West End’s ‘Life of Pi’ headed to Abu Dhabi this year

West End’s “Life of Pi,” the winner of three Tony Awards and five Olivier Awards including Best New Play, will hit the stage in Abu Dhabi in November. (Supplied)
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Updated 03 April 2024
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West End’s ‘Life of Pi’ headed to Abu Dhabi this year

DUBAI: West End’s “Life of Pi,” the winner of three Tony Awards and five Olivier Awards including Best New Play, will hit the stage in Abu Dhabi in November.

The show will run from Nov. 15 – 17 at Etihad Arena.

Based on the novel that sold more than 15 million copies worldwide, “Life of Pi” tells a story of perseverance and hope. The story was also adapted into a movie, which won four Academy Awards.

After a shipwreck in the middle of the Pacific Ocean, a 16-year-old boy named Pi survives on a lifeboat with four companions— a hyena, a zebra, an orangutan, and a Royal Bengal tiger.

Nicolas Renna, Chief Executive Officer at Proactiv Entertainment, which partnered with the Department of Culture and Tourism – Abu Dhabi and Miral to bring the show to the UAE, said in a statement: “We are beyond thrilled to bring to Abu Dhabi such a unique play after its international success in the West End and Broadway. The production represents the pinnacle of theatrical excellence, combining innovative stagecraft with a deeply moving story that audiences know and adore. Many people may have read the book or watched the movie – but experiencing this epic tale live on stage is something you do not want to miss out on.”


Hamza Hawsawi on headlining The Fridge in Riyadh

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Hamza Hawsawi on headlining The Fridge in Riyadh

DUBAI: Saudi R&B artist Hamza Hawsawi headlined The Fridge’s “Concert Series KSA Season 1” over the weekend, performing a show in Riyadh’s JAX District as part of a two-day program spotlighting emerging talent.

Hawsawi’s performance followed “The Fridge Open Mic,” which took place at the same venue the night before. The open mic offered rising artists a professional stage to perform original material in front of a live audience, creating space for experimentation and discovery within the local music scene.

Speaking during the event, Hawsawi highlighted the importance of platforms such as open mics for artists. “I think it is important because an open mic is an opportunity to get to know new artists,” he said. “For industry professionals, like Fridge, it is an eye-opener to the scene, and it lets you understand how the scene is going, what kind of artists you’re gonna be dealing with in the future.”

From an artist’s standpoint, he added, the format remains essential for growth. “We do need open mics. We do need to be out there and to try different things, and to sing to different people, and to test our art and find out if people are gonna gravitate towards it or not.”

Hawsawi has spent more than 15 years developing a sound rooted in R&B, soul and pop, building an audience that now spans the region and beyond. He has accumulated more than 33 million global views and collaborated with a range of regional and international artists. 

His track “Million Miles” was selected as the official Rally Dakar anthem, while his live performances have included stages such as MDLBeast and the Abu Dhabi Grand Prix.

Asked whether he feels a responsibility to help shape the Saudi R&B scene, Hawsawi described a fluid relationship with that role. “Sometimes I feel that sense of responsibility,” he said. “Other times I feel like I’m just a human being trying to express my feelings … But we’re just artists at the end of the day.”

He added that while he sometimes embraces being a beacon for the genre, “other times I feel like I want to be low-key, and I don’t even want to be seen or heard.”

Hawsawi also reflected on one of his personal challenges as an artist in the Kingdom: writing and performing primarily in English. 

“That has been the biggest challenge to face,” he said. 

While Arabic remains the most widely spoken language in Saudi Arabia, Hawsawi explained that English allows him to express what he feels more clearly, particularly when it comes to emotion and meaning.

“The nuances of what I feel and all the metaphors for me trying to say something but not saying it, you know, not a lot of people get that,” he said, noting that his work often reaches a niche audience. “But I’m happy with that.”