‘India Night’ celebrates Saudi Indian cinematic ties

The “India Night” event in Saudi Arabia honored Indian-Saudi partnership in the world of cinema. (Supplied)
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Updated 11 December 2024
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‘India Night’ celebrates Saudi Indian cinematic ties

JEDDAH: Veteran Indian filmmaker Shekhar Kapoor lauded the rise of Saudi cinema and said Bollywood and the Kingdom’s nascent film industry could benefit from close collaboration at an event in Jeddah hosted by the Consulate General of India as part of its association with the Red Sea International Film Festival.

The “What’s Love Got To Do With It” director, who also directed Hollywood icon Cate Blanchett in her 1998 breakout role in “Elizabeth,” attended the “India Night” event in Saudi Arabia that honored Indian-Saudi partnership in the world of cinema.

Kapoor, director of the International Film Festival of India, is heading a delegation from the Indian Ministry of Information and Broadcasting and the National Film Development Corporation at the film festival in Jeddah.

The consulate, in partnership with the Indian ministry and national corporation, has set up an “India Pavilion” at the Red Sea Souk area as part of the film festival, which runs until Dec. 14.

At the reception held this week, Consul General of India Fahad Ahmed Khan Suri stated that the potential of collaboration between the two countries is “vast and full of promise.”

“The cultural bond between India and Saudi Arabia has flourished over the years, and cinema, as one of the most powerful mediums of storytelling, has played a significant role in deepening this connection,” an official statement added.

Kapoor also highlighted the upcoming World Audio Visual & Entertainment Summit to be held in New Delhi in early February and invited industry members from Saudi Arabia and beyond to participate.

A curated cultural performance at the reception showcased India’s rich and diverse heritage, with Indian classical and cinematic dances by artists from the Indian community in Jeddah, as well as performances by artists from India who presented popular compositions from Indian cinema.

Members of the diplomatic community, filmmakers, artists, directions and guests from the Red Sea International Film Festival were in attendance.


Animated Saudi film screens at Red Sea International Film Festival 

Updated 10 December 2025
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Animated Saudi film screens at Red Sea International Film Festival 

RIYADH: It is life imitating art — and art imitating life: a story about work burnout created work burnout, but for Saudi filmmaker Rwad Khalid, every sleepless night paid off. 

Arab News spoke with Khalid, who joked about the literal and metaphorical Mary Poppins-like bag she always carries. In real life, she hauls cameras and “other things” everywhere.

Her dedication to her craft has paid off — Khalid's seven-minute fantasy-drama-comedy animation, “Business Bag,” will be screened at the Red Sea International Film Festival in her home country.

A 2025 graduate of Princess Nourah bint Abdulrahman University in Riyadh with a degree in film and animation, she is passionate about crafting Saudi-centric stories that explore universal social themes through animation.

The film is produced by fellow classmates Linah Alqudari, Manar Alzahrani, and Dana Al-Omran, as part of their graduation project. Each brought their own distinct animation style, and the four of them worked together to weave a cohesive final look. Khalid and Alqudari wrote the script.

Her team unexpectedly became experts in the legal world when they tried to secure the copyright to vintage Japanese music from a deceased singer to use in their film. Determined not to take money from their families, they pooled their own savings and university allowances to fund the project.

“Business Bag” follows a young man overworked and over-caffeinated, drowning in office work pressure and routine — until, on a short walk outside the office, his bag suddenly flies away in the dead of night. As he chases it across Riyadh, he rediscovers the city’s beauty and learns to rebalance his life.

Work-related burnout is universal, the team determined, which is why the film barely uses dialogue. Instead, it leans on music and street sounds of bustling Riyadh.

The entire animation process was swift. 

“Other animators would tell me, like, ‘No way — it’s crazy. You did this in only two months? That’s impossible,’” Khalid said. “But it was possible, after all.”

Khalid said many people have asked why the main character is a man, given that the film was created by a team of women. 

“I knew I wanted Riyadh to be a main character. I also knew I wanted it to take place at night. Logically, I wouldn’t place a woman in that space in Riyadh at night,” she said. 

 “Let the boy suffer,” she added with a laugh.