T1 star Faker hails ‘Cristiano Ronaldo-esque’ reception from fans at Esports World Cup in Riyadh

T1 star Faker has become known as 'the Michael Jordan of esports' (Supplied)
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Updated 12 July 2024
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T1 star Faker hails ‘Cristiano Ronaldo-esque’ reception from fans at Esports World Cup in Riyadh

  • The ‘Michael Jordan of esports’ helped South Korean side overcome Top Esports of China 3-1 at Boulevard Riyadh City in Esports World Cup’s ‘League of Legends’ final

RIYADH: Faker, the T1 star known as the “Michael Jordan of esports,” believes his Esports World Cup reception from fans in Saudi Arabia has been “Cristiano Ronaldo-esque” — but that is mostly because they love “League of Legends,” not just him.

The 28-year-old South Korean professional, whose real name is Lee Sang-hyeok, is a hero across the world for his gaming exploits and has 1.5 million followers on Instagram.

Starred in the Esports World Cup’s “League of Legends” competition as South Korea’s T1 overcame Top Esports of China 3-1 in Sunday’s all-Asian final in front of a capacity crowd at the SEF Arena at Boulevard Riyadh City.

The win secured vital Esports World Cup Club Championship points for T1 and the $400,000 first prize.

Faker described the love he received from fans in Saudi Arabia as akin to that of five-time Ballon d’Or winner and Al-Nassr hero Cristiano Ronaldo.

“I think it’s because I’ve been putting in a lot of effort all these years and the fans really like that. But mostly I think it’s the love of ‘League of Legends’ itself from the fans. All I can do is just keep being better and keep it up all these years.”

Adored by millions worldwide, “League of Legends” is a strategy game where two teams of five powerful champions face off with the objective of destroying the opposition’s base.

The final on Sunday at the Esports World Cup was decided in a best-of-five format.

Faker — who competes alongside Zeus, Oner, Gumayusi and Keria in T1’s five-star lineup — said the world cup “symbolizes the growth of esports worldwide.

“There are so many athletes from so many countries competing here and this reflects the recent growth of our industry. It’s popular everywhere right now. I hope the Esports World Cup attracts even more athletes, clubs, games, and fans in the future.”

The Esports World Cup began on July 3 and ends on Aug. 25 with 22 tournaments across 21 titles.


Cricket’s increasingly concentrated power and influence

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Cricket’s increasingly concentrated power and influence

  • There seems to be a belief amongst those who wield power that India’s domestic market will never slow down and continue to sustain the sport globally

There appears to have been some mischief-making in the corridors of power which determine cricket broadcasting rights. At least this is the case as far as the all-important Indian market is concerned.

Rumors have been expressed in respected media channels that the current four-year deal between JioStar and the International Cricket Council is in jeopardy.

JioStar is the result of a merger in 2024 between Viacom18 and Disney Star, which had negotiated the original deal, signed in 2022. This was valued at $2.9 billion. The precise rumor was that JioStar does not wish to honor the last two years of the deal.

Such was the impact of the rumor that the ICC and JioStar released a joint statement on Dec. 11 which said that the media reports “do not reflect the position of either organization.

“The existing agreement between the ICC and JioStar remains fully in force, and JioStar continues as the ICC’s official media rights partner in India. Any suggestion that JioStar has withdrawn from the agreement is incorrect. JioStar is fully committed to honor its contractual obligations in letter and spirit.”

It can be argued that evidence of that commitment was demonstrated by the recent unveiling of a teaser advertisement for the men’s Twenty20 World Cup in early 2026, jointly hosted by India and Sri Lanka. The event ought to be a bonanza for advertisers, sponsors and marketers.

So, why, at this point, would rumors circulate about honoring the current media rights model? One possibility is that there is lingering suspicion that the $2.9-billion deal with Disney Star was over the odds.

It is understood that, at the bidding stage, Sony Pictures Networks had been the second-highest bidder at around half of the final sum and that Jio had bid significantly less than that figure.

It is difficult to keep track of the changing ownership patterns of companies which have held ICC media rights. Star Sports, the precursor of Disney Star, started its long-standing commercial relationship with the ICC in 2007, whilst its partnership with the Board of Control for Cricket in India began in 2011.

Indian Premier League broadcasting rights were secured in 2018. It seems that Star had become the preferred supplier and, perhaps, this led to an overreach in 2023 in order to ensure that this position was retained.

What seemed like an ever-growing market received a shock to its system in August. The Indian parliament passed the Promotion and Regulation of Online Gaming Bill. As discussed in my column of Sept. 11, the motivations for the bill are honorable.

It seeks to address the risks of addiction and financial ruin, along with the accompanying harm to mental health and possible suicide risk caused by compulsive playing, as well as opportunities for money laundering and threats to national security by illegal messaging.

The impact on real-money gaming platforms has been severe. They had become a vital cog in the engine driving televised cricket in India and beyond. Dream11, India’s largest fantasy sports platform, had featured on Team India’s shirt front, for both men and women, since 2023.

This prominent sponsorship disappeared with immediate effect and its business model had to pivot from paid contests to free-to-play. One piece of regulatory legislation exposed the inherent risk which cricket faces in basing a part of its financial underpinning on any sector which may be subject to significant governmental intervention.

Of course, none of this is new. Tobacco companies were once prominent sponsors of the game. When this was banned, cricket’s national boards moved onto other sectors, such as financial services. Sponsorship is not the main source of income for cricket — television is, largely from India.

It is well known that the ICC receives 80 percent of its income from India and that other countries rely on tours by the Indian team to generate domestic income. This level of dependency is not only risky but makes most of the rest of cricket vulnerable to what happens in India.

JioStar is owned by Reliance Industries, an industrial conglomerate which controls significant parts of India’s energy, telecommunications, retail and financial sectors. It also owns the Mumbai Indians in the IPL, MI Cape Town in South Africa, MI Emirates in ILT20, MI New York and MI London in The Hundred.

In the latter case, this represents a re-brand of The Oval Invincibles. Despite having a 49 percent stake in the franchise, its influence has been sufficient to effect the re-branding.

Reliance and its owners, the Ambani family, are heavily invested in cricket. A former senior executive of Disney Star and JioStar, Sanjog Gupta, is now chief executive of the ICC and will be very familiar with the terms of the current rights deal.

Jay Shah, former secretary of the BCCI and the current ICC chair is the son of India’s interior minister. The ICC and the BCCI are linked, more than ever before, by common interests and deeply personal connections at the governance levels of both cricket, politics and financial capital.

Whether the rumors about JioStar’s stance on the current rights deal is correct or not, it is known that the ICC has been preparing member boards for the prospect that funding distribution to them in the next cycle from 2028 could be 30 percent lower than in the current cycle.

JioStar has established such a powerful market position, akin to a monopoly, that the rumored default on the current deal may represent the opening salvos on negotiations for the next cycle.

In an ideal world, cricket’s governing body should not be beholden to a single broadcaster. Diversification of revenue streams across multiple broadcasters and streaming platforms in multiple countries would reduce the risk and dependency.

It seems unlikely to happen, as it requires the ICC leadership to decouple itself from the BCCI and India. A basic textbook on corporate strategy would not recommend that a global sport’s financial viability should be dependent on one country and a single powerful broadcaster.

However, that is the position in which cricket finds itself. There seems to be a belief amongst those who wield power in cricket that India’s domestic market will never slow down and continue to sustain the sport globally.

Add to that the continued growth and maturity of franchise leagues, with a high proportion of teams owned by Indian companies and individuals, the notion of anyone else having their hands on the levers of power is risible.

Little evidence exists to suggest that India’s dominance of cricket is not going to remain in place for some time to come. There is no obvious prospect of that position being used to institute structural and governance reform that addresses possible conflicts of interest and restricts power and influence.

In 1887, Lord Acton famously said: “Power tends to corrupt and absolute power corrupts absolutely.” Applied to cricket, this does not imply that financial corruption exists.

However, it should serve as a reminder that absolute power can corrupt the best of natures. On this issue, global cricket governance stands at a crossroads.