Taylor Swift returns to stage for first time since foiled terror plot

Fans of US mega-star Taylor Swift, so-called "Swifties", pass merchandise stalls outside Wembley Stadium in London on August 15, 2024, ahead of the first of five concerts she is playing at the stadium. (AFP)
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Updated 16 August 2024
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Taylor Swift returns to stage for first time since foiled terror plot

LONDON: Taylor Swift kicked off the first of five sell-out London shows on Thursday, taking to the stage a week after concerts in Vienna were canceled due to a foiled suicide attack plot.

The American star’s return to Wembley Stadium, where she performed for three nights in June, ended the European leg of her recording-breaking “Eras” tour.

In addition to events in Vienna, the shows come two weeks after three girls were killed in a mass stabbing at a dance class themed around her music in northwest England.

The 34-year-old appeared on the Wembley stage for her hit song “22” wearing a T-shirt bearing the words “a lot going on at the moment” — a fashion statement interpreted as a reference to both incidents.

Fans flocked to Wembley to revel in the pre-concert atmosphere, despite heightened security.

Three alleged Daesh group sympathizers have been detained in Austria over a plan to launch an attack using explosives and knives on the Swift concerts.

London police said there was “nothing to indicate” any links between the Vienna events and Swift’s gigs in the UK capital in front of 90,000 fans.

But it was working “closely with venue security teams and other partners to ensure there are appropriate security and policing plans in place.”

Extra security, including additional ticket checks, hundreds of stewards and extra restrictions, did not dampen the spirits of so-called “Swifties” out in force Thursday.

“It doesn’t feel real, that it’s actually happening!” Katie Moulson, 24, told AFP as she arrived at Wembley.

Fans were decked out in glittery skirts, tasselled jackets, cowboy hats and stacks of friendship bracelets as they descended on northwest London.

“After Vienna, it’s good to hear that they’ve upped the security,” student Brodie MacArthur, 23, told AFP, as she arrived wearing a long white dress inspired by Swift’s latest album, “The Tortured Poets Department.”

“In the back of your head, there’s still worries. But there are a lot of people here to keep it safe,” she added.

Following the UK knife attack, Swift said she was “completely in shock” and at a “complete loss for how to ever convey my sympathies to these families.”

Her fans launched a fundraiser for the victims, which raised nearly £400,000 ($514,000) under the banner “Swifties for Southport.”

The tragedy “made you realize how much Swifties need each other,” MacArthur noted. “Because obviously there’s been such horrible events, that just brought us all together more.”

Swift has not yet commented on the plot on the Vienna shows.

“I think she’s just ready to come back and perform,” said Lauren Thies, 19, who has attended five previous Swift concerts with her mother, Denise.

“She loves performing for her fans,” the teenager added.

Fans from around the world traveled to Wembley, where Swift is performing more “Eras” tour shows than anywhere else.

“I was worried, because this is the first concert after that (Vienna). So I was afraid to look at my phone and see something,” said Denise, who flew in with Lauren from US state New Jersey.

“I was really nervous, I thought for sure she would consider canceling her shows here,” said Juan Ramirez, 28, another American who took an 11-hour flight from California for the event.

“It’s been an agonizing anticipation of the concert. But we’re finally here and I love it,” Ramirez added, dressed in a pink outfit, including a bandanna and heart-shaped sunglasses.

Ahead of the performance, fans sang Swift’s songs and exchanged bracelets with each other, a tradition among Swifties during the tour.

Moulson, from Suffolk in eastern England, and donned in DIY sparkly purple boots and a tinsel-lined jacket, dolled out bracelets to some of the security guards.

Denise said she has made more than 400 bracelets for her daughter and their friends.

Both of them have a bucket list of London spots mentioned in Swift’s songs they will visit after the concert, including the Black Dog pub in Vauxhall, south London, namechecked in her latest album.

“Since she’s doing five nights here. It’s going to be very meaningful to her,” Lauren said about the concert.


Review: Netflix docuseries highlights the ugly truth of ‘America’s Next Top Model’

Updated 25 February 2026
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Review: Netflix docuseries highlights the ugly truth of ‘America’s Next Top Model’

DHAHRAN: Out this month, nearly a decade after the successful show went off air, there is understandably a lot to unpack in Netflix’s three-episode documentary series “Reality Check: Inside America’s Next Top Model.”

Premiering in 2003 and running for 24 seasons until 2018, “America’s Next Top Model” invited aspiring models from across America to compete for a coveted modeling contract, and a glossy magazine cover (remember those?).

All this while juggling growing pains, random challenges cooked up by producers, marvelously messy makeovers, photoshoots, and living — and competing — with fellow contestants.

What could go wrong? Turns out — plenty. The show’s intimate format made for compelling TV.

Tyra Banks, one of America’s top models, was the show’s brainchild.

The young contestants were impressionable and eager, full of sky-high dreams and sky-high heels. They came from fractured backgrounds or from small towns. They were meant to have a mentor in Banks.

Instead, their deepest, most shameful moments were broadcast for the world to see. To my knowledge, while some contestants became semi-successful, none truly reached the “top model” level.

The docuseries hits like a punch in the face. And maybe that is the point.

Three episodes, each just an hour long, barely scratches the surface of the trauma, chaos, and behind-the-scenes drama on and off the screen.

The series is essentially a catwalk down nostalgia lane — but the road is uneven and swerving, much like the show itself. The style of filming is also similar to the show, which makes it all the more compelling for avid fans.

Designed for the TikTok-and-meme generation, these bite-sized scenes in the docuseries are tailor-made for viral clips.

Banks appears alone in every scene. Speaking directly at the camera, she seems to shrug through every apology and justify her past behavior.

The docuseries highlights interviews with main judges: Jay Manuel, Nigel Barker, and most prominently, a shocking update on beloved judge J. Alexander, known as “Miss J.” All claim to be estranged from Banks.

A few former contestants are also featured, each seated alone as tears or rage bubble to the surface. Nobody speaks favorably about Banks, especially while replaying clips showing her old judging panels.

Was this backlash justified? Are the vicious things said about Banks fair? The docuseries offers viewers the chance to be the judge in what invariably turns into a trial of Banks and her role on the show.

The docuseries ends on a cliffhanger, teasing a possible revival for cycle 25. Mixed feelings aside, there is clearly an audience for it.