American prisoner found in Syria is not journalist Austin Tice

Marc and Debra Tice, the parents of US journalist Austin Tice (portrait L), who was abducted in Syria more than six years ago, give a press conference in the Lebanese capital Beirut on December 4, 2018. (AFP)
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Updated 12 December 2024
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American prisoner found in Syria is not journalist Austin Tice

WASHINGTON: The American prisoner reportedly found in Az-Zyabeyeh district south of Damascus was not journalist Austin Tice, AlArabiya reported on Thursday.

There have been conflicting reports earlier on whether Tice has been found, with Syria TV citing sources the individual found in the Damascus countryside was not the missing journalist.

AlArabiya later reported that the individual was named Travis Timmerman, who illegally traveled into Syria from Lebanon seven months ago and has been held in captivity since.

A video posted on social media meanwhile showed Timmerman telling the interviewer that he went to Syria on a ‘religious pilgrimage.’

 

 

“The American who was found in Syria is not Austin Tice. He told me his name is Travis. He refused to give a last name. He said he was a “pilgrim” and that he crossed into Syria by foot before he was detained. He was held in prison for seven months and said he was well treated,” journalist Matt Bradley posted on X.

“When I asked him about the religious beliefs that compelled him to cross the mountains from Lebanon into Syria, he told me he had “been reading the scripture a lot” lately but others interrupted before he could elaborate.”

 

 

President Joe Biden said Sunday that the US government believes missing American journalist Austin Tice, who disappeared 12 years ago near the Syrian capital, is alive and that Washington is committed to bringing him home after Bashar Assad’s ouster from power in Damascus.

“We think we can get him back,” Biden told reporters at the White House, while acknowledging that “we have no direct evidence” of his status. “Assad should be held accountable.”

Biden said officials must still identify exactly where Tice is after his disappearance in August 2012 at a checkpoint in a contested area west of Damascus.

“We’ve remained committed to returning him to his family,” he said.

Tice, who is from Houston and whose work had been published by The Washington Post, McClatchy newspapers and other outlets.

A video released weeks after Tice went missing showed him blindfolded and held by armed men and saying, “Oh, Jesus.” He has not been heard from since. Syria has publicly denied that it was holding him.

The United States has no new evidence that Tice is alive, but continues to operate under the assumption he is alive, according to a US official. The official, who was not authorized to comment publicly and spoke on condition of anonymity, said the US will continue to work to identify where he is and to try to bring him home.

His mother, Debra, said at a news conference Friday in Washington that the family had information from a “significant source,” whom she did not identify, establishing that her son was alive.

“He is being cared for and he is well — we do know that,” she said.

The Tice family met this past week with officials at the State Department and the White House.

“To everyone in Syria that hears this, please remind people that we’re waiting for Austin,” Debra Tice said in comments that hostage advocacy groups spread on social media Sunday. “We know that when he comes out, he’s going to be fairly dazed & he’s going to need lots of care & direction. Direct him to his family please!”


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

Updated 27 December 2025
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To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.

 

Grendizer at 50
The anime that conquered Arab hearts and minds
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