Kodi, star of ‘Dog on Trial,’ takes home Cannes’ top dog prize

Kodi, the dog of the film “Le proces du chien” (Dog on Trial), winner of the Palm Dog, the award for the best canine performance, is seen during the Palme Dog event at the 77th Cannes Film Festival in Cannes on May 24, 2024. (Reuters)
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Updated 24 May 2024
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Kodi, star of ‘Dog on Trial,’ takes home Cannes’ top dog prize

  • The Griffon mix was praised for his “breathtaking” performance as Cosmos, a guide dog for a visually impaired man
  • Xin, the greyhound who made a star turn in Chinese director Guan Hu’s “Black Dog,” was awarded the Palm Dog’s Grand Jury Prize

CANNES, France: There was lots of tail-wagging and face-licking as Kodi, this year’s winner of the Palm Dog, the canine equivalent of the Cannes Film Festival’s top prize, went up to receive his red collar for the French comedy “Dog on Trial” on Friday.
The Griffon mix was praised for his “breathtaking” performance as Cosmos, a guide dog for a visually impaired man, who goes on trial over an attack, in a case whose outcome could mean death.
“This film is very significant because it not only explores the bond between humans and dogs but it takes a satirical, comedic but quite profound look at the way that we domesticate dogs and the way that we relate to dogs, and the way our justice system relates to dogs,” said critic and jury member Anna Smith.
Xin, the greyhound who made a star turn in Chinese director Guan Hu’s “Black Dog,” was awarded the Palm Dog’s Grand Jury Prize.
Xin was in Cannes to don the red collar for the film about an ex-convict tasked with ridding his town of stray dogs who befriends one of them.
The unofficial awards show, which was created in 2001, is now in its 24th edition.
Kodi succeeds last year’s winner, Messi from Justine Triet’s “Anatomy of a Fall,” who converted his star power into a French TV show in which he, through the voice of French humorist Raphael Mezrahi, interviews people at this year’s festival.
Other past winners include Brandy, a pit bull belonging to Brad Pitt’s character in “Once Upon a Time in Hollywood” and Tilda Swinton’s spaniels, who co-starred with her in a film directed by Joanna Hogg.


How Netflix won Hollywood’s biggest prize, Warner Bros Discovery

Updated 59 min 55 sec ago
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How Netflix won Hollywood’s biggest prize, Warner Bros Discovery

  • Board rejected Paramount’s $30 a share bid amid funding concerns, sources say
  • Warner Bros board met daily before accepting Netflix’s binding offer

LOS ANGELES/NEW YORK: What started as a fact-finding mission for Netflix culminated in one of the biggest media deals in the last decade and one that stands to reshape the global entertainment business landscape, people with direct knowledge of the deal told Reuters. Netflix announced on Friday it had reached a deal to buy Warner Bros Discovery’s TV, film studios and streaming division for $72 billion. Although Netflix had publicly downplayed speculation about buying a major Hollywood studio as recently as October, the streaming pioneer threw its hat in the ring when Warner Bros Discovery kicked off an auction on October 21, after rejecting a trio of unsolicited offers from Paramount Skydance .
Details of Netflix’s plan and the Warner Bros board’s deliberations, based on interviews with seven advisers and executives, are reported here for the first time.
Initially motivated by curiosity about its business, Netflix executives quickly recognized the opportunity presented by Warner Bros, beyond the ability to offer the century-old studio’s deep catalog of movies and television shows to Netflix subscribers. Library titles are valuable to streaming services as these movies and shows can account for 80 percent of viewing, according to one person familiar with the business.
Warner Bros’ business units — particularly its theatrical distribution and promotion unit and its studio — were complementary to Netflix. The HBO Max streaming service also would benefit from insights learned years ago by streaming leader Netflix that would accelerate HBO’s growth, according to one person familiar with the situation. Netflix began flirting with the idea of acquiring the studio and streaming assets, another source familiar with the process told Reuters, after WBD announced plans in June to split into two publicly traded companies, separating its fading but cash-generating cable television networks from the legendary Warner Bros studios, HBO and the HBO Max streaming service.
Netflix and Warner Bros did not reply to requests for comment.
The work intensified this autumn, as Netflix began vying for the assets against Paramount and NBCUniversal’s parent company, Comcast.
Warner Bros kicked off the public auction in October, after Paramount submitted the first of three escalating offers for the media company in September. Sources familiar with the offer said Paramount aimed to pre-empt the planned separation because the split would undercut its ability to combine the traditional television networks businesses and increase the risk of being outbid for the studio by the likes of Netflix.
Around that time, banker JPMorgan Chase & Co. was advising Warner Bros Discovery CEO David Zaslav to consider reversing the order of the planned spin, shedding the Discovery Global unit comprising the company’s cable television assets first. This would give the company more flexibility, including the option to sell the studio, streaming and content assets, which advisers believed would draw strong interest, according to sources familiar with the matter.
Executives for the streaming service and its advisory team, which included the investment banks Moelis & Company, Wells Fargo and the law firm Skadden, Arps, Slate, Meagher & Flom, had been holding daily morning calls for the past two months, sources said. The group worked throughout Thanksgiving week — including multiple calls on Thanksgiving Day — to prepare a bid by the December 1 deadline.
Warner Bros’ board similarly convened every day for the last eight days leading up to the decision on Thursday, when Netflix presented the final offer that sources described as the only offer they considered binding and complete, sources familiar with the deliberations said.
The board favored Netflix’s deal, which would yield more immediate benefits over one by Comcast. The NBCUniversal parent proposed merging its entertainment division with Warner Bros Discovery, creating a much larger unit that would rival Walt Disney. But it would have taken years to execute, the sources said.
Comcast declined to comment.
Although Paramount raised its offer to $30 per share on Thursday for the entire company, for an equity value of $78 billion, according to sources familiar with the deal, the Warner Bros board had concerns about the financing, other sources said.
Paramount declined comment.
To reassure the seller over what is expected to be a significant regulatory review, Netflix put forward one of the largest breakup fees in M&A history of $5.8 billion, a sign of its belief it would win regulatory approval, the sources said. “No one lights $6 billion on fire without that conviction,” one of the sources said.
Until the moment late on Thursday night when Netflix learned its offer had been accepted — news that was greeted by clapping and cheering on a group call — one Netflix executive confided that they thought they had only a 50-50 chance.