Bands Seera and Garwasha flourish in Saudi Arabia’s community-driven music scene

Seera, an all-women band, formed in 2022 in Riyadh. (Supplied)
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Updated 14 February 2025
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Bands Seera and Garwasha flourish in Saudi Arabia’s community-driven music scene

DHAHRAN: Two Saudi bands, Seera and Garwasha, are taking advantage of the flourishing underground music scene in the country by performing at local cultural hubs. 

While the big hitters such as the MDLBEAST-organized SOUNSTORM in Riyadh and Balad Beast in Jeddah draw the crowds — and international superstars — year on year, it is the beloved meeting spots in the country’s urban hubs that have become stages for rising Saudi talents. 




Seera performing at Bohemia Café & Records. (Supplied)

One of those spots is Khobar’s Bohemia Café & Records, where Seera and Garwasha played a packed out gig this past weekend. 

Long known as a cultural hub for music lovers, the meeting place played host to Seera, an all-women band formed in 2022 in Riyadh, who entertained the crowd with their unique sound. 

“A lot of people are intrigued; they want to know what we sound like. They’ve been so supportive, honestly, especially people in the music scene. We’ve had a lot of help from people around. And there’s the people who criticize, but that’s just noise we block out,” Seera’s Meesha told Arab News. Members of the band prefer to go by their first name. 

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@seera_music)

 

Merging Arabic melodies and rock, the band navigated complex musical landscapes, evoking a gothic energy that resonated with their listeners. 

Seera’s set featured standout tracks “Share3 Al Buhturi” and “Al Fanaa.” 

Bassist Meesha shared the beginning of Seera’s journey as a band, stating, "The singer is my sister, and we’ve always wanted to start a band together. I would post covers of myself on Instagram, and Haya, the guitarist, found me and said, ‘You! I want to start a band with you.’ We were all really excited; we wrote ten songs in one night." 

“And then our missing link was the drummer, whom we met at a French music night she organized. The rest is history,” she later told Arab News. 




Following Seera’s stirring performance, Garwasha took to the stage to showcase their new album, released in November 2024. (Supplied)

Following Seera’s stirring performance, Garwasha took to the stage to showcase their new album, released in November 2024. 

This instrumental Alternative Fusion band, also hailing from Riyadh, is known for blending smooth, synthesizer-laden jazz with a robust Arabic flavor. 

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by GARWASHA (@_garwasha_)

 

Guitarist Mazen Lawand, who studied at Berklee College of Music, sub-keyboard player Fawaz Waleed, sub-bass player Saud Alsheikh, and drummer Hassan Alkhedher delivered a thrilling performance with tracks like “Consolacao” and “Batt Habibi.”

 “I describe our music as a characterization of our experiences and influences,” Lawand explained.  

This sentiment was evident throughout their performance as they weaved together a tapestry of sounds that reflected their backgrounds and the rich culture of Saudi Arabia.

As the night continued, one thing became clear; support for local musicians is ever-growing.


‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

Updated 06 February 2026
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‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

RIYADH: Angel Manuel Soto directs this odd-couple action-comedy with a confidence and flair that — along with the chemistry between its central performers and its better-than-you’d-ever-expect script — just about raises it above the slop swarming the streamers.

Jason Momoa and Dave Bautista play estranged half-brothers Jonny and James Halle. Both have the same father — a not-much-liked private detective called Walter who’s just been killed in a hit-and-run in Hawaii (where they were raised and where James, a Navy SEAL, still lives). Neither brother is particularly upset to hear the news of Walter’s death, but when Yakuza henchmen attack Jonny in his Oklahoma home (where he’s a maverick, heavy-drinking cop) demanding a package sent by Walter (a package he hasn’t yet received), he decides to return to Hawaii for the first time in years to attend the funeral and investigate further.

Jonny’s reunion with James is less than cordial, but he does meet James’ wife Leila and their kids for the first time. Leila is a child-psychologist — not afraid to call the brothers out on their emotional shortcomings, nor to try and help them fix their fractured fraternity.

The brothers’ investigation uncovers a plan to build a casino on Hawaiian home lands (an area held in trust for Native Hawaiians). The developer is the extremely wealthy Marcus Robichaux (played with gleeful pantomime-villain campness by Claes Bang), who — it turns out — had hired Walter to investigate his wife, who had hired Walter to investigate her husband.

Now our heroes know who they have to bring down, they’re into far more comfortable territory (both for the characters and, you suspect, the actors). Yep. Forget the dialogue, it’s action time.

Cue multiple scenes of high-octane mayhem expertly helmed by Soto in what’s essentially a slightly updated (emotional healing!) throwback to the dumb-but-fun action blockbusters of the Eighties and Nineties. The nostalgia isn’t hidden, either. The soundtrack starts with Guns N’ Roses and ends with Phil Collins. And there’s a shoutout to Jean-Claude Van Damme in between.

There’s a plot here too, but, honestly, who cares? Momoa and Bautista get to flex their considerable muscles, show off their ink, and make a few wisecracks. No one’s watching this for a clever twist, right? Watch it hoping for a couple hours of entertaining excitement and you’ll be well satisfied.