Baseball legend Willie Mays, all-around great of America’s pastime, dead at 93

Willie Mays played 23 seasons for the New York Giants, San Francisco Giants and New York Mets, from 1951 through 1973. (AP)
Short Url
Updated 19 June 2024
Follow

Baseball legend Willie Mays, all-around great of America’s pastime, dead at 93

  • Willie Mays was the epitome of what came to be known as a ‘five-tool player’
  • He was exceptional at hitting for average, hitting for power, fielding, throwing and baserunning

 

Mays was the epitome of what came to be known as a “five-tool player” — meaning he was exceptional at hitting for average, hitting for power, fielding, throwing and baserunning

His snag of a fly ball in the 1954 World Series, sprinting with his back toward home plate some 460 feet away, is known simply as The Catch

Mays was ranked second on The Sporting News’ 1998 list of the 100 Greatest Baseball Players — behind Babe Ruth and ahead of Ty Cobb

REUTERS: Willie Mays, the Hall of Fame centerfielder whose all-around skills made him one of greatest baseball players of all time, died on Tuesday at the age of 93, Major League Baseball announced.

Mays, who brought an explosive exuberance to the game in his peak years, died of heart failure, the San Francisco Chronicle reported.

Mays played 23 seasons for the New York Giants, San Francisco Giants and New York Mets, from 1951 through 1973.

In his prime, he could do it all on the baseball field. Mays was the epitome of what came to be known as a “five-tool player” — meaning he was exceptional at hitting for average, hitting for power, fielding, throwing and baserunning.

But Mays’ talent was only part of what made him a superstar. He also played with a verve and passion that were discernible even to spectators in the cheap seats. He was known for playing stickball with kids on the streets of Harlem, near the former Polo Grounds where he played.

In the real games, fans delighted when Mays would sprint with such speed and fury that he would run out from under his hat as he stole a base or chased down a flyball to deep centerfield.

His snag of a fly ball in the 1954 World Series, sprinting with his back toward home plate some 460 feet away, is known simply as The Catch.

“He could do everything and do it better than anyone else, (and) with a joyous grace,” wrote New York Times sports columnist Arthur Daley.

Mays, known as “The Say Hey Kid” because of his standard greeting, was ranked second on The Sporting News’ 1998 list of the 100 Greatest Baseball Players — behind Babe Ruth and ahead of Ty Cobb.

Baseball-Reference.com ranks him fifth all time using the modern statistic Wins Above Replacement, which measures a player’s overall value, behind Ruth, pitchers Walter Johnson and Cy Young, and his godson Barry Bonds.

Mays was elected to the Baseball Hall of Fame in 1979, his first year of eligibility, won the Most Valuable Player award twice and was named to the all-star team 24 times, a record shared only with Hank Aaron and Stan Musial.

When he retired, Mays held third place on the all-time home run list with 660, behind Aaron at 755 and Ruth with 714. He was also the first ballplayer to hit 300 homers and steal 300 bases.

Willie Howard Mays Jr. was born in the gritty steel town of Westfield, Alabama, on May 6, 1931, during the segregation era and was inspired early to play ball by his father and an uncle, he said.

“My uncle would say every day, ‘You’re going to be a baseball player. You’re going to be a baseball player, and we’re gonna see to that,’” he said. “At 10, I was playing against 18-year-old guys. At 15, I was playing professional ball with the Birmingham Black Barons, so I really came very quickly in all sports.”

Mays joined the New York Giants of the National League early in the 1951 season, four years after Jackie Robinson had integrated Major League Baseball. He failed to get a hit in his first 12 trips to the plate before smacking his first, a home run off future Hall of Fame pitcher Warren Spahn.

Mays went on to win Rookie of the Year honors in 1951 with a .274 average, helping the Giants come from 13 games behind the Brooklyn Dodgers before his team won the pennant on a legendary home run by Bobby Thomson. Mays, then 20 years old, was on deck when Thomson hit his home run, later telling reporters he was so nervous he prayed he would not come to bat.

Mays missed most of the 1952 season and all of 1953 while serving in the US Army during the Korean War, spending much of his service time playing for the Army baseball team.

He returned to the Giants in 1954 and won the first of his two Most Valuable Player awards as he paced the Giants to a four-game World Series sweep of the Cleveland Indians. In the first game of that series, Mays pulled off The Catch, which remains one of the most memorable plays in baseball history.

At New York’s Polo Grounds, the Indians’ Vic Wertz hit a shot to deep centerfield. Mays turned, sprinted toward the wall, made a graceful over-the-shoulder catch and then immediately whirled around and made a perfect throw that kept two Cleveland baserunners from advancing.

“I was a guy, when I first came up, I believed I could catch any ball that stayed in the ballpark,” Mays told an interviewer years later. “I guess I was kind of a cocky kid, knowing that if the ball went up, I could catch it.”

In 1958, the Giants moved to San Francisco, where Mays was not quite so beloved. Fans crowding into tiny Seals Stadium, the Giants’ first home, instead embraced rookie sensations Orlando Cepeda and Willie McCovey as their own.

“Mays never was to San Francisco what he was to New York,” wrote sportswriter Dick Young. “When the Giants moved to California, the San Francisco fans saw Mays as ‘of’ New York.”

The Giants moved into cavernous and windy Candlestick Park in 1960, robbing Mays of many home runs that would have gone out in a more typical ballpark.

But Mays still possessed extraordinary skills and in 1962, carried the Giants to another playoff win over the Dodgers and into the World Series.

The series was a seven-game spellbinder won by the New York Yankees when Bobby Richardson speared a line drive for the final out of the game with Mays on second base, representing what would have been the winning run.

By the late 1960s, Mays was slowing down. In May 1972, he was traded to the New York Mets and made a final World Series appearance in 1973, his last season, when the Mets lost to the Oakland Athletics in seven games. He retired later that year.

In his book “Willie’s Time,” baseball writer and historian Charles Einstein wrote:

“The lights were hot and the cameras rolled and you knew Willie was there because you heard that laugh. Came The Automatic Question: ‘Who was the greatest player you ever saw?’ His answer was prompt enough: ‘I thought I was.’ There was merriment in his eyes as he looked around the room. ‘I hope I didn’t say that wrong.’”


‘He earned it’ – Monica Puig lends support to fellow Puerto Rican Bad Bunny ahead of Super Bowl halftime show

Updated 6 sec ago
Follow

‘He earned it’ – Monica Puig lends support to fellow Puerto Rican Bad Bunny ahead of Super Bowl halftime show

  • Retired tennis star speaks to Arab News in Abu Dhabi about the backlash surrounding Bad Bunny’s performance, the fandom around Alex Eala, and the 10-year anniversary of her Olympic triumph

Retired tennis player Monica Puig has voiced her support for fellow Puerto Rican Bad Bunny ahead of his upcoming Super Bowl halftime show, and admits it’s been difficult to witness the backlash against the NFL’s decision to select him to perform in Sunday’s showpiece.

Puig, who made history in Rio 2016 by becoming Puerto Rico’s first-ever Olympic gold medalist, had been working as the stadium presenter and MC at the Mubadala Abu Dhabi Open tennis tournament in the UAE capital this past week.

The 32-year-old cannot wait to watch her compatriot light up the Super Bowl 60 stage and is disheartened by the controversy that has been created around his upcoming performance.

“I'm getting off of a 15-hour flight tomorrow and I will be turning on the TV to watch Bad Bunny, Benito, or as they call it the ‘Benito Bowl’,” Puig told Arab News in Abu Dhabi on Saturday.

“It's been a really controversial moment, which has been hard to see because being from Puerto Rico, it is an American territory; it is part of the United States. And people have really said they wanted an American artist [to perform at the Super Bowl] when we are an American territory.

“We have a U.S. passport, U.S. currency, everything. We are part of the United States. The only thing that we cannot do is vote for the president. But we are essentially part of the U.S.”

Bad Bunny, Benito Antonio Martínez Ocasio, has been the most streamed artist on the planet in four of the past five years and the NFL is looking to bank on his mega popularity to expand their global reach.

But some in the United States aren’t happy that the Super Bowl halftime show will be performed in Spanish and others have criticized Bad Bunny’s public stance against the actions of Immigration and Customs Enforcement (ICE), which prompted him to skip the U.S on his latest tour in order to protect his audience.

Last week, Bad Bunny became the first artist in Grammy Awards history to win Album of the Year with a Spanish-language album, receiving the honor for Debi Tirar Mas Fotos.

He won three awards that night, taking his total Grammy tally to six, and when accepting one of them, he said, uncharacteristically in English: “ICE out! We’re not savage, we’re not animals, we’re not aliens. We are humans and we are Americans.”

Puig has personally met Bad Bunny before and is certain his performance is going to be “a treat”.

“He's earned it. Album of the Year; his album has resonated with all of Puerto Rico. It has even made a big international impact,” added Puig, whose first dance at her wedding was to the Bad Bunny song ‘Ojitos Lindos’.

“People who don't know Spanish love his album. And like he says, it doesn't matter if you don't even know Spanish, just learn to dance and you will enjoy. He is a great showman.

“He loves Puerto Rico with all of his heart and it's really great to see that the things that I feel for Puerto Rico and the things that I feel for my country, he feels as well. And I think we all do.

“All Puerto Ricans can pretty much resonate with that. So I'm going to be watching. I already told my husband we are going to order pizza. We are going to sit down. We are going to watch this performance because it's going to be just... I wasn't able to go to his concert because I was pregnant. I wanted to go back to Puerto Rico to watch. So for me, this is going to be a treat.”

Puig, who lives in Atlanta with her husband Nathan Rakitt and their six-month-old daughter Mila, understands everyone is entitled to their own opinion but wishes people can see the commonalities between us all as humans, rather than the things that divide us.

“It's been quite tough to see the divide because I don't think I've really seen so much pushback on many things. I mean, we have seen Latinos perform at the Super Bowl. We've seen Shakira. We've seen so many different faces and voices take the stage that are not American,” she said.

“To be able to see that kind of pushback, it's been a little puzzling. And for me, it is what it is. We're not going to change what's going on. We're not going to have any impact on what people say.

“And that's their own opinion. Everybody's entitled to their opinion. But I know that I am a 100 percent fan.

“We all have to love and embrace one another. Just because we are from somewhere else, just because we speak a different language doesn't make us any different. We are human. We put our shoes on one foot at a time and we all have dreams, ambitions, goals. And that's the most important thing.”

A ‘wild’ week in Abu Dhabi

Dreams, ambitions and goals were on full display in Abu Dhabi this week, where Puig had a front-row seat to the phenomenon that is Alex Eala.

The young Filipina has risen to rockstar status back home as she’s made her way into the top 50 in the world rankings and she drew capacity crowds in the UAE capital for every match she played across singles and doubles.

In doubles, she partnered another groundbreaking southeast Asian in the form of Indonesia’s Janice Tjen.

Both players are making history for their countries every time they step on a tennis court.

Puig knows a thing or two about making history and has some advice for the likes of Eala and Tjen.

“I think to enjoy it, embrace it,” she said.

“It also is a big responsibility because you are pretty much the face for your country. And I know the Philippines has had success in other sports, but Eala now being the face of tennis, Filipino tennis, and Janice Tjen for Indonesia.

“It's really great to see these players coming from their countries and making a big boom. And to see their fan base also follow them is something really cool because it doesn't matter if they know tennis, they don't know tennis, they show up for their countrywomen. And it's really been super exciting to see, especially here in Abu Dhabi, a lot of Filipinos here, a lot of Indonesian fans in here. So it's been a pretty remarkable week.”

Puig described the atmosphere during Eala’s matches as “absolutely wild” and said it reminded her of her own experience competing at the Rio Olympics en route to the top of the podium.

“They were just loud. They were so passionate and they were really trying to encourage Eala to win. And you saw that they were just suffering along with her,” she added.

This year marks the 10-year anniversary of Puig’s Olympic triumph.

Asked to reflect on the standout moment from her run in Rio, she said: “I think the biggest moment for me was seeing back home the reactions of everybody afterward, after the fact.

“Because I didn't really know or understand the impact that it had in Puerto Rico. And then my agent at the end of the match, he's like, ‘You have to see what's going on’. And I was just flabbergasted. I was stunned. And it was the biggest of the biggest celebrations.

“And just to see what it meant and knowing that sports in Puerto Rico really have the power to unite the island and really have the power to kind of dim all of the negativity that's going on and just kind of bring happiness in that moment. It was just wild.”