Book Review: ‘The Hour of the Star’ by Clarice Lispector

Short Url
Updated 12 December 2024
Follow

Book Review: ‘The Hour of the Star’ by Clarice Lispector

“The Hour of the Star” is a profound novella, published in 1977, which was Clarice Lispector’s final work before her death. 

This slim but powerful book, originally titled “A Hora da Estrela” in Portuguese, has become one of Brazil’s most significant literary works. 

The narrative follows Macabea, a poor, malnourished typist from northeast Brazil who lives in the slums of Rio de Janeiro.

She is 19, orphaned, and works as a typist despite making constant errors. Macabea’s life is marked by simple pleasures and an almost complete unawareness of her own marginalization.

Through her story, the writer explores poverty, identity and existential questioning themes. 

As the story unfolds, we witness Macabea’s simple existence through the lens of a male narrator, Rodrigo S.M., who serves as both storyteller and character. The narrative structure is unconventional, frequently interrupted by the narrator’s musings and metaphysical digressions.

The narrator struggles with telling Macabea’s story, constantly questioning his ability to represent a poor, uneducated woman from his privileged male perspective. 

His presence adds layers of complexity to the narrative as he grapples with his own role in the story and his responsibility to his subject.

Rodrigo S.M.’s self-conscious narration and failed attempts at emotional distance highlight broader issues of power, representation and authenticity in storytelling. 

The book challenges readers to consider how stories of marginalized people are told, who has the right to tell them, and what it means to truly see and understand another human being. 

The novella is notable for its experimental structure, its mix of social commentary and metaphysical reflection, and its unique approach to character development.

Lispector is considered one of Brazil’s greatest writers, known for works that blend philosophical insight with psychological depth. 

Her other notable works include “Near to the Wild Heart” and “The Passion According to G.H.”


What We Are Reading Today: ‘A Love Story from the End of the World’

Photo/Supplied
Updated 17 January 2026
Follow

What We Are Reading Today: ‘A Love Story from the End of the World’

Author: Juhea Kim

Juhea Kim’s 2024 climate fiction work “A Love Story from the End of the World,” turns the climate catastrophe inward, offering ten stories where environmental collapse is felt in the fragile interiors of the human experience.

The short stories in this book imagine a familiar world where ecological collapse is a lived reality. Global cities are sealed inside domes to survive toxic air. Humans drift across ruined landscapes on mobile arks. Islands become landfills for the waste of richer nations. 

Yet Kim keeps her focus trained on the human scale, writing about how people continue to reach for life and one another even as the ground beneath becomes less stable.

They are all love stories, though not in the traditional sense. Some explore romance and longing, others center on family bonds, friendship, or the connection between humans and the natural world.

The writing is clear and precise, never overwrought, delivering characters’ thoughts and emotions while keeping the bigger concerns in clear view.

“Mountain, Island” follows a boy living on a massive landfill island who gains online fame for his K-pop-inspired dances. The contrast between joy and horror is almost unbearable, and it brings to light the global inequalities that we have grown far too used to accepting. 

In “Biodome,” the opening story, Seoul is sealed beneath a protective dome and follows a civil engineer navigating prospects for an arranged marriage. Intimacy and connection feel constrained, shaped by a reality where even the air is controlled and the possibilities of life have narrowed.

“Bioark,” meanwhile, imagines humanity surviving aboard a massive ark after Earth’s land becomes uninhabitable, using this floating world to examine class and capitalism even at the end of everything. 

Kim has spoken in interviews about conceiving this short story collection as an exhibition, inspired by colors and life changing art experiences around the world. Each story, indeed, feels like a distinct work, yet is enriched by its neighbors. Read together, they form a gallery of love, grief and hope.

“A Love Story from the End of the World” is not a fun and cozy read, despite the title. It is heavy, often heartbreaking, and attentive to the ways we remain human even as the world falls apart. 

Readers who loved “How High We Go in the Dark” by Sequoia Nagamatsu or “What We Fed to the Manticore” by Talia Lakhsmi Kolluri, will find a familiar ache in these stories, and perhaps something to ponder long after the final page is turned.