LOS ANGELES: Christopher Nolan fulfilled his award show frontrunner status, winning his first Oscar on Sunday night for directing “Oppenheimer” and then another for best picture.
The 53-year-old British visionary has garnered critical acclaim throughout his career, but had never won at the Oscars until now. He was nominated for directing “Dunkirk” in 2017 and for original screenplay in 2010 for “Inception” and in 2001 for “Memento.”
“Winning this recognition from my peers is the icing on the cake,” he said backstage. “It’s very important to me. It’s a wonderful finish to what’s been an incredible year.”
Nolan quickly added a second statue when “Oppenheimer” closed the evening by winning best picture, one of seven Oscars it earned, including best actor for Cillian Murphy and supporting actor for Robert Downey Jr. The film earned a leading 13 nominations and has earned nearly $1 billion worldwide.
“It means I can do curls,” Nolan joked, with an Oscar in each hand. “They’re very heavy.”
Onstage, Nolan noted that movies are just a little over 100 years old and thanked the Academy for the honor. “We don’t know where this incredible journey is going from here,” he said. “But to know that you think I am a meaningful part of it means the world to me.”
Nolan beat out Jonathan Glazer of “The Zone of Interest,” Yorgos Lanthimos of “Poor Things,” Martin Scorsese of “Killers of the Flower Moon,” and Justine Triet of “Anatomy of a Fall.”At 81, Scorsese was the oldest directing nominee.
Nolan was cheered on by his wife, Emma Thomas, who twice shared best picture nominations with her husband for producing “Dunkirk” and “Inception.” The college sweethearts have been producing partners on all of his films since 1997.
The couple planned to celebrate with their children, starting at the Governors Ball, the Academy’s official post-show celebration.
Nolan had been the frontrunner throughout awards season, earning the top prize from the Directors Guild of America along with directing honors at the BAFTA Film Awards and Golden Globes.
Besides directing, Nolan earned nominations for adapted screenplay and best picture for “Oppenheimer,” the three-hour, ambitious, R-rated epic about the American physicist who developed the atomic bomb.
“Starting with the response of audiences around the world to ‘Oppenheimer,’ which far exceeded our expectations, there were so many things that came together for us on this film,” Nolan said.
The auteur filmmaker is known for a style that favors documentary-style lighting, hand-held cameras and on-location shooting rather than indoor studios. He has been regularly praised by many of his contemporaries, including Scorsese, who has hailed Nolan for creating “beautifully made films on a big scale.”
Among his other credits are “Tenet,” “Interstellar” and the Batman trilogy of “Batman Begins,” “The Dark Knight” and “The Dark Knight Rises.”
Christopher Nolan wins his first Oscar for directing ‘Oppenheimer’
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Christopher Nolan wins his first Oscar for directing ‘Oppenheimer’
Yataghan boutique in Jeddah celebrates Saudi heritage
JEDDAH: Yataghan, the contemporary Saudi jewelry house founded in 2008 by designer and entrepreneur Sarah Abudawood, has announced an expansion with its Riyadh debut at Kingdom Centre, alongside the relocation of its headquarters and flagship store to a street-front location on Jeddah’s Thalia Street.
The brand, known for blending Arabian heritage with modern minimalism, unveiled two boutiques designed as immersive experiences rather than mere retail spaces.
Every detail of the new Jeddah location has been carefully curated; brass accents inspired by the Yataghan blade evoke precision and luxury, while striped, gray onyx symbolizes continuity and progress, according to the brand’s founder. Vast windows, softened by Yataghan’s signature hexagonal motif, a symbol of harmony, order, and strength, flood the boutiques with natural light, creating an inviting environment for visitors.
Inspired by the Yataghan sword, with its distinctive, single-edged blade, the brand’s collections fuse minimalist design with Arabic calligraphy and tribal motifs.
“The name Yataghan draws its meaning from the two swords on the Saudi flag — a symbol that has always fascinated me for what it represents: conviction, protection, truth, and above all, balance,” Abudawood told Arab News.
“The Yataghan sword, known for its graceful curve and exquisite craftsmanship, embodies purpose and precision. It is drawn to defend what matters and to guard what is sacred. It sets boundaries and restores equilibrium, reminding us that strength is not only about force, but about knowing when to advance and when to stand still.
“That balance is reflected in every piece we create. Because, like the sword, Yataghan is more than an ornament; it is a statement of purpose, and identity.”
Abudawood explained the cultural inspiration behind the brand, highlighting pieces connected to Saudi identity. “This branch carries designs that are deeply connected to Saudi identity and cultural memory. Some pieces are exclusive, inspired by symbols, rhythms, and forms rooted in our heritage, interpreted through a modern lens … Jeddah, in particular, has a unique spirit: fluid, expressive, open, and layered with history. That essence subtly informs the designs you’ll find here.”
The founder also spoke of the brand’s philosophy of minimalism and meaningful design.
“It comes from my belief that simplicity creates space for meaning. I have always been drawn to architecture and the principle that form must follow function. I design with intention; nothing is accidental. Every line has a purpose, every curve holds a story. Minimalism, for me, is not about removing emotion; it is about distilling it. I want each piece to feel timeless, personal, and quietly powerful.”
The label has been flaunted by high-profile clients — including Jennifer Lopez, Lady Gaga and Lama Akeel — but Abudawood emphasized the brand’s focus on connection over visibility. “Whether someone is a public figure or not, what moves me is when they feel seen by the jewelry. Yataghan has always been about resonance, about creating pieces that speak to identity, strength, and personal stories,” she said.
Looking ahead, 2026 will mark new chapters for Yataghan, including local and international expansion, innovative collections, and a stronger focus on storytelling and community collaborations. “Growth has never been about reach alone; it’s about depth, integrity, and lasting impact,” Abudawood added.
“Ultimately, what drives me is purpose. I’m motivated by the desire to create work that matters, to offer women something that reflects who they are, not who they’re expected to be. Design, for me, is a form of dialogue, a way to translate emotion into form. As long as I’m creating with honesty, intention, and heart, I know I’m exactly where I’m meant to be.”
