Review: ‘Black Snow’ unearths dark secrets in small-town Australia

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Updated 27 January 2025
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Review: ‘Black Snow’ unearths dark secrets in small-town Australia

  • The series provides insight into the South Sea Islander community, highlighting its rich history and struggles in a way that feels both authentic and respectful

“Black Snow” is a captivating Australian mystery-drama series that combines crime, culture, and community.

The show's season one is set in a small, tight-knit town in Northern Queensland, where the murder of a 17-year-old girl shocks the residents.

Decades later, the case remains cold — until a piece of startling new evidence is unearthed from a 25-year-old time capsule, reopening the investigation and forcing the town to confront buried secrets.

As the story unfolds, viewers are taken on a journey through shifting timelines, uncovering hidden truths about the victim, her family, and the community she left behind.

What truly sets “Black Snow” apart is its focus on cultural depth.

The series provides insight into the South Sea Islander community, highlighting its rich history and struggles in a way that feels both authentic and respectful.

The show not only explores the devastating impact of the murder on this community but also sheds light on their historical marginalization, making it much more than a typical mystery.

Travis Fimmel delivers a standout performance as Det. James Cormack, the investigator tasked with solving the decades-old case.

Cormack’s dogged determination, combined with his personal flaws, makes him an intriguing and relatable character.

The ensemble cast also shines, with heartfelt performances that bring depth to the town's residents, each harboring their own secrets and motivations.

Visually, “Black Snow” is stunning, with breathtaking cinematography that captures the beauty of Queensland’s sugarcane fields and coastal landscapes, while emphasizing the isolation and tension of the small town.

The show’s eerie atmosphere is heightened by a deliberate, slow-burn pacing that meticulously unravels the mystery, though it may feel overly drawn out to viewers who prefer faster narratives.

However, the series does have minor shortcomings.

Some secondary characters are underdeveloped, and while the mystery is compelling, it occasionally leans on familiar crime drama tropes that risk feeling predictable.

 


Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

Updated 31 January 2026
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Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

DUBAI: Afghan American film producer Zainab Azizi cannot wait for audiences to experience Sam Raimi’s new horror comedy “Send Help.”

In an interview with Arab News, the president at Raimi Productions kept returning throughout her interview to one central theme: the communal thrill of horror.

“I started watching horror from the age of six years old. So, it’s kind of ingrained in my brain to love it so much,” she said, before describing the formative ritual that still shapes her work: “What I loved about that was the experience of it, us cousins watching it with the lights off, holding hands, and just having a great time. And you know, as an adult, we experience that in the theater as well.”

Asked why she loves producing, Azizi was candid about the mix of creativity and competition that drives her. “I’m very competitive. So, my favorite part is getting the film sold,” she said. “I love developing stories and characters, and script, and my creative side gets really excited about that part, but what I get most excited about is when I bring it out to the marketplace, and then it becomes a bidding war, and that, to me, is when I know I’ve hit a home run.”

Azizi traced the origins of “Send Help” to a 2019 meeting with its writers. “In 2019 I met with the writers, Mark and Damien. I was a fan of their works. I’ve read many of their scripts and watched their films, and we hit it off, and we knew we wanted to make a movie together,” she said.

From their collaboration emerged a pitch built around “the story of Linda Little,” which they developed into “a full feature length pitch,” and then brought to Raimi. “We brought it to Sam Raimi to produce, and he loved it so much that he attached to direct it.”

On working with Raimi, Azizi praised his influence and the dynamic they share. “He is such a creative genius. So, it’s been an incredible mentorship. I learned so much from him,” she said, adding that their collaboration felt balanced: “We balance each other really well, because I have a lot of experience in packaging films and finding filmmakers, so I have a lot of freedom in the types of projects that I get to make.”

When asked what she hopes audiences will take from “Send Help,” Azizi returned to the communal aftermath that first drew her to horror: “I love the experience, the theatrical experience. I think when people watch the film, they take away so many different things. ... what I love from my experience on this film is, especially during test screenings, is after the film ... people are still thinking about it. Everybody has different opinions and outlooks on it. And I love that conversation piece of the film.”