Review: ‘Cross’ is a better-than-average gritty cop drama, thanks to Aldis Hodge 

Aldis Hodge as Alex Cross, Isaiah Mustafa as John Sampson, Alona Tal as Kayla Craig. (Amazon Prime Video)
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Updated 21 November 2024
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Review: ‘Cross’ is a better-than-average gritty cop drama, thanks to Aldis Hodge 

  • Hodge stars as James Patterson’s tortured detective in new Amazon series 

LONDON: In its admirably committed bid to monopolize the ‘gritty cop drama adapted from books you might buy for your dad’ market, Amazon has turned to James Patterson’s Washington DC-based detective (and forensic psychologist) Alex Cross to follow in the footsteps of previous hits “Reacher”, “Jack Ryan” and “Bosch.”  

“Cross” (there’s a pattern here…) stars Aldis Hodge as the recently bereaved eponymous homicide detective. Assigned to investigate the murder of a prominent Black Lives Matter activist, our hero is all consummate professionalism and cerebral calmness as he attempts to unpick the increasingly sinister machinations of a deranged serial killer even as his bosses try to sweep the case under the carpet.  

What makes “Cross” more interesting than a lot of airport-novel adaptations is that Alex is also working a second case, obsessed as he is with hunting the murderer of his wife, who was shot in broad daylight a little over a year earlier. And when it comes to that case, he is neither a consummate professional nor cerebrally calm. 

The details of the two cases are better left unpacked here — spoiling the developments of either would be a shame — but it’s safe to say the show’s MVP is Hodge (“One Night in Miami”, “Black Adam”). The detective is, at times, more like two characters — one striving to deliver justice for his city, the other bent on nothing more than revenge and a desire to keep his family safe. And Hodge deserves plaudits for his portrayals of both sides of Cross, even as the lines between the two begin to blur and overlap across the eight-episode stretch.  

In fact, Hodge is so good, that it’s easy to forgive some of the show’s more cliché-riddled missteps. A couple of plot points arrive with much fanfare, only to slink out, unresolved; Alex’s supposedly masterful analytical superpowers tend to desert him when it suits the advancement of the story… There are other niggles, too. But, with a lead this charismatic — and closer to Patterson’s original Cross than the three previous film adaptations — and a supporting cast on their game, they’re all easy enough to overlook. 


Director Kaouther Ben Hania rejects Berlin honor over Gaza

Updated 20 February 2026
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Director Kaouther Ben Hania rejects Berlin honor over Gaza

DUBAI: Kaouther Ben Hania, the Tunisian filmmaker behind “The Voice of Hind Rajab,” refused to accept an award at a Berlin ceremony this week after an Israeli general was recognized at the same event.

The director was due to receive the Most Valuable Film award at the Cinema for Peace gala, held alongside the Berlinale, but chose to leave the prize behind.

On stage, Ben Hania said the moment carried a sense of responsibility rather than celebration. She used her remarks to demand justice and accountability for Hind Rajab, a five-year-old Palestinian girl killed by Israeli soldiers in Gaza in 2024, along with two paramedics who were shot while trying to reach her.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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“Justice means accountability. Without accountability, there is no peace,” Ben Hania said.

“The Israeli army killed Hind Rajab; killed her family; killed the two paramedics who came to save her, with the complicity of the world’s most powerful governments and institutions,” she said.

“I refuse to let their deaths become a backdrop for a polite speech about peace. Not while the structures that enabled them remain untouched.”

Ben Hania said she would accept the honor “with joy” only when peace is treated as a legal and moral duty, grounded in accountability for genocide.