REVIEW: Netflix’s French thriller ‘Ad Vitam’ fails to pick a lane

Co-writer Guillaume Canet stars as Franck Lazarev, whose wife Leo is just days away from giving birth to their first child. (Supplied)
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Updated 24 January 2025
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REVIEW: Netflix’s French thriller ‘Ad Vitam’ fails to pick a lane

JEDDAH: It’s hard to know quite what to make of “Ad Vitam.” Maybe because its creators don’t seem to have decided quite what they were making.

Co-writer Guillaume Canet stars as Franck Lazarev, whose wife Leo is just days away from giving birth to their first child. Franck is working a civilian job checking historical buildings for structural cracks (which makes for some stunning opening shots of Paris). A few days after finding their apartment has been ransacked, they are attacked by masked intruders, who kidnap Leo and tell Franck that unless he hands over “the key,” she will die and he will be framed for her murder. It all makes for a gripping 30 minutes.

Then the story goes back a full decade. Leo and Franck are trainees for the GIGN (essentially the French police’s anti-terrorist unit). They become ace agents, bond with certain colleagues, fall in love… you get the picture. It’s a montage — but one that takes around 20 minutes when it could have taken two. It throws off the momentum considerably.

Next, we jump ahead nine years to find Franck leading a team of agents who are called to a hotel where gunshots have been heard. Things escalate rapidly. Two perpetrators are killed, but so is Franck’s best friend, and his protégé is seriously wounded. Franck is fired.

But he can’t let it go. He gets his friend’s badge tested for DNA (explaining a notable focus on badges in the earlier flashback sequence) and discovers that one of the two perps was actually a government agent. A conspiracy begins to unravel. The key demanded by the kidnappers opens the locker where Franck has stashed the evidence.

Back to the present: Franck rushes to save Leo, and we’re back to frantic action, this time with mediocre parkour scenes and a paragliding sequence that is hilarious (unintentionally). Canet clearly fancies himself an all-action hero in the Tom Cruise mold. He doesn’t pull it off. Like the film itself, Canet is best when playing it small and gritty.

Credit to the makers for taking some big swings, but they don’t come off. And while “Ad Vitam” is entertaining enough, it’s also instantly forgettable.


Mohamed Abdo rings in New Year with landmark Saudi celebration in London

Updated 02 January 2026
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Mohamed Abdo rings in New Year with landmark Saudi celebration in London

  • Abdo performs 16 of his most beloved songs over 4 hours
  • He lauds ‘genius choice’ of first Saudi-led New Year show

LONDON: Saudi Arabia’s music icon Mohamed Abdo welcomed the New Year with a historic sold-out concert in London, marking what organizers described as the first Kingdom-led celebration in the UK capital.

Organized by Global Gala, the event drew more than 1,400 people, with Saudis traveling from the Kingdom and across Europe to attend.

There were also local fans, underscoring the wide appeal of the evening and the growing international presence of Saudi Arabia’s cultural events.

The concert was held at the Great Room at Grosvenor House, a venue of particular significance for Abdo because it was the same location where he first performed in London.

Tickets sold out rapidly following the show’s announcement. The organizers said the strong response reflected both Abdo’s enduring popularity and the anticipation surrounding a Saudi-led New Year’s event abroad.

When asked about the timing of the concert, Abdo praised the organizers’

decision to stage the event on New Year’s Eve, describing it as a “genius choice” that aligned naturally with the spirit of welcoming a new year.

Over the course of four hours, Abdo performed 16 songs, spanning decades of his career.

The audience responded warmly throughout the night, particularly during well-known tracks including “Al Amaken,” “Ashofak Kil Youm,” and “Majmouat Insan.”

The audience included prominent figures from the worlds of entertainment, media and public life.