What We Are Reading Today: Not for Profit: Why Democracy Needs the Humanities

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Updated 06 December 2024
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What We Are Reading Today: Not for Profit: Why Democracy Needs the Humanities

Author: Martha C. Nusssbaum

In this short and powerful book, celebrated philosopher Martha C. Nussbaum makes a passionate case for the importance of the liberal arts at all levels of education.
Historically, the humanities have been central to education because they have been seen as essential for creating competent democratic citizens.
But recently, Nussbaum argues, thinking about the aims of education has gone disturbingly awry in the US and abroad. We increasingly treat education as though its primary goal were to teach students to be economically productive rather than to think critically.

 and become knowledgeable, productive, and empathetic individuals. This shortsighted focus on profitable skills has eroded our ability to criticize authority, reduced our sympathy with the marginalized and different, and damaged our competence to deal with complex global problems. And the loss of these basic capacities jeopardizes the health of democracies and the hope of a decent world.

In response to this dire situation, Nussbaum argues that we must resist efforts to reduce education to a tool of the gross national product.

 


What We Are Reading Today: ‘All the Lovers in the Night’

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Updated 03 February 2026
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What We Are Reading Today: ‘All the Lovers in the Night’

  • Loneliness and the longing for connection sit at the heart of the novel, alongside clear-eyed examination of the ways people wound one another, sometimes unintentionally and sometimes through their own inaction

Author: Mieko Kawakami

One of my recent reads was “All the Lovers in the Night” by Mieko Kawakami, translated from Japanese by Sam Bett and David Boyd. With its contemplative, poetic yet restrained style, the 2022 novel feels best suited to late nights or unhurried stretches of reading. 

The story follows Fuyuko, a copyeditor in her thirties living a life marked by isolation. Her days pass in careful routine until she meets Mitsutsuka, an older man whose presence subtly begins to alter her perception of the world and of herself. 

Fuyuko’s interior life is shaped by fear, hesitation and a profound sense of disconnection, captured in one of the novel’s most arresting lines: “I was so scared of failing, of being hurt, that I chose nothing. I did nothing.”

Loneliness and the longing for connection sit at the heart of the novel, alongside clear-eyed examination of the ways people wound one another, sometimes unintentionally and sometimes through their own inaction. 

Kawakami is attentive to the small fractures of human relations, the choices that accumulate into regret, and the difficulty of naming desire after years of suppression. 

Her writing style is introspective and measured, with a delicate, almost meditative prose that mirrors Fuyuko’s inner world. Through her characters, she offers subtle insight into contemporary Japanese psyche, particularly the tension between individual longing and the unspoken expectations that shape adulthood.

This underlying social commentary, especially around womanhood and what it means to be a woman in Japan, echoes Kawakami’s wider body of work and feels unmistakably her own.

Fuyuko emerges as a study in the search for meaning in our modern world with its strict benchmarks for life, intimacy and personal progress. 

The novel’s deliberate pacing may test readers accustomed to momentum or plot-driven storytelling. Little happens in the conventional sense, and that sustained inward focus may not suit every reader.

Yet for those willing to linger, “All the Lovers in the Night” offers a space to sit with the beauty of precise, thoughtful writing.