Book Review: ‘Intelligence in the Flesh’

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Updated 21 October 2024
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Book Review: ‘Intelligence in the Flesh’

In cognitive scientist and professor Guy Claxton’s 2015 book, “Intelligence in the Flesh: Why your mind needs your body much more than it thinks,” you’re in for a mind trick or two — and plenty of treats.

The book explores the idea that intelligence is not confined to the brain but is distributed throughout the body.

Claxton argues against the traditional view that sees the mind as separate from the body, proposing instead, that cognition — our thinking, decision-making and our comprehension — is shaped by the body’s movements, sensations and interactions.

The author claims that “over the last century, human beings in affluent societies have become more and more sluggish.”

He continues: “Millions of us work in offices, pushing paper, staring at screens, discussing proposals and re-arranging words and spreadsheets. For our leisure, we look at more screens, text and tweet, escape into virtual worlds, gossip and chatter.

“Our functional bodies have shrunk: just ears and eyes on the input side, and mouths and fingertips on the output side … Cooking can be no more than ripping off a plastic film and closing the microwave door. Our real bodies get so little attention, and so little skillful use, that we have to make special arrangements to remember them.”

He mentions examples of “remembering our bodies” by taking long walks in the countryside and working out at the gym. Machines have simplified our lives to such an extent that we can now operate almost entirely on autopilot. But have smartphones made us less smart? Certainly, technology has streamlined our routines and made our lives much easier — but at what cost? Have we voluntarily let machines take over mundane tasks and, perhaps unknowingly, allowed them to gain control over crucial parts of our brains? Are our minds going to mush?

This book attempts to answer all of the above. And then some.

Claxton draws on research from neuroscience, psychology and philosophy to support the idea that the body plays a critical role in shaping our mental processes.

He emphasizes that the way we move, feel and experience the world physically is completely inseparable from how we think and learn intellectually.

The book challenges the idea of intelligence as purely an abstract thing, advocating for a more integrated understanding of human cognition that accounts for the body’s role in learning, perception and even creativity.

Claxton’s body of work emphasizes the importance of resilience, resourcefulness, reflectiveness and reciprocity in education.

He often advocates for a shift away from traditional, rigid, one-size-fits-all methods of instruction toward a more flexible and creative approach.

He has authored numerous other books on the issue, including “What’s the Point of School?” and “The Learning Power Approach.”


What We Are Reading Today: ‘A Love Story from the End of the World’

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Updated 17 January 2026
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What We Are Reading Today: ‘A Love Story from the End of the World’

Author: Juhea Kim

Juhea Kim’s 2024 climate fiction work “A Love Story from the End of the World,” turns the climate catastrophe inward, offering ten stories where environmental collapse is felt in the fragile interiors of the human experience.

The short stories in this book imagine a familiar world where ecological collapse is a lived reality. Global cities are sealed inside domes to survive toxic air. Humans drift across ruined landscapes on mobile arks. Islands become landfills for the waste of richer nations. 

Yet Kim keeps her focus trained on the human scale, writing about how people continue to reach for life and one another even as the ground beneath becomes less stable.

They are all love stories, though not in the traditional sense. Some explore romance and longing, others center on family bonds, friendship, or the connection between humans and the natural world.

The writing is clear and precise, never overwrought, delivering characters’ thoughts and emotions while keeping the bigger concerns in clear view.

“Mountain, Island” follows a boy living on a massive landfill island who gains online fame for his K-pop-inspired dances. The contrast between joy and horror is almost unbearable, and it brings to light the global inequalities that we have grown far too used to accepting. 

In “Biodome,” the opening story, Seoul is sealed beneath a protective dome and follows a civil engineer navigating prospects for an arranged marriage. Intimacy and connection feel constrained, shaped by a reality where even the air is controlled and the possibilities of life have narrowed.

“Bioark,” meanwhile, imagines humanity surviving aboard a massive ark after Earth’s land becomes uninhabitable, using this floating world to examine class and capitalism even at the end of everything. 

Kim has spoken in interviews about conceiving this short story collection as an exhibition, inspired by colors and life changing art experiences around the world. Each story, indeed, feels like a distinct work, yet is enriched by its neighbors. Read together, they form a gallery of love, grief and hope.

“A Love Story from the End of the World” is not a fun and cozy read, despite the title. It is heavy, often heartbreaking, and attentive to the ways we remain human even as the world falls apart. 

Readers who loved “How High We Go in the Dark” by Sequoia Nagamatsu or “What We Fed to the Manticore” by Talia Lakhsmi Kolluri, will find a familiar ache in these stories, and perhaps something to ponder long after the final page is turned.