East London’s streets become canvas for pro-Palestine art 

A mural of Palestinian journalist Wael Al Dahdouh in London by Nacho Welles. (Creative Debuts)
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Updated 29 February 2024
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East London’s streets become canvas for pro-Palestine art 

  • Nine graffiti murals spotlight Palestinian journalists and doctors in Gaza with their Instagram handle
  • 'History will judge us all,' Creative Debuts founder says

LONDON: When exploring East London, a vibrant display of creativity and dissent is evident.

Amid the backdrop of coffee shops spinning vinyl records and speakeasies tucked away in butcher shops, the streets have become a canvas for an array of art voicing solidarity with the Palestinian people.

The latest addition has been the “Heroes of Palestine” project, a collection of nine graffiti murals celebrating the resilience of frontline workers in Gaza.




A mural of Palestinian journalist Bisan Owda in London by Lours. (Creative Debuts)

First launched by the art platform Creative Debuts in January, each mural spotlighted a civilian journalist along with their Instagram handle. They include Motaz Azaiza, Wael Dahdouh, Plestia Al-Aqad, Bisan Owda, Hind Khoudary, and Doaa Al-Baz.

Citizen journalists, who are risking their lives to document Israel’s bombardment and military invasion of Gaza, have played a crucial role in humanizing Palestinians.

Through platforms like Instagram, they have forged deep emotional bonds with a global audience, drawing attention to the death and destruction brought on by the war. 

“The murals bring it back to the human beings on the ground and the fact that there’s a huge, tremendous loss of life,” Creative Debuts founder Calum Hall told Arab News. 

“There’s a horrendous amount of casualties, with 90 percent of the population displaced. There’s obviously the situation happening in Rafah at the moment, which is devastating,” he added.

The community-driven project has captured the attention of both the local community and a global audience, with Hall noting that “as far as social media goes, the murals are by far the most engaged pieces we’ve ever done.”




A mural of Palestinian doctor Ahmed Moghrabi spray painted in Peckham, London. (Creative Debuts)

Following the campaign’s initial success, Creative Debuts expanded their project in February to include a tribute to Gaza’s doctors.

Hall says the murals, which have all been seen by their subjects in Gaza via social media, also serve to boost morale.

“Particularly, with the medical professionals, they’re dealing with such harrowing circumstances all the time. So, if we can even provide a 1 percent bit of hope, encouragement, and love, that has a knock-on effect for the people around them.

“We want the people out there to know they’re being seen, know they’re being heard, and know they’re being loved.”

Meanwhile, Hall advocated for the use of street art as a form of activism, a conduit for dialogue, and a tool to connect communities.

“Street art is for the people. It’s the most accessible art form, so it very much should be depicting what’s going on in society.

“Everyone loves it, taking photos, engaging with it. But it is a form of rebellion, it is a form of activism in itself and it’s the perfect way for us to get this campaign out.”




A mural of Palestinian journalist Plestia Alaqad in London painted by  Ed Hicks. (Creative Debuts)

Israel’s brutal war on Gaza, now in its sixth month, has killed nearly 30,000 people, the majority of whom are women and children.

As of Feb. 15, a YouGov poll indicates that 66 percent of Britons want Israel’s war to stop. However, the UK government has not called for an immediate ceasefire, nor has it halted the transfer of arms to Israel amid concerns that they might be used to commit “war crimes” against Palestinians.

London has witnessed some of Europe’s largest pro-Palestine protests since October, with regular marches on Saturdays, drawing hundreds of thousands.

“What seems to be really apparent is there’s a disconnect between how serious the issue is, how the politicians are handling it, and what the public thinks,” Hall said.

“I think that’s creating a bigger fissure between the public and the people in charge in this country,” he added.

The founder concluded: “The murals are an important legacy for all of us, to rally behind the people in Gaza but to also let our politicians know that we’re not happy about it.

“We’re not happy seeing this destruction and devastation in real time on our social media; it’s unavoidable. History will judge us all.”

Creative Debuts has launched a GoFundMe to continue the creation and documentation of the “Heroes of Palestine” murals, with funds directly allocated to the artists, materials, and the photographer.


‘AI is here, now what?’ Arab News unveils report on future of media ahead of Bridge Summit

Updated 07 December 2025
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‘AI is here, now what?’ Arab News unveils report on future of media ahead of Bridge Summit

  • As the Bridge Summit opens in Abu Dhabi, Arab News releases a landmark report on how AI is transforming media in the MENA region
  • Based on a high-level roundtable at the Dubai Future Forum, the new report highlights both the opportunities and risks facing Arab media

DUBAI: As the Bridge Summit kicks off in Abu Dhabi on Monday, bringing together global leaders to explore the future of media, entertainment, and the creative economy, Arab News has launched a timely report on how artificial intelligence is transforming the media industry in the Middle East and beyond.

The report, produced by the Arab News Research and Studies Unit following a high-level roundtable at the Dubai Future Forum, captures the urgency and complexity of AI adoption in the media industry of the Middle East and North Africa region.

It explores how AI is transforming newsroom operations, redefining journalistic roles, and raising critical questions around credibility, accuracy, and trust amid rapid technological disruption.

AI is no longer an emerging trend in the Middle East — it is a central force reshaping economies, governance and public communication.

Journalists watch an introductory video by the 'artificial intelligence' anchor Fedha on the twitter account of Kuwait News service, in Kuwait City on April 9, 2023. (AFP file photo)

With AI projected to contribute $320 billion to the regional economy by 2030, including more than $135 billion to Saudi Arabia’s gross domestic product and nearly $96 billion to the UAE’s, governments and industries are racing to integrate it.

But, for the region’s news media, AI represents something deeper than economic potential: a direct challenge to the foundations of credibility, trust and fact-based reporting.

Such were the questions that set the stage for the roundtable hosted and moderated by Arab News’ Deputy Editor-in-Chief Noor Nugali in collaboration with the Dubai Future Foundation, where editors, media executives and tech specialists convened to confront an industry experiencing one of the most dramatic transformations in its history.

Arab News held a roundtable on the sidelines of the Dubai Future Forum. (AN photo)

The result is an exhaustive and insightful report, which offers both optimism and unease as AI’s looming presence weaves into daily newsroom operations, just as the guardrails needed to protect journalism from misinformation, bias and opacity remain dangerously underdeveloped.

“AI is here and it’s transforming our newsroom,” said Mina Al-Oraibi, editor in chief of the UAE’s leading daily The National, as she described how her team recently held a full-newsroom AI workshop to generate internal use cases.

“We got 26 ideas that we’re working through so people don’t feel this is something imposed,” she said. “They need to feel they’re ahead of the curve rather than being eaten up by it.”

Across the region, that curve is moving quickly. Globally, 81 percent of journalists now use AI tools during their general work, while nearly half do so daily.

However, reporters admit they rely on it mostly to handle mundane, time-consuming tasks such as transcribing interviews, summarizing reports, and translating documents.

Nabeel Al-Khatib, general manager of Asharq News, explained how the shift has already redefined newsroom economics.

“A newsroom of 50 can now publish the equivalent of what 500 once could,” he said. However, although “machines will take over the production line,” he argued that “human oversight must remain to ensure accuracy, context and editorial standards.”

For many newsrooms, the advent of generative AI — machines creating new original content — has created valuable efficiencies, freeing journalists to spend more time verifying and reporting, which are tasks no machine can yet replace.

US President Donald Trump is shown praying in this AI-generated image. Media experts worry that differentiating between true and fake pictures is becoming difficult. 

However, several speakers stressed that the value of AI depends entirely on how intentionally it is used.

“We believe it’s human first, human last,” said Nayla Tueni, editor in chief of Lebanese daily An-Nahar. “We need to always fact-check everything. But at the same time, we need to use all the tools.”

For Tueni, transformation is not optional. “I don’t think journalism will end,” she said. However, if outlets “don’t transform, they cannot continue because the world is transforming every second.”

Accessing revenue streams is also a concern. Elda Choucair, CEO of Omnicom Media Group MENA, said “the biggest danger is … if you don’t have content that you advertise around.”

The region’s audiences appear more comfortable with AI-enhanced content than those in Western markets. But even as opportunities expand, risks multiply. AI-generated misinformation has surged so dramatically that the World Economic Forum ranked it the top global short-term threat for the second year in a row.

A BBC-led audit of four major AI systems found that nearly half of AI-generated answers contained significant errors, fabricated details or incorrect sourcing.

This AI-generated image shows US President Donald Trump being arrested by the police. Media experts worry that differentiating between true and fake pictures is becoming difficult. 

“It’s already very difficult to differentiate between the (true) and the fake,” said Choucair. “We need to create awareness that sometimes, if you really want the truth, you’ve got to wait.”

At a time when 70 percent of global audiences say they struggle to trust online content, speakers warned that the misuse or undisclosed use of AI could deepen a crisis of confidence.

“The machine should be a slave to human beings,” advertising media mogul Pierre Choueiri said, adding: “This is where governments, or regulations, should come in.”

However, regulation in the region remains elusive. While Saudi Arabia has taken major steps, including the establishment of the Saudi Data & AI Authority and the Kingdom’s Generative AI Guidelines, efforts remain far from the comprehensive frameworks seen in Europe.

“It’s inconceivable that Arab consumers are left to face significant risks with no regulatory shield,” said media strategist and legal expert Mazen Hayek. He argued that the region needs its own protections, like the EU’s General Data Protection Regulation, to ensure transparency, safeguard data and hold AI providers accountable.

For Hayek and others, the deeper problem involves technological sovereignty. Nearly all of the AI platforms used in the Middle East today — from search engines to large language models — are built and controlled abroad, often trained on datasets that do not reflect the region’s linguistic, cultural or political realities.

“We live in a region that has zero control over the platforms and the technology that we consume,” Hayek said. “Someone needs to create a platform that empowers the region to create and distribute its own content.”

Julien Hawari, CEO of the emerging social media platform Million, said the main issue is integrity. “That has been a problem for as long as we can think of.”

Rashid Al-Marri, CEO of the Media Regulation Sector at the Dubai Media Council, explained that “there has to be that human element understanding (the content) and what’s happening and being able to come out and speak and get the truth out there.”

Saudi Arabia’s push toward sovereign AI infrastructure, including Public Investment Fund-backed HUMAIN and the $100 billion Project Transcendence, was cited as a step in the right direction. However, roundtable participants warned that unless the region accelerates these efforts, it risks ceding its information future to external algorithms and foreign companies.

The human-capital gap is equally pressing. Despite widespread adoption, most journalists using AI have received little or no training. Many rely on self-learning or online tutorials, and nearly eight in 10 work in newsrooms without formal AI policies.

This lack of structure has created an environment where AI is widely deployed but rarely governed.

For CAMB.AI co-founder Avneesh Prakash, the solution requires both precaution and empowerment. “Like any innovation, AI needs to be regulated,” he said. “Just as a car has an accelerator and a brake, AI must include a kill switch because it requires human judgment, human creativity and human resilience.”

Despite the risks, the discussion ended on a note of guarded optimism. Participants agreed that AI can help rebuild journalism for a digital era — but only if newsrooms combine innovation with rigorous editorial oversight, transparency and a renewed commitment to verification.

Mamoon Sbeih, regional president of advertising firm APCO, offered a clear warning of what lies ahead. AI, he said, “might help the journalism industry progress and redefine itself, or it might expedite its demise.”

For now, the region’s media leaders remain determined to pursue the first path — ensuring that even as machines play a growing role in production, the values that define journalism remain firmly, unmistakably human.