Highlights from artist Maisara Baroud’s ‘I’m Still Alive’ exhibition

‘I’m Still Alive’ runs at Zawyeh Gallery in Ramallah. (Supplied)
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Updated 21 June 2024
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Highlights from artist Maisara Baroud’s ‘I’m Still Alive’ exhibition

DUBAI: Here are three highlights from Maisara Baroud’s ‘I’m Still Alive,’ which runs at Zawyeh Gallery in Ramallah until June 23. 

‘I’m Still Alive No. 1’ 

In the early days of the ongoing Israeli military assault on his hometown of Gaza, artist Maisara Baroud lost both his home and his studio. So he took to drawing a diary, which he has continued as the devastating violence continues, “to tell my friends that I am still alive.” This exhibition sees artists including Mohammad Sabaaneh recreating Baroud’s works in Ramallah. 

‘I’m Still Alive No. 3’ 

“To declare that Maisara is still alive is a declaration that we are all still alive too,” Sabaaneh said in a statement. “So, we don’t become neutral in this genocidal war targeting and annihilating Palestinians physically and spiritually, we decided to participate in re-drawing Maisara’s paintings in Ramallah, playing the same role of a prisoner smuggling another prisoner’s paintings out of prison.” 

‘I’m Still Alive No. 5’ 

On June 23, Baroud’s works will be wiped from the walls, “highlighting the project’s impermanence and the transient nature of the war, hoping for an end to the occupation nightmare one day, as “no condition is permanent,’” the organizers stated. “The exhibition serves as a tribute to Baroud and Palestinians in Gaza.”  


Mohamed Abdo rings in New Year with landmark Saudi celebration in London

Updated 02 January 2026
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Mohamed Abdo rings in New Year with landmark Saudi celebration in London

  • Abdo performs 16 of his most beloved songs over 4 hours
  • He lauds ‘genius choice’ of first Saudi-led New Year show

 

LONDON: Saudi Arabia’s music icon Mohamed Abdo welcomed the New Year with a historic sold-out concert in London, marking what organizers described as the first Kingdom-led celebration in the UK capital.

Organized by Global Gala, the event drew more than 1,400 people, with Saudis traveling from the Kingdom and across Europe to attend.

There were also local fans, underscoring the wide appeal of the evening and the growing international presence of Saudi Arabia’s cultural events.

The concert was held at the Great Room at Grosvenor House, a venue of particular significance for Abdo because it was the same location where he first performed in London.

Tickets sold out rapidly following the show’s announcement. The organizers said the strong response reflected both Abdo’s enduring popularity and the anticipation surrounding a Saudi-led New Year’s event abroad.

When asked about the timing of the concert, Abdo praised the organizers’

decision to stage the event on New Year’s Eve, describing it as a “genius choice” that aligned naturally with the spirit of welcoming a new year.

Over the course of four hours, Abdo performed 16 songs, spanning decades of his career.

The audience responded warmly throughout the night, particularly during well-known tracks including “Al Amaken,” “Ashofak Kil Youm,” and “Majmouat Insan.”

The audience included prominent figures from the worlds of entertainment, media and public life.