Supermodel Bella Hadid celebrates Palestinian symbols, designers on social media

The dress was designed by US designers Michael Sears and Hushi Mortezaie in 2001. (Getty)
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Updated 29 May 2024
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Supermodel Bella Hadid celebrates Palestinian symbols, designers on social media

DUBAI: US Dutch Palestinian supermodel Bella Hadid on Wednesday took to Instagram to explain the symbolism behind the keffiyeh print and spotlight designers who have “highlighted the Palestinian cause over the years.”

The catwalk star, daughter of real estate mogul Mohamed Hadid and US Dutch model Yolanda Hadid, made a powerful fashion statement on the sidelines of the Cannes Film Festival on May 23 by wearing a red-and-white dress inspired by the keffiyeh. The dress was designed by US designers Michael Sears and Hushi Mortezaie in 2001.

This week, the model shared pictures of the dress with her 61.1 million followers on Instagram, describing the ensemble as “a beautiful way to represent the history, labor of love, resilience, and most importantly the art of historic Palestinian embroidery.”

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bella (@bellahadid)

 

She then explained the meanings behind the patterns of the Palestinian keffiyeh, noting that they symbolize various themes.

The olive leaves represent “strength, resilience and perseverance,” she wrote. 

“The larger part of the of the keffiyeh is the fishnet pattern which resembles the relationship between the Palestinian fisherman and the sea. It symbolizes abundance and grace,” she explained. “To many of us, the sea also means freedom, especially to Palestinians living in the West Bank (who) have no access to the sea due to restricted movement.”

Hadid added that the sea waves resemble the “strength and resilience” of those who “persevered after 73 years under military occupation and oppression.”

Some commenters have claimed that the sea waves actually represent olive leaves, which Hadid considers an “important symbol.” However, after speaking with Judeh Hirbawi, the founder of the Hirbawi Factory fabric manufacturer in Hebron, she says she learned that the pattern indeed represents sea waves.

The bold lines “represent the trade routes going through Palestine, which played a vital role in carving the history and rich and diverse culture of our communities,” the supermodel added. 

Her post also included a heartfelt message about her heritage.

“Palestine on my mind, in my blood and on my heart (sic),” she said. "Always… while I still have to go to work, even through this horror, to wear our culture makes me a proud Palestinian and I want the world to continue to see Palestine, wherever we go.”


At Jazan festival, Suad Al-Asiri paints memory, land and leadership

Updated 57 min 44 sec ago
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At Jazan festival, Suad Al-Asiri paints memory, land and leadership

  • Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
  • Jazan: A Nation and a Prince, places region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi

RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship. 

A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative. 

“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.” 

Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art. 

The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively. 

Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.

“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.” 

The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment. 

Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.  

Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom. 

From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.

Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke. 

Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others. 

Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life. 

Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance. 

At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.