Review: ’Archive 81’ features an intriguing mixture of horror

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Updated 24 November 2024
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Review: ’Archive 81’ features an intriguing mixture of horror

  • The series excels in its production design and filming, capturing the eerie atmosphere of the Visser structure as well as the unsettling atmosphere of the cult

“Archive 81” is a horror series released on Netflix in 2022 that follows Dan Turner, an archivist who has been tasked to retrieve some videotapes.

These tapes document the investigation into a secret cult and the disappearance of one of its members.

Melody Pendras, a graduate student looking into the ghostly past of a building known as the Visser, which has a dark past tied to supernatural events, recorded the tape.

As Turner digs deeper into the footage, he gradually gets caught up in the drama, filming the line between the world and the supernatural.

“Archive 81” features an intriguing mixture of horror, mystery and psychological thriller elements.

The show’s narrative, through its development footage layout intertwined with Turner’s contemporary narrative, creates an unsettling atmosphere that keeps the viewer on edge.

The performances, especially by Mamoudou Athie and Dina Shihabi, add depth as the characters maneuver their own conflicts.

The series excels in its production design and filming, capturing the eerie atmosphere of the Visser structure as well as the unsettling atmosphere of the cult.

The tempo is generally well managed, with a suspense structure as Turner discovers the shocking truth behind the tape.

However, some viewers may find that the ending is somewhat unclear, which may detract from the overall experience for those seeking closure.

Nonetheless, it is a haunting and challenging series that skilfully investigates themes of memory, injury, and the unknown.

“Archive 81” is a must-see for fans of psychological horror and supernatural mystery.

 


Stars sign letter condemning Berlinale’s ‘silence’ on Gaza ‘genocide’

Updated 18 February 2026
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Stars sign letter condemning Berlinale’s ‘silence’ on Gaza ‘genocide’

DUBAI: More than 80 current and former participants of the Berlin International Film Festival, including Javier Bardem, Tilda Swinton and Adam McKay, have signed an open letter condemning the festival’s “silence” on the Gaza “genocide.”

The controversy began during the opening day press conference when jury president Wim Wenders was asked about the conflict in Gaza and the German government’s support for Israel.

He responded: “We have to stay out of politics because if we make movies that are dedicatedly political, we enter the field of politics.”

On Tuesday, major figures in the film industry accused the Berlinale of “censoring” artists who have spoken out.

The signatories include Angeliki Papoulia, Saleh Bakri, Tatiana Maslany, Peter Mullan and Tobias Menzies, as well as directors Mike Leigh, Lukas Dhont, Nan Goldin, Miguel Gomes and Avi Mograbi.

“We call on the Berlinale to fulfil its moral duty and clearly state its opposition to Israel’s genocide, crimes against humanity and war crimes against Palestinians, and completely end its involvement in shielding Israel from criticism and calls for accountability,” the letter stated.

The letter also noted that the Berlinale had made “clear statements” in the past about other “atrocities” including in Ukraine.

Earlier this week, festival director Tricia Tuttle defended the event. “People have called for free speech at the Berlinale. Free speech is happening at the Berlinale.

“But increasingly, filmmakers are expected to answer any question put to them. They are criticized if they do not answer. They are criticized if they answer and we do not like what they say.

“They are criticized if they cannot compress complex thoughts into a brief sound bite when a microphone is placed in front of them when they thought they were speaking about something else,” she said.

Earlier, author Arundhati Roy, who was supposed to participate in the event, withdrew because of the refusal of Wenders and the jury to condemn Israel’s “genocide.”