Alia Shawkat promotes projects at Sundance Film Festival

Alia Shawkat and Jon Hamm discuss "The Big Fix" onstage at Variety x Audible Cocktails and Conversations at Sundance on January 26, 2025 in Park City, Utah. (Getty Images)
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Updated 27 January 2025
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Alia Shawkat promotes projects at Sundance Film Festival

DUBAI: US Iraqi actress Alia Shawkat is at the 2025 Sundance Film Festival in Utah, the US, to promote her latest projects.

Shawkat attended the premiere of “Atropia” on Saturday, before hitting the stage with actor Jon Hamm to discuss their Audible original series “The Big Fix: A Jack Bergin Mystery” on Sunday.

“Atropia” is a 2025 American war satire film written and directed by Hailey Gates. The film follows an aspiring actress, played by Shawkat, who works on a US military base that simulates an Iraqi war zone.




Alia Shawkat at the Deadline 2025 Sundance Film Festival Portrait Studio held at the Deadline Studio on January 25, 2025 in Park City, Utah. (Getty Images)

It is a real concept that the US military employs, with the director telling IndieWire that she “tried to make a documentary about it first.”

“So I did a lot of research and visited a bunch of the bases. Sort of working my way up the (Department of Defence), and they weren’t interested in my documentary. So then I thought it was a subject ripe for satire. I think America’s misunderstanding of the people they’re invading is inherently comedic,” Gates added.

Shawkat also stars in audio thriller “The Big Fix: A Jack Bergin Mystery,” in which Hamm plays Jack Bergin, an FBI agent turned private investigator.

The eight-part series, created by John Mankiewicz and directed by Aaron Lipstadt, is a sequel to Audible’s cinematic audio drama “The Big Lie.” The new season debuts on Audible on April 24 and tells “a riveting tale of corruption and displacement in 1950s Los Angeles,” according to Audible.

Hamm is joined by returning cast members Ana de la Reguera and John Slattery, alongside newcomers Shawkat, Omar Epps, Erin Moriarty, Jeanne Tripplehorn, Sosie Bacon, David Giuntoli and Taylor Zakhar Perez.

The series is set in 1957, when Bergin finds himself entangled in a web of power, corruption and murder that reaches local government.

In a released statement, Shawkat commented: “I’m proud to be a part of such an outstanding project, and I’m eager for listeners to immerse themselves in this captivating story we’ve crafted together. I really enjoyed playing in this era with a fast-paced, well-written mystery.”


Review: ‘Sorry, Baby’ by Eva Victor

Eva Victor appears in Sorry, Baby by Eva Victor, an official selection of the 2025 Sundance Film Festival. (Supplied)
Updated 27 December 2025
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Review: ‘Sorry, Baby’ by Eva Victor

  • Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character

There is a bravery in “Sorry, Baby” that comes not from what the film shows, but from what it withholds. 

Written, directed by, and starring Eva Victor, it is one of the most talked-about indie films of the year, winning the Waldo Salt Screenwriting Award at Sundance and gathering momentum with nominations, including nods at the Golden Globes and Gotham Awards. 

The film is both incisive and tender in its exploration of trauma, friendship, and the long, winding road toward healing. It follows Agnes, a young professor of literature trying to pick up the pieces after a disturbing incident in grad school. 

Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character. The story centers on Agnes’ perspective in her own words, even as she struggles to name it at various points in the film. 

There is a generosity to Victor’s storytelling and a refusal to reduce the narrative to trauma alone. Instead we witness the breadth of human experience, from heartbreak and loneliness to joy and the sustaining power of friendship. These themes are supported by dialogue and camerawork that incorporates silences and stillness as much as the power of words and movement. 

The film captures the messy, beautiful ways people care for one another. Supporting performances — particularly by “Mickey 17” actor Naomi Ackie who plays the best friend Lydia — and encounters with strangers and a kitten, reinforce the story’s celebration of solidarity and community. 

“Sorry, Baby” reminds us that human resilience is rarely entirely solitary; it is nurtured through acts of care, intimacy and tenderness.

A pivotal scene between Agnes and her friend’s newborn inspires the film’s title. A single, reassuring line gently speaks a pure and simple truth: “I know you’re scared … but you’re OK.” 

It is a reminder that in the end, no matter how dark life gets, it goes on, and so does the human capacity to love.