Book Review: ‘When I Was Your Age’ by Kenan Thompson

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Updated 01 June 2024
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Book Review: ‘When I Was Your Age’ by Kenan Thompson

  • The longest-serving cast member of the variety show “Saturday Night Live” shows that while he is a ’90s child at heart, he has picked up some wisdom along the way, as a now 40-something father-of-two.

Emmy winner and actor Kenan Thompson, the longest-serving cast member of the variety show “Saturday Night Live,” has made a lot of people laugh over the decades. Now, he has moved on to a new act: writing a book.

In his 2023 memoir, “When I Was Your Age: Life Lessons, Funny Stories & Questionable Parenting Advice from a Professional Clown,” Thompson shows that while he is a ’90s child at heart, he has picked up some wisdom along the way, as a now 40-something father-of-two.

The Georgia native caught the acting bug at the age of 15 in 1994. His first job was as a cast member on Nickelodeon’s “All That.” In the same year, he also starred in the second installment of the popular “The Mighty Ducks” film franchise, playing a young hockey player. He came back later for “The Mighty Ducks 3.”

However, along with his buddy Kel Mitchell, Thompson is perhaps best known for being one half of the comedy duo Kenan and Kel, starring in the sketch comedy show “All That” from 1994-99, followed by the spinoff series “Kenan & Kel” from 1996-2000. One of their sketches, “Good Burger,” about two teens working in a fast-food joint, was turned into two feature films, one in 1997 and the most recent in 2023.

Thompson landed a coveted spot at “SNL” in 2003, where he still works today. His versatility and comedy talent led to him becoming a Hollywood Walk of Fame star in 2022.

In his memoir, he tackles serious subjects with just the right amount of humor sprinkled in — as when he describes the death of loved ones, his divorce from the mother of his two young daughters, and figuring out how to deal with the disappointing fate of former heroes, such as Bill Cosby.

He also discusses his nearly decade-long feud with Mitchell. The two are now on good terms, especially after completing the second “Good Burger” film.

“I’ve always tried to not do the Black versions of white things — because that’s what most stand-ups do … it was important to me to be different. I wanted the jokes to be stuff we could all laugh at comfortably,” Thompson writes.

He has succeeded in writing a book that can be comfortably enjoyed by all.
 


Yataghan boutique in Jeddah celebrates Saudi heritage

Updated 20 December 2025
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Yataghan boutique in Jeddah celebrates Saudi heritage

JEDDAH: Yataghan, the contemporary Saudi jewelry house founded in 2008 by designer and entrepreneur Sarah Abudawood, has announced an expansion with its Riyadh debut at Kingdom Centre, alongside the relocation of its headquarters and flagship store to a street-front location on Jeddah’s Thalia Street.

The brand, known for blending Arabian heritage with modern minimalism, unveiled two boutiques designed as immersive experiences rather than mere retail spaces.

Every detail of the new Jeddah location has been carefully curated; brass accents inspired by the Yataghan blade evoke precision and luxury, while striped, gray onyx symbolizes continuity and progress, according to the brand’s founder. Vast windows, softened by Yataghan’s signature hexagonal motif, a symbol of harmony, order, and strength, flood the boutiques with natural light, creating an inviting environment for visitors.

Inspired by the Yataghan sword, with its distinctive, single-edged blade, the brand’s collections fuse minimalist design with Arabic calligraphy and tribal motifs.

“The name Yataghan draws its meaning from the two swords on the Saudi flag — a symbol that has always fascinated me for what it represents: conviction, protection, truth, and above all, balance,” Abudawood told Arab News.

“The Yataghan sword, known for its graceful curve and exquisite craftsmanship, embodies purpose and precision. It is drawn to defend what matters and to guard what is sacred. It sets boundaries and restores equilibrium, reminding us that strength is not only about force, but about knowing when to advance and when to stand still.

“That balance is reflected in every piece we create. Because, like the sword, Yataghan is more than an ornament; it is a statement of purpose, and identity.”

Abudawood explained the cultural inspiration behind the brand, highlighting pieces connected to Saudi identity. “This branch carries designs that are deeply connected to Saudi identity and cultural memory. Some pieces are exclusive, inspired by symbols, rhythms, and forms rooted in our heritage, interpreted through a modern lens … Jeddah, in particular, has a unique spirit: fluid, expressive, open, and layered with history. That essence subtly informs the designs you’ll find here.” 

The founder also spoke of the brand’s philosophy of minimalism and meaningful design.

“It comes from my belief that simplicity creates space for meaning. I have always been drawn to architecture and the principle that form must follow function. I design with intention; nothing is accidental. Every line has a purpose, every curve holds a story. Minimalism, for me, is not about removing emotion; it is about distilling it. I want each piece to feel timeless, personal, and quietly powerful.”

The label has been flaunted by high-profile clients — including Jennifer Lopez, Lady Gaga and Lama Akeel — but Abudawood emphasized the brand’s focus on connection over visibility. “Whether someone is a public figure or not, what moves me is when they feel seen by the jewelry. Yataghan has always been about resonance, about creating pieces that speak to identity, strength, and personal stories,” she said.

Looking ahead, 2026 will mark new chapters for Yataghan, including local and international expansion, innovative collections, and a stronger focus on storytelling and community collaborations. “Growth has never been about reach alone; it’s about depth, integrity, and lasting impact,” Abudawood added.

“Ultimately, what drives me is purpose. I’m motivated by the desire to create work that matters, to offer women something that reflects who they are, not who they’re expected to be. Design, for me, is a form of dialogue, a way to translate emotion into form. As long as I’m creating with honesty, intention, and heart, I know I’m exactly where I’m meant to be.”