Egyptian screenwriter Mariam Naoum to mentor young Saudi female filmmakers 

A still from the 2021 series 'Take Care of Zizi,' written by Mariam Naoum. (Supplied)
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Updated 02 August 2024
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Egyptian screenwriter Mariam Naoum to mentor young Saudi female filmmakers 

  • Netflix’s Saudi Female Future Filmmakers Program will launch in September 

JEDDAH: Fifteen new and emerging female filmmakers from Saudi Arabia are about to get the opportunity of a lifetime: mentorship from famed Egyptian screenwriter Mariam Naoum, as part of a new training program from Netflix run in partnership with Naoum’s Sard Writing Room and NEOM Media Industries. 

The first of the Saudi Female Future Filmmakers Program’s two phases will launch in September. 

“The first phase is an intense introduction to the processes of writing, directing and production. It will involve extensive time being spent with all the participants taking them through the basics,” Naoum tells Arab News. “And then the second phase will be more hands-on work done in groups. The participants will be separated or grouped into teams of four or five, and each group will write their own projects or their own short film.” 




Mariam Naoum. (Supplied)

Participants will then be given the opportunity to pitch their scripts to a panel of experts in a simulation pitch exercise at the upcoming Red Sea International Film Festival. They will also be guests at the festival, attending workshops and panel discussions as well as networking events.  

Sard, or the Sard Writing Room, was founded by Naoum in 2016 and is a “dedicated hub” for scriptwriters that has so far spawned 17 TV series and a feature film. Sard is billed as “a safe space for aspiring screenwriters to develop their projects, improve their writing skills, and practice their creative freedom.” 

Netflix previously partnered with Sard to launch the Because She Created writing program in Egypt to train women in writing and develop their storytelling and creative expression skills. 

“Sard believes that expressing oneself through writing is the first step to self-discovery and we’re proud to have discovered talent through this program that we feel will one day become the scriptwriters of the future,” Naoum said at the time. 

When asked about the kind of talent they are looking to attract for the new Saudi-based program, Naoum said: “We are looking for passionate participants. We want to discover indie filmmakers or women who are now looking at filmmaking as a career option and are looking to discover their abilities to express themselves through writing, directing and production. 




The first of the Saudi Female Future Filmmakers Program’s two phases will launch in September. (Supplied)

“We are looking for women who want to tell their own authentic stories, and through the application process, we are trying — through the questions — to discover that with them. The application form features questions like their favorite films, their favorite books, their favorite story that changed the lives, a moment in their life that they appreciate… We are trying to discover them as humans and discover their passion and the reason behind why they are looking into this.” 

Naoum — known for her work on films like “One-Zero” and “Between Two Seas,” as well as TV series including “Take Care of Zizi” — has garnered acclaim for writing stories that focus on issues facing everyday people, especially women. Most of her work is based on true stories. 

“I think this is my way to reflect on what is happening in the region and my feelings toward the society I am living in. I’m always reflecting on current happenings, how we arrived here — how did Egyptians end up at this point in this kind of situation in society? And then I want to share my thoughts with the audience,” she says. 

Naoum is bullish about the prospects for the Saudi entertainment industry. “I think it has great potential because there is a will for doing things and creating opportunities and there is a true wealth in terms of a young generation of filmmakers. And I can see how they are investing in studying cinema with workshops and more. And I think this will lead to a new wave,” she says. 

Applications for the Saudi Female Future Filmmakers Program are open until August 10 for women aged 21 and over, residing in Saudi Arabia with no prior experience working in the film and TV industry. 


Islamic Arts Biennale reveals dates for its third edition

Updated 12 sec ago
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Islamic Arts Biennale reveals dates for its third edition

DUBAI: The Diriyah Biennale Foundation has announced the third edition of the Islamic Arts Biennale, open from Nov. 1, 2027, through March 1, 2028, at the Aga Khan Award–winning Western Hajj Terminal of King Abdulaziz International Airport in Jeddah, Saudi Arabia.

Conceived and launched by the Diriyah Biennale Foundation, the Islamic Arts Biennale is the first biennale in the world dedicated exclusively to the exploration of the arts of Islamic civilizations, past and present. The biennale brings together a large number of historical works — some of which have never been displayed before — into dialogue with contemporary commissions, to highlight questions and perspectives that resonate with the lives of people around the world today.

The third edition of the Islamic Arts Biennale and future editions of the Diriyah Contemporary Art Biennale will open at the end of each year, allowing the foundation to deepen its focus on institutional partnerships and align with the Kingdom’s wider cultural calendar.

The Islamic Arts Biennale 2027 will build on the success of its inaugural and second editions, which presented over 500 historical objects from more than 40 institutions across more than 20 countries, with the second edition tripling the number of participating institutions.

Central to this expansion is AlMadar (“The Orbit”), an initiative conceived by the Diriyah Biennale Foundation to transform the biennale from a periodic exhibition into a sustained global platform for Islamic arts. Launched with the biennale’s first edition and reflecting an understanding of Islamic heritage as an evolving field, AlMadar reconsiders how works from across eras and geographies are convened, studied, and experienced. The initiative demonstrates the Kingdom’s commitment to cultural collaboration internationally and across disciplines.

AlMadar will evolve into a continuous, year-round initiative structured by four pillars: AlMadar Exhibition, presented at each edition of the Islamic Arts Biennale and accompanied by public programs; AlMadar Digital, a repository that leverages technology for research, collaboration, and storytelling; AlMadar Initiatives, consisting of symposia, talks, and workshops that support research and creative practice; and AlMadar Community, a network connecting member institutions for knowledge exchange and collaborative opportunities.