Taliban govt clearing ‘un-Islamic’ books from Afghanistan shelves

Authorities have not gone from shop to shop checking for banned books, an official with the provincial information department and a Herat bookseller said. (AFP/File)
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Updated 20 November 2024
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Taliban govt clearing ‘un-Islamic’ books from Afghanistan shelves

  • Committee identified 400 titles “that conflicted with Islamic and Afghan values”

KABUL: Checking imported books, removing texts from libraries and distributing lists of banned titles — Taliban authorities are working to remove “un-Islamic” and anti-government literature from circulation.
The efforts are led by a commission established under the Ministry of Information and Culture soon after the Taliban swept to power in 2021 and implemented their strict interpretation of Islamic law, or sharia.
In October, the ministry announced the commission had identified 400 books “that conflicted with Islamic and Afghan values, most of which have been collected from the markets.”
The department in charge of publishing has distributed copies of the Qur'an and other Islamic texts to replace seized books, the ministry statement said.
The ministry has not provided figures for the number of removed books, but two sources, a publisher in Kabul and a government employee, said texts had been collected in the first year of Taliban rule and again in recent months.
“There is a lot of censorship. It is very difficult to work, and fear has spread everywhere,” the Kabul publisher told AFP.
Books were also restricted under the previous foreign-backed government ousted by the Taliban, when there was “a lot of corruption, pressures and other issues,” he said.
But “there was no fear, one could say whatever he or she wanted to say,” he added.
“Whether or not we could make any change, we could raise our voices.”

AFP received a list of five of the banned titles from an information ministry official.
It includes “Jesus the Son of Man” by renowned Lebanese-American author Khalil Gibran, for containing “blasphemous expressions,” and the “counterculture” novel “Twilight of the Eastern Gods” by Albanian author Ismail Kadare.
“Afghanistan and the Region: A West Asian Perspective” by Mirwais Balkhi, an education minister under the former government, was also banned for “negative propaganda.”
During the Taliban’s previous rule from 1996 to 2001, there were comparatively few publishing houses and booksellers in Kabul, the country having already been wracked by decades of war.
Today, thousands of books are imported each week alone from neighboring Iran — which shares the Persian language with Afghanistan — through the Islam Qala border crossing in western Herat province.
Taliban authorities rifled through boxes of a shipment at a customs warehouse in Herat city last week.
One man flipped through a thick English-language title, as another, wearing a camouflage uniform with a man’s image on the shoulder patch, searched for pictures of people and animals in the books.
“We have not banned books from any specific country or person, but we study the books and we block those that are contradictory to religion, sharia or the government, or if they have photos of living things,” said Mohammad Sediq Khademi, an official with the Herat department for the Propagation of Virtue and the Prevention of Vice (PVPV).
“Any books that are against religion, faith, sect, sharia... we will not allow them,” the 38-year-old told AFP, adding the evaluations of imported books started some three months ago.
Images of living things — barred under some interpretations of Islam — are restricted according to a recent “vice and virtue” law that codifies rules imposed since the Taliban returned to power, but the regulations have been unevenly enforced.
Importers have been advised of which books to avoid, and when books are deemed unsuitable, they are given the option of returning them and getting their money back, Khademi said.
“But if they can’t, we don’t have any other option but to seize them,” he added.
“Once, we had 28 cartons of books that were rejected.”

Authorities have not gone from shop to shop checking for banned books, an official with the provincial information department and a Herat bookseller said, asking not to be named.
However, some books have been removed from Herat libraries and Kabul bookstores, a bookseller told AFP, also asking for anonymity, including “The History of Jihadi Groups in Afghanistan” by Afghan author Yaqub Mashauf.
Books bearing images of living things can still be found in Herat shops.
In Kabul and Takhar — a northern province where booksellers said they had received the list of 400 banned books — disallowed titles remained on some shelves.
Many non-Afghan works were banned, one seller said, “so they look at the author, whose name is there, and they are mostly banned” if they’re foreign.
His bookshop still carried translations of Russian author Fyodor Dostoyevsky’s “The Gambler” and fantasy novel “Daughter of the Moon Goddess” by Sue Lynn Tan.
But he was keen to sell them “very cheap” now, to clear them from his stock.


Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape

Updated 16 January 2026
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Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape

  • The publication features established and emerging talents elevating the region across design, fashion, art, tech, music, architecture and media
  • Saudi fashion designer Hatem Alakeel seeks to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences

DUBAI: When Saudi fashion designer Hatem Alakeel interviewed Princess Reema bint Bandar Al-Saud before her appointment as Saudi ambassador to the US, the longtime advocate of women’s empowerment made a powerful prediction: “I look forward to the day that the Saudi woman is no longer the story but rather a phenomenal achievement.”

That moment would become the foundation for Gems of Arabia, an arts and culture audio-visual podcast that spotlights the creative talents shaping the landscape of Saudi Arabia and the broader region.

Over six years, Gems of Arabia has documented the sweeping transformation of the Kingdom’s art and culture scene, and is now evolving into a full-fledged magazine.

Hatem Alakeel is a Saudi fashion designer. (Supplied)

“It started off as a column I used to write, and from there, it turned into a podcast. Now it is growing into a magazine,” Dubai-based Alakeel, the magazine’s founder and editor-in-chief, told Arab News ahead of the launch of the digital publication on Thursday.

Besides spotlighting celebrated regional artists, Alakeel said Gems of Arabia is in search of the “hidden gems” elevating the region across design, fashion, art, tech, music, architecture and media.

The magazine serves as a platform for talented, authentic creatives and tech entrepreneurs unable to articulate their work “because they don’t have the public relations or capacity to promote themselves even through social media.”

Alakeel added: “Our job is to identify all these authentic people; you don’t have to be famous, you just have to be authentic, and have a great story to tell.”

The digital publication offers a dynamic blend of short-form podcasts, coverage of regional cultural events, in-depth features and editorials, long-form interviews and artist profiles — spotlighting both celebrated and emerging talents. This is complemented by social media vox pops and bite-sized coverage of art events across the region.

Alakeel, who also runs Authenticite, a consulting and creative production agency connecting creators and brands who want to understand Saudi culture, said the magazine content is “carefully curated” to feature topics and personalities that resonate in the region.

Growing up in France, Alakeel said his mission started early on when he felt the need to represent his Saudi culture “in a way where it can hold its own internationally.”

Through his first brand, Toby, he sought to bring the traditional thobe into modern designs and introduce it to the luxury fashion world. This mission was accomplished when his thobe designs were placed alongside global labels such as Harvey Nichols, Dolce & Gabbana and Prada.

What began as a personal design mission would soon expand into a broader platform to champion Saudi talent. 

“I was articulating my culture through fashion and it just felt natural to do that through the incredible people that the region has,” Alakeel said, adding that the magazine aims to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences.

“Art is such a great way of learning about a culture and a country,” he said. 

What differentiates Gems of Arabia, Alakeel said, is its story of continuity and substance amassed over the years that has captured the evolution of the wider regional landscape.

“The website represents an archive of nearly 150 articles compiled through years of podcasts and long-form conversations that show continuity and depth changes,” he added.

“So, it’s an evolution and it’s another home for all our content and our community.”

On the ground in Saudi Arabia, the publication hosts GEMS Forum, a series of live cultural gatherings that bring together prominent artistic figures for in-depth conversations later transformed into podcast episodes recorded with a live audience.

Alakeel said the print edition of Gems of Arabia will debut in March, designed as a collectible coffee-table quarterly distributed across the Gulf.

He envisions the platform growing into a long-term cultural record.

“It's a Saudi-centric magazine, but the idea is to make it inclusive to the region and everyone authentic has a seat at the table,” said Alakeel.