arabia at the event, highlighting the Kingdom’s prominent role in the Arab cultural arena.

Saudi Arabia’s participation aimed to showcase its literary and intellectual output, in alignment with the objectives of Vision 2030.

The Kingdom’s delegation was led by Saudi Arabia’s Ambassador to Egypt Saleh bin Eid Al-Hussaini. Also in attendance were Dr. Abdul Latif Abdulaziz Al-Wasel, CEO of the Literature, Publishing and Translation Commission, and Dr. Hilah Al-Khalaf, the commission’s director-general.

The King Abdulaziz Public Library placed the Encyclopedia of Saudi Arabia in a prominent position at the pavilion. The encyclopedia, consisting of 20 volumes, is organized according to the Kingdom’s culturally diverse regions.

Founded in 1980 by King Abdullah, the library was established to facilitate access to knowledge and preserve heritage collections. Over the years, it has grown into one of the Kingdom’s most important cultural institutions.

Internationally, the library has strengthened ties between Saudi Arabia and China, including the opening of a branch at Peking University and receiving the Crown Prince Mohammed bin Salman Award for Cultural Cooperation between the two nations.

Regionally, the library has played a pivotal role in the Arab world through the creation of the Unified Arabic Cataloging Project, one of the most important initiatives contributing to knowledge accessibility and alignment with global standards.