Meta expands hate speech policy to remove more posts targeting ‘Zionists’

Meta’s hate speech policy prohibits direct attacks on people on the basis of what it calls protected characteristics. (AFP/File)
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Updated 09 July 2024
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Meta expands hate speech policy to remove more posts targeting ‘Zionists’

  • Meta said it would take down content “attacking ‘Zionists’ when it is not explicitly about the political movement”

LONDON: Meta Platforms said on Tuesday it would start taking down more posts that target “Zionists,” where the term is used to refer to Jewish people and Israelis rather than representing supporters of the political movement.
The Facebook and Instagram parent said in a blog post it would remove content “attacking ‘Zionists’ when it is not explicitly about the political movement” and uses antisemitic stereotypes or threatens harm through intimidation or violence directed against Jews or Israelis.
Meta’s hate speech policy prohibits direct attacks on people on the basis of what it calls protected characteristics, which include race, ethnicity, religious affiliation, disability and gender identity, among others.
The social media giant said its existing policies, which treat the term “Zionist” as a proxy for Jewish or Israeli people in just two narrow circumstances, did not sufficiently address the ways people use the word more broadly.
The policy update, which follows Meta’s consultations with 145 stakeholders representing civil society and academia across global regions, comes as tensions escalate in the Middle East amid the Israel-Hamas war.
Meta has been criticized for years on how it handles content involving the Middle East, and those criticisms shot up further after the start of the war, with rights groups accusing the company of suppressing content supportive of Palestinians on Facebook and Instagram.


Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

Updated 17 January 2026
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Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

  • The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive

PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.