Saudi film ‘Norah’ selected for Cannes, first from Kingdom in festival’s 77-year history

The Kingdom’s first selection is called “Norah,” filmed entirely in AlUla, directed by Tawfik Alzaidi (left) and set in 1990s Saudi Arabia when conservatism ruled and the pursuit of all art, including painting, was banned. (Supplied)
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Updated 16 April 2024
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Saudi film ‘Norah’ selected for Cannes, first from Kingdom in festival’s 77-year history

  • Film premiered in Saudi Arabia in December at the Red Sea Film Festival in Jeddah
  • Will be included in prestigious “Un Certain Regard” section at Cannes

LONDON: A Saudi film has been named in the Cannes Film Festival’s official selection for the first time, it was announced on Thursday.

The Kingdom’s first selection is called “Norah,” filmed entirely in AlUla, directed by Tawfik Alzaidi and set in 1990s Saudi Arabia when conservatism ruled and the pursuit of all art, including painting, was banned.

It follows the story of Nader, a failed artist who becomes a schoolteacher, played by Yaqoub Alfarhan, who assists the eponymous young girl, played by Maria Bahrawi, to realize her artistic potential in an oppressive rural setting.




Maria Bahrawi on the set of ‘Norah,’ in AlUla. (Supplied)

The film premiered in Saudi Arabia in December at the Red Sea Film Festival in Jeddah and it will be included in the prestigious “Un Certain Regard” section of the French film festival, which recognizes new talent and unconventional narratives and runs alongside the famous “Palme D’Or” competition.

“Norah” will be in competition with 19 other films from around the world.

Speaking to Arab News in November last year before its premiere, Alzaidi said that he hoped it would inspire future generations to never let a dream die.

“I don’t think this is a film that’s trying to have one message — art is subjective, after all,” he said. “But when audiences of the next generation see this film, I want them to remember one thing: Believe in yourself. And if you have a voice, never stop fighting for it.” 




Saudi filmmaker Tawfik Alzaidi’s masterful directorial debut 'Norah' is the first Saudi film to be shot entirely in the Kingdom’s historic AlUla region. (Supplied)

Bahrawi echoed Alzaidi’s sentiments, adding that playing Norah in the film inspired her to not allow anything to dissuade her from fulfilling her potential.

“(Norah) taught me to be myself, to be true to my own spirit, and stand up for myself despite all the challenges,” she told Arab News in an interview. “From now and for the rest of my life, because of Norah, if I don’t find support, I will support myself. I want to find success, and I’ll do it against all odds.” 

Saudi Arabia lifted its 35-year ban on cinema in 2017 and has since seen its burgeoning film scene go from strength to strength, including building a strong relationship with the Cannes festival since first having a delegation there in 2018.

The 2024 festival will run from May 14 to May 25.


Director Kaouther Ben Hania rejects Berlin honor over Gaza

Updated 20 February 2026
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Director Kaouther Ben Hania rejects Berlin honor over Gaza

DUBAI: Kaouther Ben Hania, the Tunisian filmmaker behind “The Voice of Hind Rajab,” refused to accept an award at a Berlin ceremony this week after an Israeli general was recognized at the same event.

The director was due to receive the Most Valuable Film award at the Cinema for Peace gala, held alongside the Berlinale, but chose to leave the prize behind.

On stage, Ben Hania said the moment carried a sense of responsibility rather than celebration. She used her remarks to demand justice and accountability for Hind Rajab, a five-year-old Palestinian girl killed by Israeli soldiers in Gaza in 2024, along with two paramedics who were shot while trying to reach her.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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“Justice means accountability. Without accountability, there is no peace,” Ben Hania said.

“The Israeli army killed Hind Rajab; killed her family; killed the two paramedics who came to save her, with the complicity of the world’s most powerful governments and institutions,” she said.

“I refuse to let their deaths become a backdrop for a polite speech about peace. Not while the structures that enabled them remain untouched.”

Ben Hania said she would accept the honor “with joy” only when peace is treated as a legal and moral duty, grounded in accountability for genocide.